Biography of Peter Lely Painter 1618-1680

1666 Four Days' Battle

1854 Charge of the Light Brigade

On 14 Sep 1618 Peter Lely Painter 1618-1680 was born Pieter van der Faes to Dutch parents in Soest.

Around 1641 Peter Lely Painter 1618-1680 (22). Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698 (14).

After 28 Apr 1642 Peter Lely Painter 1618-1680 (23). Portrait of Diana Russell Countess Bradford -1695.

Around 1643 Peter Lely Painter 1618-1680 (24) arrived in London.

1645 Peter Lely Painter 1618-1680 (26). Portrait of Samuel Morland Polymath 1st Baronet 1625-1695 (20).

Around 1647 Peter Lely Painter 1618-1680 (28). Portrait of James Butler 1st Duke Ormonde 1610-1688 (36).

Around 1647. Studio of Peter Lely Painter 1618-1680 (28). Portrait of William Cavendish 3rd Earl Devonshire 1617-1684 (29) although the painting says somewhat curiously 2nd Earl Devonshire.

Around 1648 Peter Lely Painter 1618-1680 (29). Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698 (21).

Around 1650. Studio of Peter Lely Painter 1618-1680 (31). Portrait of Gertrude Pierrepoint Marchioness Halifax -1727.

Around 1650. Studio of Peter Lely Painter 1618-1680 (31). Portrait of Mary Sackville Countess Orrery 1648-1710 (1).

Around 1650. Peter Lely Painter 1618-1680 (31). Portrait of Elizabeth Mytton of Weston 1631-1703 (19).

Around 1650 Peter Lely Painter 1618-1680 (31). Portrait of Edward Montagu 1st Earl Sandwich 1625-1672 (24).

From 1651 to 1680 Peter Lely Painter 1618-1680 (61) lived at 10 11 Great Piazza Covent Garden.

Around 1655 Peter Lely Painter 1618-1680 (36). Portrait of Mary "Moll" Davis Actor 1648-1708 (7).

Around 1655 Peter Lely Painter 1618-1680 (36). Portrait of (probably) Anne Percy 2nd Countess Chesterfield 1635-1654 (20). A three quarter-length portrait of a young woman, seated, looking slightly to the left, her right hand on the head of a sculptured dolphin-fountain and wearing a grey dress, with an old-gold mantle against a foliage background.

Around 1655 Peter Lely Painter 1618-1680 (36). Portrait of Frances Cromwell Baroness Russell 1638-1720 (17).

Around 1658 Peter Lely Painter 1618-1680 (39). Portrait of Anne St John Countess Rochester 1614-1696 (43).

Around 1658 Peter Lely Painter 1618-1680 (39). Portrait of Josceline Percy 11th Earl of Northumberland 1644-1670 (13).

John Evelyn's Diary 09 June 1658. 09 Jun 1658. I went to see the Earl of Northumberland's (55) pictures, whereof that of the Venetian Senators was one of the best of Titian's and another of Andrea del Sarto, viz, a Madonna, Christ, St. John, and an Old Woman; a St. Catherine of Da Vinci, with divers portraits of Vandyck (59); a Nativity of Georgioni; the last of our blessed Kings (Charles I.), and the Duke of York, by Lely (39), a Rosary by the famous Jesuits of Brussels, and several more. This was in Suffolk House: the new front toward the gardens is tolerable, were it not drowned by a too massy and clumsy pair of stairs of stone, without any neat invention.

Around 1634 Anthony Van Dyck Painter 1599-1641. Portrait of Algernon Percy 10th Earl of Northumberland 1602-1668 and Anne Cecil -1637. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Algernon Percy 10th Earl of Northumberland 1602-1668.

Around 1659 Peter Lely Painter 1618-1680 (40). Portrait of Thomas Fanshawe 1628-1705 (31) and Margaret Heath -1674.

1660 to 1665. Peter Lely Painter 1618-1680 (41). Portrait of Elizabeth Trentham Viscountess Cullen 1640-1713 (20) as Venus.

In 1660 Peter Lely Painter 1618-1680 (41) was appointed Principal Painter In Ordinary with a stipend of £200 per year.

Around 1660 Peter Lely Painter 1618-1680 (41). Portrait of George Booth 1st Baron Delamer 1622-1684 (37).

Around 1660 Peter Lely Painter 1618-1680 (41). Portrait of Thomas Wriothesley 4th Earl of Southampton 1607-1667 (52) holding his Lord Treasurer Staff of Office.

1660 to 1665. Peter Lely Painter 1618-1680 (41). Portrait of Elizabeth Trentham Viscountess Cullen 1640-1713 (20).

