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John Evelyn's Diary 1674

John Evelyn's Diary 1674 January

John Evelyn's Diary 1674 January. 05 Jan 1674. I saw an Italian opera in music, the first that had been in England of this kind.

John Evelyn's Diary 1674 January. 09 Jan 1674. Sent for by his Majesty (43) to write something against the Hollanders about the duty of the Flag and Fishery. Returned with some papers.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 1674 March

John Evelyn's Diary 1674 March. 25 Mar 1674. I dined at Knightsbridge, with the Bishops of Salisbury (57), Chester (61), and Lincoln (66), my old friends.

John Evelyn's Diary 1674 May

John Evelyn's Diary 1674 May. 29 May 1674. His Majesty's (44) birthday and Restoration. Mr. Demalhoy, Roger L'Estrange (57), and several of my friends, came to dine with me on the happy occasion.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 1674 June

John Evelyn's Diary 1674 June. 27 Jun 1674. Mr. Dryden (42), the famous poet and now laureate, came to give me a visit. It was the anniversary of my marriage, and the first day I went into my new little cell and cabinet, which I built below toward the south court, at the east end of the parlor.

John Evelyn's Diary 1674 July

John Evelyn's Diary 1674 July. 09 Jul 1674. Paid £360 for purchase of Dr. Jacombe's son's share in the mill and land at Deptford, which I bought of the Beechers.

John Evelyn's Diary 1674 July. 22 Jul 1674. I went to Windsor with my wife (39) and son (19) to see my daughter Mary (9), who was there with my Lady Tuke and to do my duty to his Majesty (44). Next day, to a great entertainment at Sir Robert Holmes's (52) at Cranbourne Lodge, in the Forest; there were his Majesty (44), the Queen (35), Duke (40), Duchess (15), and all the Court. I returned in the evening with Sir Joseph Williamson (40), now declared Secretary of State. He was son of a poor clergyman somewhere in Cumberland, brought up at Queen's College, Oxford, of which he came to be a fellow; then traveled with ... and returning when the King (44) was restored, was received as a clerk under Mr. Secretary Nicholas. Sir Henry Bennett (56) (now Lord Arlington) succeeding, Williamson is transferred to him, who loving his ease more than business (though sufficiently able had he applied himself to it) remitted all to his man Williamson; and, in a short time, let him so into the secret of affairs, that (as his Lordship himself told me) there was a kind of necessity to advance him; and so, by his subtlety, dexterity, and insinuation, he got now to be principal Secretary; absolutely Lord Arlington's creature, and ungrateful enough. It has been the fate of this obliging favorite to advance those who soon forgot their original. Sir Joseph was a musician, could play at Jeu de Goblets, exceedingly formal, a severe master to his servants, but so inward with my Lord O'Brien (32), that after a few months of that gentleman's death, he married his widow (34), who, being sister and heir of the Duke of Richmond, brought him a noble fortune. It was thought they lived not so kindly after marriage as they did before. She was much censured for marrying so meanly, being herself allied to the Royal family.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705.

Around 1663 Peter Lely Painter 1618-1680 (44). Portrait of Eleanor Needham Baroness Byron 1627-1664 (36) depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza (24). Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Catherine of Braganza Queen Consort England 1638-1705 (26).

Around 1670 Jacob Huysmans Painter 1633-1696 (37). Portrait of Catherine of Braganza Queen Consort England 1638-1705 (31).

Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.

Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of James II King England Scotland and Ireland 1633-1701 (31) and Anne Hyde Queen Consort England 1637-1671 (27).

Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.

Around 1672 Henri Gascar Painter 1635-1701 (37). Portrait of James II King England Scotland and Ireland 1633-1701 (38).

In 1687 Studio of Peter Lely Painter 1618-1680. Portrait of Mary of Modena Queen Consort England Scotland and Ireland 1658-1718 (28).

In 1698. Francois de Troy Painter 1645-1730 (52). Portrait of Mary of Modena Queen Consort England Scotland and Ireland 1658-1718 (39).

Around 1685 Willem Wissing Painter 1656-1687 (29). Portrait of Mary of Modena Queen Consort England Scotland and Ireland 1658-1718 (26).

Around 1680 Simon Pietersz Verelst Painter 1644-1710. Portrait of Mary of Modena Queen Consort England Scotland and Ireland 1658-1718 (21).

Around 1668 Peter Lely Painter 1618-1680 (49). Portrait of Charles Stewart 6th Duke Lennox 3rd Duke Richmond 1639-1672 (28).

