Biography of William Faithorne "The Elder" Engraver 1616-1691

In 1616 William Faithorne "The Elder" Engraver 1616-1691 was born.

Diary of Samuel Pepys 12 June 1660. 12 Jun 1660. To Mr. Crew's (62), whither came Mr. Greatorex (35), and with him to the Faithornes (44), and so to the Devils tavern. To my Lord's and staid till 12 at night about business. So to my father's (59), my father and mother in bed, who had been with my uncle Fenner, &c., and my wife all day and expected me. But I found Mr. Cook there, and so to bed.

Diary of Samuel Pepys 03 January 1662. 03 Jan 1662. Lay long in bed, and so up and abroad to several places about petty businesses. Among others to Tom's, who I find great hopes of that he will do well, which I am glad of, and am not now so hasty to get a wife for him as I was before.

So to dinner to my Lord Crew's (64) with him and his Lady, and after dinner to Faithorne's (46), and there bought some pictures of him; and while I was there, comes by the King life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles, and other matters of sport and charge.

So home, and up to my chamber to look over my papers and other things, my mind being much troubled for these four or five days because of my present great expense, and will be so till I cast up and see how my estate stands, and that I am loth to do for fear I have spent too much, and delay it the rather that I may pay for my pictures and my wife's, and the book that I am buying for Paul's School before I do cast up my accompts.

Diary of Samuel Pepys 20 June 1666. 20 Jun 1666. Up, but in some pain of the collique. I have of late taken too much cold by washing my feet and going in a thin silke waistcoate, without any other coate over it, and open-breasted, but I hope it will go over. I did this morning (my father being to go away to-morrow) give my father some money to buy him a horse, and for other things to himself and my mother and sister, among them £20, besides undertaking to pay for other things for them to about £3, which the poor man takes with infinite kindnesse, and I do not thinke I can bestow it better.

Thence by coach to St. James's as usual to wait on the Duke of York (32), after having discoursed with Collonell Fitzgerald, whom I met in my way and he returned with me to Westminster, about paying him a sum of 700 and odd pounds, and he bids me defalk £25 for myself, [Abate from an amount.] which is a very good thing; having done with the Duke I to the Exchequer and there after much ado do get my business quite over of the difficulty of breaking a great tally into little ones and so shall have it done tomorrow.

Thence to the Hall and with Mrs. Martin home and staid with her a while, and then away to the Swan and sent for a bit of meat and dined there, and thence to Faythorne (50), the picture-seller's, and there chose two or three good Cutts to try to vernish, and so to Hales's (66) to see my father's picture, which is now near finished and is very good, and here I staid and took a nap of an hour, thinking my father and wife would have come, but they did not; so I away home as fast as I could, fearing lest my father this day going abroad to see Mr. Honiwood at Major Russell's might meet with any trouble, and so in great pain home; but to spite me, in Cheapside I met Mrs. Williams in a coach, and she called me, so I must needs 'light and go along with her and poor Knipp (who is so big as she can tumble and looks-every day to lie down) as far as Paternoster Row, which I did do and there staid in Bennett's shop with them, and was fearfull lest the people of the shop, knowing me, should aske after my father and give Mrs. Williams any knowledge of me to my disgrace. Having seen them done there and accompanied them to Ludgate I 'light and into my owne coach and home, where I find my father and wife had had no intent of coming at all to Hales's (66). So I at home all the evening doing business, and at night in the garden (it having been these three or four days mighty hot weather) singing in the evening, and then home to supper and to bed.

Before 1694 John Michael Wright 1617-1694. Portrait of King James II when Duke of York. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of King James II wearing his Garter Robes. Around 1672 Henri Gascar Painter 1635-1701. Portrait of King James II.

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Before 07 Nov 1666. William Faithorne "The Elder" Engraver 1616-1691 (50). Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 (25). See Diary of Samuel Pepys 07 November 1666.

Diary of Samuel Pepys 07 November 1666. 07 Nov 1666. Up, and with Sir W. Batten (65) to White Hall, where we attended as usual the Duke of York (33) and there was by the folly of Sir W. Batten (65) prevented in obtaining a bargain for Captain Cocke (49), which would, I think have [been] at this time (during our great want of hempe), both profitable to the King (36) and of good convenience to me; but I matter it not, it being done only by the folly, not any design, of Sir W. Batten's (65).