Diary of Samuel Pepys 13 July 1660. 13 Jul 1660. Up early, the first day that I put on my black camlett coat with silver buttons. To Mr. Spong, whom I found in his night-down writing of my patent, and he had done as far as he could "for that &c". by 8 o'clock. It being done, we carried it to Worcester House to the Chancellor, where Mr. Kipps (a strange providence that he should now be in a condition to do me a kindness, which I never thought him capable of doing for me), got me the Chancellor's receipt to my bill; and so carried it to Mr. Beale (28) for a dockett; but he was very angry, and unwilling to do it, because he said it was ill writ (because I had got it writ by another hand, and not by him); but by much importunity I got Mr. Spong to go to his office and make an end of my patent; and in the mean time Mr. Beale (28) to be preparing my dockett, which being done, I did give him two pieces, after which it was strange how civil and tractable he was to me. From thence I went to the Navy office, where we despatched much business, and resolved of the houses for the Officers and Commissioners, which I was glad of, and I got leave to have a door made me into the leads. From thence, much troubled in mind about my patent, I went to Mr. Beale (28) again, who had now finished my patent and made it ready for the Seal, about an hour after I went to meet him at the Chancellor's. So I went away towards Westminster, and in my way met with Mr. Spong, and went with him to Mr. Lilly (41) and ate some bread and cheese, and drank with him, who still would be giving me council of getting my patent out, for fear of another change, and my Lord Montagu's fall. After that to Worcester House, where by Mr. Kipps's means, and my pressing in General Montagu's name to the Chancellor, I did, beyond all expectation, get my seal passed; and while it was doing in one room, I was forced to keep Sir G. Carteret (50) (who by chance met me there, ignorant of my business) in talk, while it was a doing. Went home and brought my wife with me into London, and some money, with which I paid Mr. Beale (28) £9 in all, and took my patent of him and went to my wife again, whom I had left in a coach at the door of Hinde Court, and presented her with my patent at which she was overjoyed; so to the Navy office, and showed her my house, and were both mightily pleased at all things there, and so to my business. So home with her, leaving her at her mother's door. I to my Lord's, where I dispatched an order for a ship to fetch Sir R. Honywood home, for which I got two pieces of my Lady Honywood by young Mr. Powell. Late writing letters; and great doings of music at the next house, which was Whally's; the King and Dukes there with Madame Palmer (19)1, a pretty woman that they have a fancy to, to make her husband a cuckold. Here at the old door that did go into his lodgings, my Lord, I, and W. Howe, did stand listening a great while to the music. After that home to bed. This day I should have been at Guildhall to have borne witness for my brother Hawly against Black Collar, but I could not, at which I was troubled. To bed with the greatest quiet of mind that I have had a great while, having ate nothing but a bit of bread and cheese at Lilly's (41) to-day, and a bit of bread and butter after I was a-bed.

Note 1. Barbara Villiers (19), only child of William (46), second Viscount Grandison, born November, 1640, married April 14th, 1659, to Roger Palmer (26), created Earl of Castlemaine, 1661. She became the King's (30) mistress soon after the Restoration, and was in 1670 made Lady Nonsuch, Countess of Southampton, and Duchess of Cleveland. She had six children by the King, one of them being created Duke of Grafton, and the eldest son succeeding her as Duke of Cleveland. She subsequently married Beau Fielding (10), whom she prosecuted for bigamy. She died October 9th, 1709, aged sixty-nine. Her life was written by G. Steinman Steinman, and privately printed 1871, with addenda 1874, and second addenda 1878.

Around 1666 Mary Beale aka Cradock Painter 1633-1699. Portrait of her husband Charles Beale 1632-1705. Around 1680 Mary Beale aka Cradock Painter 1633-1699. Portrait of her husband Charles Beale 1632-1705. Before 07 Nov 1666. William Faithorne Before 1694 John Michael Wright 1617-1694. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1664 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child. Around 1666 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. One of the Windsor Beauties. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1690 Jacob Huysmans Painter 1633-1696. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709. Around 1642. William Dobson Painter 1611-1646. Portrait of the future Charles II King England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of Charles II King England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright 1617-1694. Portrait of Charles II King England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of Charles II King England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II In 1756 Joshua Reynolds 1723-1788. Portrait of Henry Fitzroy 1st Duke Grafton 1663-1690 in his Garter Robes.

Read More ...

Diary of Samuel Pepys 09 October 1660. 09 Oct 1660. This morning Sir W. Batten (59) with Colonel Birch (45) to Deptford, to pay off two ships. Sir W. Pen (39) and I staid to do business, and afterwards together to White Hall, where I went to my Lord, and found him in bed not well, and saw in his chamber his picture2, very well done; and am with child1 till I get it copied out, which I hope to do when he is gone to sea.

To Whitehall again, where at Mr. Coventry's (32) chamber I met with Sir W. Pen (39) again, and so with him to Redriffe by water, and from thence walked over the fields to Deptford (the first pleasant walk I have had a great while), and in our way had a great deal of merry discourse, and find him to be a merry fellow and pretty good natured, and sings very bawdy songs. So we came and found our gentlemen and Mr. Prin (60) at the pay. About noon we dined together, and were very merry at table telling of tales. After dinner to the pay of another ship till 10 at night, and so home in our barge, a clear moonshine night, and it was 12 o'clock before we got home, where I found my wife in bed, and part of our chambers hung to-day by the upholster, but not being well done I was fretted, and so in a discontent to bed.

I found Mr. Prin (60) a good, honest, plain man, but in his discourse not very free or pleasant. Among all the tales that passed among us to-day, he told us of one Damford, that, being a black man, did scald his beard with mince-pie, and it came up again all white in that place, and continued to his dying day. Sir W. Pen (39) told us a good jest about some gentlemen blinding of the drawer, and who he catched was to pay the reckoning, and so they got away, and the master of the house coming up to see what his man did, his man got hold of him, thinking it to be one of the gentlemen, and told him that he was to pay the reckoning.

Note 1. A figurative expression for an eager longing desire, used by Udall and by Spenser. The latest authority given by Dr. Murray in the "New English Dictionary", is Bailey in 1725.

PAINTINGS/LELY/Edward_Montagu.jpgNote 2. Peter Lely Painter 1618-1680 (42). Portrait of Edward Montagu 1st Earl Sandwich 1625-1672 (35) in his Garter Robes and Garter Collar.

Before 23 Jun 1686 Mary Beale aka Cradock Painter 1633-1699. Portrait of William Coventry 1628-1686. Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672.