John Evelyn's Diary 1674 August

Battle of Agincourt

John Evelyn's Diary 1674 August. 06 Aug 1674. I went to Groombridge, to see my old friend, Mr. Packer (56); the house built within a moat, in a woody valley. The old house had been the place of confinement of the Duke of Orleans, taken by one Waller (whose house it then was) at the Battle of Agincourt, now demolished, and a new one built in its place, though a far better situation had been on the south of the wood, on a graceful ascent. At some small distance, is a large chapel, not long since built by Mr. Packer's father, on a vow he made to do it on the return of King Charles I out of Spain, 1625, and dedicated to St. Charles, but what saint there was then of that name I am to seek, for, being a Protestant, I conceive it was not Borromeo.
I went to see my farm at Ripe, near Lewes.

In 1633 Anthony Van Dyck Painter 1599-1641 (33). Portrait of Charles I King England Scotland and Ireland 1600-1649 (32) known as Charles I with M.De St Antoine.

Around 1637 Anthony Van Dyck Painter 1599-1641 (37). Portrait of Charles I King England Scotland and Ireland 1600-1649 (36).

1667 Treaty of Breda

John Evelyn's Diary 1674 August. 19 Aug 1674. His Majesty (44) told me how exceedingly the Dutch were displeased at my treatise of the "History of Commerce;" that the Holland Ambassador had complained to him of what I had touched of the Flags and Fishery, etc., and desired the book might be called in; while on the other side, he assured me he was exceedingly pleased with what I had done, and gave me many thanks. However, it being just upon conclusion of the treaty of Breda (indeed it was designed to have been published some months before and when we were at defiance), his Majesty (44) told me he must recall it formally; but gave order that what copies should be publicly seized to pacify the Ambassador, should immediately be restored to the printer, and that neither he nor the vender should be molested. The truth is, that which touched the Hollander was much less than what the King (44) himself furnished me with, and obliged me to publish, having caused it to be read to him before it went to press; but the error was, it should have been published before the peace was proclaimed. The noise of this book's suppression made it presently to be bought up, and turned much to the stationer's advantage. It was no other than the preface prepared to be prefixed to my "History of the Whole War;" which I now pursued no further.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 1674 August. 21 Aug 1674. In one of the meadows at the foot of the long Terrace below the Windsor Castle, works were thrown up to show the King (44) a representation of the city of Maestricht, newly taken by the French. Bastians, bulwarks, ramparts, palisadoes, graffs, horn-works, counter-scarps, etc., were constructed. It was attacked by the Duke of Monmouth (25) (newly come from the real siege) and the Duke of York (40), with a little army, to show their skill in tactics. On Saturday night they made their approaches, opened trenches, raised batteries, took the counter-scarp and ravelin, after a stout defense; great guns fired on both sides, grenadoes shot, mines sprung, parties sent out, attempts of raising the siege, prisoners taken, parleys; and, in short, all the circumstances of a formal siege, to appearance, and, what is most strange all without disorder, or ill accident, to the great satisfaction of a thousand spectators. Being night, it made a formidable show. The siege being over, I went with Mr. Pepys (41) back to London, where we arrived about three in the morning.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1670. John Riley Painter 1646-1691 (24). Portrait of James Scott 1st Duke Monmouth 1st Duke Buccleuch 1649-1685 (20).

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of James II King England Scotland and Ireland 1633-1701 (31) and Anne Hyde Queen Consort England 1637-1671 (27).

Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.

Around 1672 Henri Gascar Painter 1635-1701 (37). Portrait of James II King England Scotland and Ireland 1633-1701 (38).

John Evelyn's Diary 1674 September

John Evelyn's Diary 1674 September. 15 Sep 1674. To Council, about fetching away the English left at Surinam, etc., since our reconciliation with Holland.

John Evelyn's Diary 1674 September. 21 Sep 1674. I went to see the great loss that Lord Arlington (56) had sustained by fire at Goring House, this night consumed to the ground, with exceeding loss of hangings, plate, rare pictures, and cabinets; hardly anything was saved of the best and most princely furniture that any subject had in England. My lord (56) and lady (40) were both absent at the Bath.

John Evelyn's Diary 1674 October

John Evelyn's Diary 1674 October. 06 Oct 1674. The Lord Chief Baron Turner (57), and Sergeant Wild, Recorder of London, came to visit me.