Thence to Westminster Hall, and, it being fast day, there was no shops open, but meeting with Doll Lane, did go with her to the Rose taverne, and there drank and played with her a good while. She went away, and I staid a good while after, and was seen going out by one of our neighbours near the office and two of the Hall people that I had no mind to have been seen by, but there was no hurt in it nor can be alleged from it. Therefore I am not solicitous in it, but took coach and called at Faythorne's (50), to buy some prints for my wife to draw by this winter, and here did see my Baroness Castlemayne's (25) picture, done by him from Lilly's (48), in red chalke and other colours, by which he hath cut it in copper to be printed. The picture in chalke is the finest thing I ever saw in my life, I think; and did desire to buy it; but he says he must keep it awhile to correct his copper-plate by, and when that is done he will sell it me.

Thence home and find my wife gone out with my brother to see her brother (26).

I to dinner and thence to my chamber to read, and so to the office (it being a fast day and so a holiday), and then to Mrs. Turner's (43), at her request to speake and advise about Sir Thomas Harvy's (41) coming to lodge there, which I think must be submitted to, and better now than hereafter, when he gets more ground, for I perceive he intends to stay by it, and begins to crow mightily upon his late being at the payment of tickets; but a coxcombe he is and will never be better in the business of the Navy.

Thence home, and there find Mr. Batelier come to bring my wife a very fine puppy of his mother's spaniel, a very fine one indeed, which my wife is mighty proud of. He staid and supped with us, and they to cards. I to my chamber to do some business, and then out to them to play and were a little merry, and then to bed. By the Duke of York (33) his discourse to-day in his chamber, they have it at Court, as well as we here, that a fatal day is to be expected shortly, of some great mischiefe to the remainder of this day; whether by the Papists, or what, they are not certain. But the day is disputed; some say next Friday, others a day sooner, others later, and I hope all will prove a foolery. But it is observable how every body's fears are busy at this time.

Around 1642. William Dobson Painter 1611-1646. Portrait of the future King Charles II of England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of King Charles II of England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of King Charles II of England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright 1617-1694. Portrait of King Charles II of England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of King Charles II of England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II Before 07 Nov 1666. William Faithorne Before 1694 John Michael Wright 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child. Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 1661. Remigius van Leemput Painter 1607-1675. Copy of Peter Lely Painter 1618-1680 portrait of Henry Hyde, Viscount Cornbury and his first wife Theodosia Capell.

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Diary of Samuel Pepys 01 December 1666. 01 Dec 1666. Up, and to the office, where we sat all the morning. At home to dinner, and then abroad walking to the Old Swan, and in my way I did see a cellar in Tower Streete in a very fresh fire, the late great winds having blown it up1. It seemed to be only of log-wood, that Hath kept the fire all this while in it. Going further, I met my late Lord Mayor Bludworth (46), under whom the City was burned, and went with him by water to White Hall. But, Lord! the silly talk that this fellow had, only how ready he would be to part with all his estate in these difficult times to advance the King's service, and complaining that now, as every body did lately in the fire, every body endeavours to save himself, and let the whole perish: but a very weak man he seems to be. I left him at White Hall, he giving 6d. towards the boat, and I to Westminster Hall, where I was again defeated in my expectation of Burroughs.

However, I was not much sorry for it, but by coach home, in the evening, calling at Faythorne's (50), buying three of my Baroness Castlemayne's (26) heads, printed this day, which indeed is, as to the head, I think, a very fine picture, and like her.

I did this afternoon get Mrs. Michell to let me only have a sight of a pamphlet lately printed, but suppressed and much called after, called "The Catholique's Apology"; lamenting the severity of the Parliament against them, and comparing it with the lenity of other princes to Protestants; giving old and late instances of their loyalty to their princes, whatever is objected against them; and excusing their disquiets in Queen Elizabeth's time, for that it was impossible for them to think her a lawfull Queen, if Queen Mary, who had been owned as such, were so; one being the daughter of the true, and the other of a false wife: and that of the Gunpowder Treason, by saying that it was only the practice of some of us, if not the King (36), to trepan some of their religion into it, it never being defended by the generality of their Church, nor indeed known by them; and ends with a large Catalogue, in red letters, of the Catholiques which have lost their lives in the quarrel of the late King and this. The thing is very well writ indeed.