Read More ...

Diary of Samuel Pepys 22 October 1660. 22 Oct 1660. Office day; after that to dinner at home upon some ribs of roast beef from the Cook's (which of late we have been forced to do because of our house being always under the painters' and other people's hands, that we could not dress it ourselves). After dinner to my Lord's, where I found all preparing for my Lord's going to sea to fetch the Queen (50) tomorrow. At night my Lord came home, with whom I staid long, and talked of many things. Among others I got leave to have his picture, that was done by Lilly (42)1, copied, and talking of religion, I found him to be a perfect Sceptic, and said that all things would not be well while there was so much preaching, and that it would be better if nothing but Homilies were to be read in Churches. This afternoon (he told me) there hath been a meeting before the King and my Lord Chancellor (51), of some Episcopalian and Presbyterian Divines; but what had passed he could not tell me. After I had done talk with him, I went to bed with Mr. Sheply in his chamber, but could hardly get any sleep all night, the bed being ill made and he a bad bedfellow.

Peter Lely (42), afterwards knighted. He lived in the Piazza, Covent Garden. This portrait was bought by Lord Braybrooke at Mr. Pepys Cockerell's sale in 1848, and is now at Audley End.

Around 1625 John Hoskins Painter 1590-1664. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and the dwarf Jeffrey Hudson. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669 and her son Charles James Stewart 1629-1629. Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of Henrietta Maria Bourbon Queen Consort England 1609-1669. Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674.

Diary of Samuel Pepys 24 October 1660. 24 Oct 1660. I lay and slept long to-day. Office day. I took occasion to be angry with my wife before I rose about her putting up of half a crown of mine in a paper box, which she had forgot where she had lain it. But we were friends again as we are always. Then I rose to Jack Cole, who came to see me. Then to the office, so home to dinner, where I found Captain Murford, who did put £3 into my hands for a friendship I had done him, but I would not take it, but bade him keep it till he has enough to buy my wife a necklace. This afternoon people at work in my house to make a light in my yard into my cellar.

To White Hall, in my way met with Mr. Moore, who went back with me. He tells me, among other things, that the Duke of York is now sorry for his lying with my Lord Chancellor's (51) daughter, who is now brought to bed of a boy. From Whitehall to Mr. De Cretz, who I found about my Lord's picture.

From thence to Mr. Lilly's (42), where, not finding Mr. Spong, I went to Mr. Greatorex (35), where I met him, and so to an alehouse, where I bought of him a drawing-pen; and he did show me the manner of the lamp-glasses, which carry the light a great way, good to read in bed by, and I intend to have one of them.

So to Mr. Lilly's (42) with Mr. Spong, where well received, there being a club to-night among his friends. Among the rest Esquire Ashmole (43), who I found was a very ingenious gentleman. With him we two sang afterward in Mr. Lilly's (42) study. That done, we all pared; and I home by coach, taking Mr. Booker' with me, who did tell me a great many fooleries, which may be done by nativities, and blaming Mr. Lilly (42) for writing to please his friends and to keep in with the times (as he did formerly to his own dishonour), and not according to the rules of art, by which he could not well err, as he had done. I set him down at Lime-street end, and so home, where I found a box of Carpenter's tools sent by my cozen, Thomas Pepys, which I had bespoke of him for to employ myself with sometimes. To bed.

Around 1682. John Riley Painter 1646-1691. Portrait of Elias Ashmole Antiquary 1617-1692. In 1687. John Riley Painter 1646-1691. Portrait of Elias Ashmole Antiquary 1617-1692.

Read More ...

Before 1661. Remigius van Leemput Painter 1607-1675 (53). Copy of Peter Lely Painter 1618-1680 (42) portrait of Henry Hyde, Viscount Cornbury and his first wife Theodosia Capell.

Around 1661 Peter Lely Painter 1618-1680 (42). Portrait of Anne Hyde Queen Consort England 1637-1671 (23).

Around 1661 Peter Lely Painter 1618-1680 (42). Portrait of Charles Stewart 6th Duke Lennox in his Garter Robes and Garter Collar.

After 22 Apr 1661. Peter Lely Painter 1618-1680 (42). Portrait of Elizabeth Grey Baroness Delamer 1622-1691 (39).

Around 1662 Peter Lely Painter 1618-1680 (43). Portrait of Anne Hyde Queen Consort England 1637-1671 (24). One of the Windsor Beauties.

Around 1662 Peter Lely Painter 1618-1680 (43). Portrait of Frances Teresa Stewart Duchess Lennox and Richmond 1647-1702 (14). One of the Windsor Beauties.

Around 1662 Peter Lely Painter 1618-1680 (43). Portrait of Princess Henrietta Stewart Duchess Orléans 1644-1670 (17). One of the Windsor Beauties.

Around 1662 Peter Lely Painter 1618-1680 (43). Portrait of Elizabeth Wriothesley Countess Gainsborough 1646-1690 (16).

Diary of Samuel Pepys 18 June 1662. 18 Jun 1662. Up early; and after reading a little in Cicero, I made me ready and to my office, where all the morning very busy.

At noon Mr. Creed came to me about business, and he and I walked as far as Lincoln's Inn Fields together. After a turn or two in the walks we parted, and I to my Lord Crew's and dined with him; where I hear the courage of Sir H. Vane (49) at his death is talked on every where as a miracle.

Thence to Somerset House to Sir J. Winter's chamber by appointment, and met Mr. Pett (51), where he and I read over his last contract with the King (32) for the Forest of Dean, whereof I took notes because of this new one that he is now in making.