1671 Raid on Panama

John Evelyn's Diary 1674 October. 20 Oct 1674. At Lord Berkeley's (46), I discoursed with Sir Thomas Modiford (54), late Governor of Jamaica, and with Colonel Morgan (39), who undertook that gallant exploit from Nombre de Dios to Panama, on the Continent of America; he told me 10,000 men would easily conquer all the Spanish Indies, they were so secure. They took great booty, and much greater had been taken, had they not been betrayed and so discovered before their approach, by which the Spaniards had time to carry their vast treasure on board ships that put off to sea in sight of our men, who had no boats to follow. They set fire to Panama, and ravaged the country sixty miles about. The Spaniards were so supine and unexercised, that they were afraid to fire a great gun.

John Evelyn's Diary 1674 October. 31 Oct 1674. My birthday, 54th year of my life. Blessed be God! It was also preparation day for the Holy Sacrament, in which I participated the next day, imploring God's protection for the year following, and confirming my resolutions of a more holy life, even upon the Holy Book. The Lord assist and be gracious unto me! Amen.

John Evelyn's Diary 1674 November

John Evelyn's Diary 1674 November. 15 Nov 1674. The anniversary of my baptism: I first heard that famous and excellent preacher, Dr. Burnet (31), author of the "History of the Reformation" on Colossians iii. 10, with such flow of eloquence and fullness of matter, as showed him to be a person o£ extraordinary parts.
Being her Majesty's (44) birthday, the Court was exceeding splendid in clothes and jewels, to the height of excess.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

John Evelyn's Diary 1674 November. 17 Nov 1674. To Council, on the business of Surinam, where the Dutch had detained some English in prison, ever since the first war, 1665.

John Evelyn's Diary 1674 November. 19 Nov 1674. I heard that stupendous violin, Signor Nicholao (with other rare musicians), whom I never heard mortal man exceed on that instrument. He had a stroke so sweet, and made it speak like the voice of a man, and, when he pleased, like a concert of several instruments. He did wonders upon a note, and was an excellent composer. Here was also that rare lutanist, Dr. Wallgrave; but nothing approached the violin in Nicholao's hand. He played such ravishing things as astonished us all.

John Evelyn's Diary 1674 December

John Evelyn's Diary 1674 December. 02 Dec 1674. At Mr. Slingsby's (53), Master of the Mint, my worthy friend, a great lover of music. Heard Signor Francisco on the Harpsichord, esteemed one of the most excellent masters in Europe on that instrument; then, came Nicholao with his violin, and struck all mute, but Mrs. Knight, who sung incomparably, and doubtless has the greatest reach of any English woman; she had been lately roaming in Italy, and was much improved in that quality.

John Evelyn's Diary 1674 December. 15 Dec 1674. Saw a comedy at night, at Court, acted by the ladies only, among them Lady Mary (1) and Ann (13), his Royal Highness' (44) two daughters, and my dear friend Mrs. Blagg (22), who, having the principal part, performed it to admiration. They were all covered with jewels.

Around 1642. William Dobson Painter 1611-1646 (30). Portrait of the future Charles II King England Scotland and Ireland 1630-1685 (11).

Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685.

Around 1665 John Greenhill Painter 1644-1676 (21). Portrait of Charles II King England Scotland and Ireland 1630-1685 (34) in his Garter Robes.

Around 1661 John Michael Wright Painter 1617-1694 (43). Portrait of Charles II King England Scotland and Ireland 1630-1685 (30) in his coronation robes.

Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685.

In 1673. Unknown Painter, possibly Matthew Dixon. Portrait of Margaret Blagge Maid of Honour 1652-1678 (20).

John Evelyn's Diary 1674 December. 22 Dec 1674. Was at the repetition of the "Pastoral," on which occasion Mrs. Blagg (22) had about her near £20,000 worth of jewels, of which she lost one worth about £80, borrowed of the Countess of Suffolk (52). The press was so great, that it is a wonder she lost no more. The Duke (41) made it good.

In 1673. Unknown Painter, possibly Matthew Dixon. Portrait of Margaret Blagge Maid of Honour 1652-1678 (20).

Before 1694 John Michael Wright Painter 1617-1694. Portrait of James II King England Scotland and Ireland 1633-1701 when Duke of York.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of James II King England Scotland and Ireland 1633-1701 (31) and Anne Hyde Queen Consort England 1637-1671 (27).

Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of James II King England Scotland and Ireland 1633-1701 wearing his Garter Robes.

Around 1672 Henri Gascar Painter 1635-1701 (37). Portrait of James II King England Scotland and Ireland 1633-1701 (38).