So home to my letters, and then to my supper and to bed.

1. The fire continued burning in some cellars of the ruins of the city for four months, though it rained in the month of October ten days without ceasing (Rugge's "Diurnal"). B.

Around 1546. William Scrots Painter 1517-1553. Portrait of Queen Elizabeth I of England and Ireland before her accession painted for her father. Around 1570 Hans Eworth Painter 1520-1574. Portrait of Queen Elizabeth I of England and Ireland. In 1579 George Gower Painter 1540-1596. The Plimton Sieve Portrait of Queen Elizabeth I of England and Ireland. Around 1585 William Segar Painter 1554-1663. Ermine Portrait of Queen Elizabeth I of England and Ireland. Around 1592 Marcus Gheeraerts Painter 1562-1636. The Ditchley Portrait of Queen Elizabeth I of England and Ireland. After 1585 Unknown Painter. Portrait of Queen Elizabeth I of England and Ireland. Around 1563 Steven van der Meulen Painter -1564. Portrait of Queen Elizabeth I of England and Ireland. Around 1554 Antonis Mor Painter 1517-1577. Portrait of Mary Tudor I Queen England and Ireland 1516-1558. Around 1556 Hans Eworth Painter 1520-1574. Portrait of Mary Tudor I Queen England and Ireland 1516-1558.

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Diary of Samuel Pepys 09 January 1667. 09 Jan 1667. Up, and with Sir W. Batten (66) and Sir W. Pen (45) in a Hackney-coach to White Hall, the way being most horribly bad upon the breaking up of the frost, so as not to be passed almost. There did our usual [business] with the Duke of York (33), and here I do hear, by my Lord Bruncker (47), that for certain Sir W. Coventry (39) hath resigned his place of Commissioner; which I believe he hath done upon good grounds of security to himself, from all the blame which must attend our office this next year; but I fear the King (36) will suffer by it.

Thence to Westminster Hall, and there to the conference of the Houses about the word "Nuisance",1 which the Commons would have, and the Lords will not, in the Irish Bill. The Commons do it professedly to prevent the King's dispensing with it; which Sir Robert Howard (41) and others did expressly repeat often: viz., "the King (36) nor any King ever could do any thing which was hurtful to their people". Now the Lords did argue, that it was an ill precedent, and that which will ever hereafter be used as a way of preventing the King's dispensation with acts; and therefore rather advise to pass the Bill without that word, and let it go, accompanied with a petition, to the King (36), that he will not dispense with it; this being a more civil way to the King (36). They answered well, that this do imply that the King (36) should pass their Bill, and yet with design to dispense with it; which is to suppose the King (36) guilty of abusing them. And more, they produce precedents for it; namely, that against new buildings and about leather, wherein the word "Nuisance" is used to the purpose: and further, that they do not rob the King (36) of any right he ever had, for he never had a power to do hurt to his people, nor would exercise it; and therefore there is no danger, in the passing this Bill, of imposing on his prerogative; and concluded, that they think they ought to do this, so as the people may really have the benefit of it when it is passed, for never any people could expect so reasonably to be indulged something from a King, they having already given him so much money, and are likely to give more.

Thus they broke up, both adhering to their opinions; but the Commons seemed much more full of judgment and reason than the Lords. Then the Commons made their Report to the Lords of their vote, that their Lordships' proceedings in the Bill for examining Accounts were unparliamentary; they having, while a Bill was sent up to them from the Commons about the business, petitioned his Majesty that he would do the same thing by his Commission. They did give their reasons: viz., that it had no precedent; that the King (36) ought not to be informed of anything passing in the Houses till it comes to a Bill; that it will wholly break off all correspondence between the two Houses, and in the issue wholly infringe the very use and being of Parliaments. Having left their arguments with the Lords they all broke up, and I by coach to the ordinary by the Temple, and there dined alone on a rabbit, and read a book I brought home from Mrs. Michell's, of the proceedings of the Parliament in the 3rd and 4th year of the late King, a very good book for speeches and for arguments of law.