That done he and I walked to Lilly's (43), the painter's, where we saw among other rare things, the Duchess of York (25), her whole body, sitting instate in a chair, in white sattin, and another of the King (32), that is not finished; most rare things. I did give the fellow something that showed them us, and promised to come some other time, and he would show me Baroness Castlemaine's (21), which I could not then see, it being locked up!

Thence to Wright's (45), the painter's: but, Lord! the difference that is between their two works.

Thence to the Temple, and there spoke with my cozen Roger (45), who gives me little hopes in the business between my Uncle Tom and us. So Mr. Pett (51) (who staid at his son's chamber) and I by coach to the old Exchange, and there parted, and I home and at the office till night. My windows at my office are made clean to-day and a casement in my closet.

So home, and after some merry discourse in the kitchen with my wife and maids as I now-a-days often do, I being well pleased with both my maids, to bed.

Around 1658 Gilbert Soest Painter 1605-1681. Portrait of Henry Vane Around 1661 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671. Around 1662 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671. One of the Windsor Beauties. Around 1665 Peter Lely Painter 1618-1680. Portrait of Anne Hyde Queen Consort England 1637-1671. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666.

Read More ...

Diary of Samuel Pepys 20 October 1662. 20 Oct 1662. Up and in Sir J. Minnes's (63) coach with him and Sir W. Batten (61) to White Hall, where now the Duke is come again to lodge: and to Mr. Coventry's (34) little new chamber there.

And by and by up to the Duke, who was making himself ready; and there among other discourse young Killigrew did so commend "The Villaine", a new play made by Tom Porter; and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr. Clerke, who saw it.

Insomuch that after I had done with the Duke, and thence gone with Commissioner Pett (52) to Mr. Lilly's (44), the great painter, who came forth to us; but believing that I come to bespeak a picture, he prevented us by telling us, that he should not be at leisure these three weeks; which methinks is a rare thing.

And then to see in what pomp his table was laid for himself to go to dinner; and here, among other pictures, saw the so much desired by me picture of my Baroness Castlemaine's (21), which is a most blessed picture; and that that I must have a copy of.

And having thence gone to my brother's, where my wife lodged last night, and eat something there, I took her by coach to the Duke's house, and there was the house full of company: but whether it was in over-expecting or what, I know not, but I was never less pleased with a play in my life. Though there was good singing and dancing, yet no fancy in the play, but something that made it less contenting was my conscience that I ought not to have gone by my vow, and, besides, my business commanded me elsewhere.

But, however, as soon as I came home I did pay my crown to the poor's box, according to my vow, and so no harm as to that is done, but only business lost and money lost, and my old habit of pleasure wakened, which I will keep down the more hereafter, for I thank God these pleasures are not sweet to me now in the very enjoying of them.

So by coach home, and after a little business at my office, and seeing Sir W. Pen (41), who continues ill, I went to bed. Dunkirk, I am confirmed, is absolutely sold; for which I am very sorry.

Before 09 Dec 1641 Anthony Van Dyck Painter 1599-1641. Portrait of John Mennes Comptroller 1599-1671.

Read More ...

Around 1663 Peter Lely Painter 1618-1680 (44). Portrait of Eleanor Needham Baroness Byron 1627-1664 (36) depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza (24). Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms.

Around 1664 Peter Lely Painter 1618-1680 (45). Portrait of Edward Montagu 2nd Earl Manchester 1602-1671 (62).

Around 1664 Peter Lely Painter 1618-1680 (45). Portrait of Eizabeth Alington 2nd Baroness Seymour Trowbridge 1635-1691 (28).

Around 1664 Peter Lely Painter 1618-1680 (45). Portrait of Margaret Brooke Lady Denham 1640-1667 (24). One of the Windsor Beauties.

Around 1664. Peter Lely Painter 1618-1680 (45). Portrait of Isabella Lawson.

Around 1664 Peter Lely Painter 1618-1680 (45). Portrait of Jane Needham 1645-1692 (19). One of the Windsor Beauties.

Around 1664 Peter Lely Painter 1618-1680 (45). Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 (23) and her son Charles Fitzroy 1st Duke Southampton as Madonna and Child.

Diary of Samuel Pepys 29 March 1664. 29 Mar 1664. Was called up this morning by a messenger from Sir G. Carteret (54) to come to him to Sir W. Batten's (63), and so I rose and thither to him, and with him and Sir J. Minnes (65) to, Sir G. Carteret's (54) to examine his accounts, and there we sat at it all the morning. About noon Sir W. Batten (63) came from the House of Parliament and told us our Bill for our office was read the second time to-day, with great applause, and is committed.

By and by to dinner, where good cheere, and Sir G. Carteret (54) in his humour a very good man, and the most kind father and pleased father in his children that ever I saw. Here is now hung up a picture of my Baroness Carteret (62), drawn by Lilly (45), a very fine picture, but yet not so good as I have seen of his doing.

After dinner to the business again without any intermission till almost night, and then home, and took coach to my father to see and discourse with him, and so home again and to my office, where late, and then home to bed.

Diary of Samuel Pepys 26 August 1664. 26 Aug 1664. Up by 5 o'clock, which I have not been many a day, and down by water to Deptford, and there took in Mr. Pumpfield the rope-maker, and down with him to Woolwich to view Clothier's cordage, which I found bad and stopped the receipt of it.

Thence to the Ropeyard, and there among other things discoursed with Mrs. Falconer, who tells me that she has found the writing, and Sir W. Pen's (43) daughter is not put into the lease for her life as he expected, and I am glad of it.

