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Pendants

Lion Pendant

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

After 1554. St Mary the Virgin Church, North Aston. Believed to be a Monument to John Anne -1554 but the armour would suggest it is around a hundred years or so earlier than his death in 1554. Finely carved in alabaster. Early Plate Bascinet and Gorget Period. Lancastrian Esses Collar. Lion Pendant. Fine Bedesmen on the chest. Dog(s) chewing at her dress.Possibly Harpur and Moorecock of Burton on Trent.

Yorkist Boar Pendant

St George Pendant

In 1527 Hans Holbein The Younger 1497-1543 (30). Portrait of Henry Guildford 1489-1532 (38) wearing the Garter and Inter-twined Knots Collar with St George Pendant.Standing three-quarter length, richly dressed in velvet, fur and cloth-of-gold. Holbein has meticulously shown the varied texture of his cloth-of-gold double which is woven into a pomegranate pattern with a variety of different weaves including loops of gold thread. Similarly, he has carefully articulated the band of black satin running down Guildford’s arm against the richer black of the velvet of his sleeve. A lavish use of both shell-gold paint and gold leaf (which has been used to emulate the highlights of the gold thread in the material) emphasises the luxuriousness of the sitter’s dress and his high status. In his right-hand he holds the Comptroller of the Household Staff of Office.

In 1527 Hans Holbein The Younger 1497-1543 (30). Portrait of Henry Guildford 1489-1532 (38) wearing the Garter and Inter-twined Knots Collar with St George Pendant.Standing three-quarter length, richly dressed in velvet, fur and cloth-of-gold. Holbein has meticulously shown the varied texture of his cloth-of-gold double which is woven into a pomegranate pattern with a variety of different weaves including loops of gold thread. Similarly, he has carefully articulated the band of black satin running down Guildford’s arm against the richer black of the velvet of his sleeve. A lavish use of both shell-gold paint and gold leaf (which has been used to emulate the highlights of the gold thread in the material) emphasises the luxuriousness of the sitter’s dress and his high status. In his right-hand he holds the Comptroller of the Household Staff of Office.

In 1559 Hans Eworth 1520-1574 (39). Portrait of Anthony Browne 1st Viscount Montague 1528-1592 (30) wearing a Garter Collar and St George Pendant.

In 1559 Hans Eworth 1520-1574 (39). Portrait of Anthony Browne 1st Viscount Montague 1528-1592 (30) wearing a Garter Collar and St George Pendant.

Beaufort Portcullis

1527 Hans Holbein The Younger 1497-1543 (30). Portrait of Thomas More Chancellor Speaker 1478-1535 (48) wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

1527 Hans Holbein The Younger 1497-1543 (30). Portrait of Thomas More Chancellor Speaker 1478-1535 (48) wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

Tudor Rose Pendant

1527 Hans Holbein The Younger 1497-1543 (30). Portrait of Thomas More Chancellor Speaker 1478-1535 (48) wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.

1527 Hans Holbein The Younger 1497-1543 (30). Portrait of Thomas More Chancellor Speaker 1478-1535 (48) wearing a Lancastrian Esses Collar with Beaufort Portcullis and Tudor Rose Pendant.