Thence to Faythorne (51), and bought a head or two; one of them my Lord of Ormond's (56), the best I ever saw, and then to Arundell House, where first the Royall Society meet, by the favour of Mr. Harry Howard (38), who was there, and has given us his grandfather's (81) library, a noble gift, and a noble favour and undertaking it is for him to make his house the seat for this college. Here was an experiment shown about improving the use of powder for creating of force in winding up of springs and other uses of great worth. And here was a great meeting of worthy noble persons; but my Lord Bruncker (47), who pretended to make a congratulatory speech upon their coming hither, and in thanks to Mr. Howard (38), do it in the worst manner in the world, being the worst speaker, so as I do wonder at his parts and the unhappiness of his speaking.

Thence home by coach and to the office, and then home to supper, Mercer and her sister there, and to cards, and then to bed. Mr. Cowling did this day in the House-lobby tell me of the many complaints among people against Mr. Townsend in the Wardrobe, and advises me to think of my Lord Sandwich's (41) concernment there under his care. He did also tell me upon my demanding it, that he do believe there are some things on foot for a peace between France and us, but that we shall be foiled in it.

1. In the "Bill against importing Cattle from Ireland and other parts beyond the Seas", the Lords proposed to insert "Detriment and Mischief" in place of "Nuisance", but the Commons stood to their word, and gained their way. The Lords finally consented that "Nuisance" should stand in the Bill.

Before 23 Jun 1686 Mary Beale aka Cradock Painter 1633-1699. Portrait of William Coventry 1628-1686. In 1715 Godfrey Kneller 1646-1723. Portrait of James Butler 1st Duke Ormonde 1610-1688. Around 1647 Peter Lely Painter 1618-1680. Portrait of James Butler 1st Duke Ormonde 1610-1688. Around 1678 Peter Lely Painter 1618-1680. Portrait of James Butler 1st Duke Ormonde 1610-1688 in his Garter Robes. Before 10 Sep 1687 Willem Wissing Painter 1656-1687. Portrait of James Butler 1st Duke Ormonde 1610-1688. Around 1672 Gilbert Soest Painter 1605-1681. Portrait of Henry Howard 6th Duke Norfolk 1628-1684. Around 1669 John Michael Wright 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684. Before 1694 John Michael Wright 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684. In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar. Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672.

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Diary of Samuel Pepys 09 April 1669. 09 Apr 1669. Up, and by water to White Hall, end there, with the Board, attended the Duke of York (35), and Sir Thomas Allen (36) with us (who come to town yesterday); and it is resolved another fleete shall go to the Streights forthwith, and he command it. But his coming home is mighty hardly talked on by the merchants, for leaving their ships there to the mercy of the Turks: but of this more in my White-Booke.

Thence out, and slipped out by water to Westminster Hall and there thought to have spoke with Mrs. Martin, but she was not there, nor at home. So back again, and with W. Hewer (27) by coach home and to dinner, and then to the office, and out again with W. Hewer (27) to the Excise-Office, and to several places; among others, to Mr. Faythorne's (53), to have seen an instrument which he was said to have, for drawing perspectives, but he had it not: but here I did see his work-house, and the best things of his doing he had by him, and so to other places among others to Westminster Hall, and I took occasion to make a step to Mrs. Martin's, the first time I have been with her since her husband went last to sea, which is I think a year since.... But, Lord! to hear how sillily she tells the story of her sister Doll's being a widow and lately brought to bed; and her husband, one Rowland Powell, drowned, sea with her husband, but by chance dead at sea, cast When God knows she hath played the whore, and forced at this time after she was brought to bed, this story.

Thence calling at several places by the home, and there to the office, and then home to supper and to bed.

In 1689 Godfrey Kneller 1646-1723. Portrait of William Hewer 1642-1715.

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On 13 May 1691 William Faithorne "The Elder" Engraver 1616-1691 (75) died.