Thence to the Dockyarde, and there saw the new ship in very great forwardness, and so by water to Deptford a little, and so home and shifting myself, to the 'Change, and there did business, and thence down by water to White Hall, by the way, at the Three Cranes, putting into an alehouse and eat a bit of bread and cheese. There I could not get into the Parke, and so was fain to stay in the gallery over the gate to look to the passage into the Parke, into which the King (34) hath forbid of late anybody's coming, to watch his coming that had appointed me to come, which he did by and by with his lady and went to Guardener's Lane, and there instead of meeting with one that was handsome and could play well, as they told me, she is the ugliest beast and plays so basely as I never heard anybody, so that I should loathe her being in my house. However, she took us by and by and showed us indeed some pictures at one Hiseman's (31), a picture drawer, a Dutchman, which is said to exceed Lilly (45), and indeed there is both of the Queenes (54) and Mayds of Honour (particularly Mrs. Stewart's (17) in a buff doublet like a soldier) as good pictures, I think, as ever I saw. The Queene (54) is drawn in one like a shepherdess, in the other like St. Katharin, most like and most admirably. I was mightily pleased with this sight indeed, and so back again to their lodgings, where I left them, but before I went this mare that carried me, whose name I know not but that they call him Sir John, a pitiful fellow, whose face I have long known but upon what score I know not, but he could have the confidence to ask me to lay down money for him to renew the lease of his house, which I did give eare to there because I was there receiving a civility from him, but shall not part with my money.

There I left them, and I by water home, where at my office busy late, then home to supper, and so to bed. This day my wife tells me Mr. Pen (19)1, Sir William's son, is come back from France, and come to visit her. A most modish person, grown, she says, a fine gentleman.

Note 1. William Penn (19), afterwards the famous Quaker. P. Gibson, writing to him in March, 1711-12, says: "I remember your honour very well, when you newly came out of France and wore pantaloon breeches".

Around 1662 Peter Lely Painter 1618-1680. Portrait of Frances Teresa Stewart Duchess Lennox and Richmond 1647-1702. One of the Windsor Beauties.

Read More ...

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Henrietta Boyle Countess Rochester 1646-1687 (19). One of the Windsor Beauties.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Admiral John Lawson 1615-1665 (50). One of the Flagmen of Lowestoft.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Anne Hyde Queen Consort England 1637-1671 (27).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Mary Bagot Countess Falmouth. One of the Windsor Beauties.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Elizabeth Wriothesley Countess Gainsborough 1646-1690 (19). One of the Windsor Beauties.

Around 1665 Peter Lely Painter 1618-1680 (46) (circle of). Portrait of Thomas Fanshawe 1st Viscount Fanshawe 1596-1665 (69).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Mary Fane Countess Exeter 1639-1681 (26).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Admiral George Ayscue 1616-1672 (49). One of the Flagmen of Lowestoft.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of John Maitland 1st Duke Lauderdale 1616-1682 (48).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Elizabeth Butler Countess Chesterfield 1640-1665 (24).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Elizabeth Murray Duchess Lauderdale 1626-1698 (38).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Frances Brooke Lady Whitmore 1640-1690 (25). One of the Windsor Beauties.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Catherine of Braganza Queen Consort England 1638-1705 (26).

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Vice-Admiral Christopher Myngs 1625-1666 (39). One of the Flagmen of Lowestoft.

Around 1665 Peter Lely Painter 1618-1680 (46). Portrait of Thomas Allin 1st Baronet 1612-1685 (53). One of the Flagmen of Lowestoft.

Diary of Samuel Pepys 23 July 1665. 23 Jul 1665. Lord's Day. Up very betimes, called by Mr. Cutler, by appointment, and with him in his coach and four horses over London Bridge to Kingston, a very pleasant journey, and at Hampton Court by nine o'clock, and in our way very good and various discourse, as he is a man, that though I think he be a knave, as the world thinks him, yet a man of great experience and worthy to be heard discourse. When we come there, we to Sir W. Coventry's (37) chamber, and there discoursed long with him, he and I alone, the others being gone away, and so walked together through the garden to the house, where we parted, I observing with a little trouble that he is too great now to expect too much familiarity with, and I find he do not mind me as he used to do, but when I reflect upon him and his business I cannot think much of it, for I do not observe anything but the same great kindness from him.

I followed the King (35) to chappell, and there hear a good sermon; and after sermon with my Lord Arlington (47), Sir Thomas Ingram (51) and others, spoke to the Duke (31) about Tangier, but not to much purpose. I was not invited any whither to dinner, though a stranger, which did also trouble me; but yet I must remember it is a Court, and indeed where most are strangers; but, however, Mr. Cutler carried me to Mr. Marriott's the house-keeper, and there we had a very good dinner and good company, among others Lilly (46), the painter.

Thence to the councill-chamber, where in a back room I sat all the afternoon, but the councill begun late to sit, and spent most of the time upon Morisco's Tarr businesse. They sat long, and I forced to follow Sir Thomas Ingram (51), the Duke (31), and others, so that when I got free and come to look for Mr. Cutler, he was gone with his coach, without leaving any word with any body to tell me so; so that I was forced with great trouble to walk up and down looking of him, and at last forced to get a boat to carry me to Kingston, and there, after eating a bit at a neat inne, which pleased me well, I took boat, and slept all the way, without intermission, from thence to Queenhive, where, it being about two o'clock, too late and too soon to go home to bed, I lay and slept till about four,

Around 1676 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685 wearing his Garter Robes. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685. Before 1694 John Michael Wright 1617-1694. Portrait of King James II when Duke of York. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of King James II wearing his Garter Robes. Around 1672 Henri Gascar Painter 1635-1701. Portrait of King James II.

Read More ...

Before 1666 Peter Lely Painter 1618-1680 (47). Portrait of Anne Digby Countess Sunderland 1646-1715 (19). One of the Windsor Beauties.

Around 1666 Peter Lely Painter 1618-1680 (47). Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 (25). One of the Windsor Beauties.

Around 1666 Peter Lely Painter 1618-1680 (47). Portrait of Lucy Loftus Marchioness Wharton 1670-1717.

Around 1666 Peter Lely Painter 1618-1680 (47). Portrait of King James II (32) and Anne Hyde Queen Consort England 1637-1671 (28). See Diary of Samuel Pepys 24 March 1666.

In 1666 Peter Lely Painter 1618-1680 (47). Portrait of Heneage Finch 1st Earl Nottingham 1621-1682 (44).

Diary of Samuel Pepys 24 March 1666. 24 Mar 1666. Up and to the office, where all the morning.

At noon home to dinner, where Anthony_Joyce_1668, and I did give my final answer, I would give but £500 with my sister, and did show him the good offer made us in the country, to which I did now more and more incline, and intend to pursue that.

After dinner I to White Hall to a Committee for Tangier, where the Duke of Yorke (32) was, and I acquitted myself well in what I had to do. After the Committee up, I had occasion to follow the Duke into his lodgings, into a chamber where the Duchesse (29) was sitting to have her picture drawn by Lilly (47), who was there at work. But I was well pleased to see that there was nothing near so much resemblance of her face in his work, which is now the second, if not the third time, as there was of my wife's at the very first time. Nor do I think at last it can be like, the lines not being in proportion to those of her face.

PAINTINGS/LELY/Anne_Hyde_4.pngSo home, and to the office, where late, and so to bed.

Diary of Samuel Pepys 18 April 1666. 18 Apr 1666. [Up] and by coach with Sir W. Batten (65) and Sir Thos. Allen (54) to White Hall, and there after attending the Duke (32) as usual and there concluding of many things preparatory to the Prince (46) and Generall's going to sea on Monday next, Sir W. Batten (65) and Sir T. Allen (54) and I to Mr. Lilly's (47), the painter's; and there saw the heads, some finished, and all begun, of the Flaggmen in the late great fight with the Duke of Yorke (32) against the Dutch. The Duke of Yorke (32) hath them done to hang in his chamber, and very finely they are done indeed. Here is the Prince's (46), Sir G. Askue's (50), Sir Thomas Teddiman's, Sir Christopher Mings (40), Sir Joseph Jordan, Sir William Barkeley (27), Sir Thomas Allen (33), and Captain Harman's (41), as also the Duke of Albemarle's (57); and will be my Lord Sandwich's (40), Sir W. Pen's (44), and Sir Jeremy Smith's. Being very well satisfied with this sight, and other good pictures hanging in the house, we parted, and I left them, and [to] pass away a little time went to the printed picture seller's in the way thence to the Exchange, and there did see great plenty of fine prints; but did not buy any, only a print of an old pillar in Rome made for a Navall Triumph1, which for the antiquity of the shape of ships, I buy and keepe.

Thence to the Exchange, that is, the New Exchange, and looked over some play books and intend to get all the late new plays.

So to Westminster, and there at the Swan got a bit of meat and dined alone; and so away toward King's Street, and spying out of my coach Jane that lived heretofore at Jevons, my barber's, I went a little further and stopped, and went on foot back, and overtook her, taking water at Westminster Bridge, and spoke to her, and she telling me whither she was going I over the water and met her at Lambeth, and there drank with her; she telling me how he that was so long her servant, did prove to be a married man, though her master told me (which she denies) that he had lain with her several times in his house.

There left her 'sans essayer alcune cose con elle2', and so away by boat to the 'Change, and took coach and to Mr. Hales (66), where he would have persuaded me to have had the landskipp stand in my picture, but I like it not and will have it otherwise, which I perceive he do not like so well, however is so civil as to say it shall be altered.

Thence away to Mrs. Pierce's, who was not at home, but gone to my house to visit me with Mrs. Knipp. I therefore took up the little girle Betty and my mayde Mary that now lives there and to my house, where they had been but were gone, so in our way back again met them coming back again to my house in Cornehill, and there stopped laughing at our pretty misfortunes, and so I carried them to Fish Streete, and there treated them with prawns and lobsters, and it beginning to grow darke we away, but the jest is our horses would not draw us up the Hill, but we were fain to 'light and stay till the coachman had made them draw down to the bottom of the Hill, thereby warming their legs, and then they came up cheerfully enough, and we got up and I carried them home, and coming home called at my paper ruler's and there found black Nan, which pleases me mightily, and having saluted her again and again away home and to bed.... In all my ridings in the coach and intervals my mind hath been full these three weeks of setting in musique "It is decreed, &c".

Note 1. The columna rostrata erected in the Forum to C. Duilius, who obtained a triumph for the first naval victory over the Carthaginians, B.C. 261. Part of the column was discovered in the ruins of the Forum near the Arch of Septimius, and transferred to the Capitol. B.

Note 2. 'sans essayer alcune cose con elle'. Without trying to do anything with her.

Around 1665 Peter Lely Painter 1618-1680. Portrait of Thomas Allin 1st Baronet 1612-1685. One of the Flagmen of Lowestoft. Around 1642. William Dobson Painter 1611-1646. Portrait of the Prince Rupert, Colonel John Russell 1620-1687 and Colonel William Murray. Before 1656 Gerrit van Honthorst Painter 1592-1656. Portrait of Prince Rupert. Around 1672 John Michael Wright 1617-1694. Portrait of Prince Rupert. Around 1680 Simon Pietersz Verelst Painter 1644-1710. Portrait of Prince Rupert. Around 1665 Peter Lely Painter 1618-1680. Portrait of Admiral George Ayscue 1616-1672. One of the Flagmen of Lowestoft. Around 1665 Peter Lely Painter 1618-1680. Portrait of Vice-Admiral Christopher Myngs 1625-1666. One of the Flagmen of Lowestoft. Before 03 Jan 1670  Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670. Before 03 Jan 1670 Peter Lely Painter 1618-1680. Portrait of George Monck 1st Duke Albemarle 1608-1670 in his Garter Robes.

Read More ...

Four Days' Battle

Diary of Samuel Pepys 18 July 1666. 18 Jul 1666. Up in good case, and so by coach to St. James's after my fellows, and there did our business, which is mostly every day to complain of want of money, and that only will undo us in a little time. Here, among other things, before us all, the Duke of Yorke (32) did say, that now at length he is come to a sure knowledge that the Dutch did lose in the late engagements twenty-nine captains and thirteen ships. Upon which Sir W. Coventry (38) did publickly move, that if his Royal Highness had this of a certainty, it would be of use to send this down to the fleete, and to cause it to be spread about the fleete, for the recovering of the spirits of the officers and seamen; who are under great dejectedness for want of knowing that they did do any thing against the enemy, notwithstanding all that they did to us. Which, though it be true, yet methought was one of the most dishonourable motions to our countrymen that ever was made; and is worth remembering.

Thence with Sir W. Pen (45) home, calling at Lilly's (47), to have a time appointed when to be drawn among the other Commanders of Flags the last year's fight. And so full of work Lilly (47) is, that he was faro to take his table-book out to see how his time is appointed, and appointed six days hence for him to come between seven and eight in the morning.

Thence with him home; and there by appointment I find Dr. Fuller (58), now Bishop of Limericke, in Ireland; whom I knew in his low condition at Twittenham. I had also by his desire Sir W. Pen (45), and with him his lady (42) and daughter (15), and had a good dinner, and find the Bishop the same good man as ever; and in a word, kind to us, and, methinks, one of the comeliest and most becoming prelates in all respects that ever I saw in my life. During dinner comes an acquaintance of his, Sir Thomas Littleton (45); whom I knew not while he was in my house, but liked his discourse; and afterwards, by Sir W. Pen (45), do come to know that he is one of the greatest speakers in the House of Commons, and the usual second to the great Vaughan (62). So was sorry I did observe him no more, and gain more of his acquaintance.

After dinner, they being gone, and I mightily pleased with my guests, I down the river to Greenwich, about business, and thence walked to Woolwich, reading "The Rivall Ladys" all the way, and find it a most pleasant and fine writ play.

At Woolwich saw Mr. Shelden, it being late, and there eat and drank, being kindly used by him and Bab, and so by water to Deptford, it being 10 o'clock before I got to Deptford, and dark, and there to Bagwell's (29), and, having staid there a while, away home, and after supper to bed. The Duke of Yorke (32) said this day that by the letters from the Generals they would sail with the Fleete this day or to-morrow.

Read More ...

Diary of Samuel Pepys 07 November 1666. 07 Nov 1666. Up, and with Sir W. Batten (65) to White Hall, where we attended as usual the Duke of York (33) and there was by the folly of Sir W. Batten (65) prevented in obtaining a bargain for Captain Cocke (49), which would, I think have [been] at this time (during our great want of hempe), both profitable to the King (36) and of good convenience to me; but I matter it not, it being done only by the folly, not any design, of Sir W. Batten's (65).

Thence to Westminster Hall, and, it being fast day, there was no shops open, but meeting with Doll Lane, did go with her to the Rose taverne, and there drank and played with her a good while. She went away, and I staid a good while after, and was seen going out by one of our neighbours near the office and two of the Hall people that I had no mind to have been seen by, but there was no hurt in it nor can be alleged from it. Therefore I am not solicitous in it, but took coach and called at Faythorne's (50), to buy some prints for my wife to draw by this winter, and here did see my Baroness Castlemayne's (25) picture, done by him from Lilly's (48), in red chalke and other colours, by which he hath cut it in copper to be printed. The picture in chalke is the finest thing I ever saw in my life, I think; and did desire to buy it; but he says he must keep it awhile to correct his copper-plate by, and when that is done he will sell it me.

Thence home and find my wife gone out with my brother to see her brother (26).

I to dinner and thence to my chamber to read, and so to the office (it being a fast day and so a holiday), and then to Mrs. Turner's (43), at her request to speake and advise about Sir Thomas Harvy's (41) coming to lodge there, which I think must be submitted to, and better now than hereafter, when he gets more ground, for I perceive he intends to stay by it, and begins to crow mightily upon his late being at the payment of tickets; but a coxcombe he is and will never be better in the business of the Navy.

Thence home, and there find Mr. Batelier come to bring my wife a very fine puppy of his mother's spaniel, a very fine one indeed, which my wife is mighty proud of. He staid and supped with us, and they to cards. I to my chamber to do some business, and then out to them to play and were a little merry, and then to bed. By the Duke of York (33) his discourse to-day in his chamber, they have it at Court, as well as we here, that a fatal day is to be expected shortly, of some great mischiefe to the remainder of this day; whether by the Papists, or what, they are not certain. But the day is disputed; some say next Friday, others a day sooner, others later, and I hope all will prove a foolery. But it is observable how every body's fears are busy at this time.

Read More ...

Around 1667 Peter Lely Painter 1618-1680 (48). Portrait of Abraham Cowley Poet 1618-1667 (49).

Diary of Samuel Pepys 25 March 1667. 25 Mar 1667. Ladyday. Up, and with Sir W. Batten (66) and Sir W. Pen (45) by coach to Exeter House to our lawyers to have consulted about our trial to-morrow, but missed them, so parted, and Sir W. Pen (45) and I to Mr. Povy's (53) about a little business of Sir W. Pen's (45), where we went over Mr. Povy's (53) house, which lies in the same good condition as ever, which is most extraordinary fine, and he was now at work with a cabinet-maker, making of a new inlaid table. Having seen his house, we away, having in our way thither called at Mr. Lilly's (48), who was working; and indeed his pictures are without doubt much beyond Mr. Hales's (67), I think I may say I am convinced: but a mighty proud man he is, and full of state.

So home, and to the office, and by and by to dinner, a poor dinner, my wife and I, at Sir W. Pen's (45), and then he and I before to Exeter House, where I do not stay, but to the King's playhouse; and by and by comes Mr. Lowther (26) and his wife (16) and mine, and into a box, forsooth, neither of them being dressed, which I was almost ashamed of. Sir W. Pen (45) and I in the pit, and here saw "The Mayden Queene" again; which indeed the more I see the more I like, and is an excellent play, and so done by Nell (17), her merry part, as cannot be better done in nature, I think.

Thence home, and there I find letters from my brother, which tell me that yesterday when he wrote my mother did rattle in the throat so as they did expect every moment her death, which though I have a good while expected did much surprise me, yet was obliged to sup at Sir W. Pen's (45) and my wife, and there counterfeited some little mirth, but my heart was sad, and so home after supper and to bed, and much troubled in my sleep of my being crying by my mother's bedside, laying my head over hers and crying, she almost dead and dying, and so waked, but what is strange, methought she had hair over her face, and not the same kind of face as my mother really hath, but yet did not consider that, but did weep over her as my mother, whose soul God have mercy of.

Around 1657 John Michael Wright 1617-1694. Portrait of Thomas Povey Master of Requests 1614-1705. Before 08 Oct 1699 Mary Beale aka Cradock Painter 1633-1699 (attributed). Portrait of Nell Gwyn Actor 1650-1687. Around1680 Simon Pietersz Verelst Painter 1644-1710. Portrait of Nell Gwyn Actor 1650-1687. Before 14 Nov 1687 Simon Pietersz Verelst Painter 1644-1710. Portrait of Nell Gwyn Actor 1650-1687.

Read More ...

Around 1668 Peter Lely Painter 1618-1680 (49). Portrait of Charles Stewart 6th Duke Lennox 3rd Duke Richmond 1639-1672 (28).

Around 1668 Peter Lely Painter 1618-1680 (49). Portrait of Anna Maria Brudenell Countess Shrewsbury and Waterford 1642-1702 (25).

Diary of Samuel Pepys 21 August 1668. 21 Aug 1668. Up betimes, and with my people again to work, and finished all before noon: and then I by water to White Hall, and there did tell the Duke of York (34) that I had done; and he hath to my great content desired me to come to him at Sunday next in the afternoon, to read it over, by which I have more time to consider and correct it. So back home and to the 'Change, in my way calling at Morris', my vintner's, where I love to see su moher, though no acquaintance accostais this day con her. Did several things at the 'Change, and so home to dinner.

After dinner I by coach to my bookseller's in Duck Lane, and there did spend a little time and regarder su moher, and so to St. James's, where did a little ordinary business; and by and by comes Monsieur Colbert (43), the French Embassador, to make his first visit to the Duke of York (34), and then to the Duchess (31): and I saw it: a silly piece of ceremony, he saying only a few formal words. A comely man, and in a black suit and cloak of silk, which is a strange fashion, now it hath been so long left off: This day I did first see the Duke of York's (34) room of pictures of some Maids of Honour, done by Lilly (49): good, but not like1.

Thence to Reeves's, and bought a reading-glass, and so to my bookseller's again, there to buy a Book of Martyrs2, which I did agree for; and so, after seeing and beginning acquaintance con his femme, but very little, away home, and there busy very late at the correcting my great letter to the Duke of York (34), and so to bed.

Note 1. The set of portraits known as "King Charles's Beauties", formerly in Windsor Castle, but now at Hampton Court. B.

Note 2. The popular name of John Fox's "Acts and Monuments", first published in 1562-63.

Read More ...

Diary of Samuel Pepys 26 April 1669. 26 Apr 1669. Up, having lain long, and then by coach with W. Hewer (27) to the Excise Office, and so to Lilly's (50), the Varnishes; who is lately dead, and his wife and brother keep up the trade, and there I left my French prints to be put on boards:, and, while I was there, a fire burst out in a chimney of a house over against his house, but it was with a gun quickly put out.

So to White Hall, and did a little business there at the Treasury chamber, and so homeward, calling at the laceman's for some lace for my new suit, and at my tailor's, and so home, where to dinner, and Mr. Sheres dined, with us, who come hither to-day to teach my wife the rules of perspective; but I think, upon trial, he thinks it too hard to teach her, being ignorant of the principles of lines.

After dinner comes one Colonel Macnachan, one that I see often at Court, a Scotchman, but know him not; only he brings me a letter from my Lord_Middleton (61), who, he says, is in great distress for £500 to relieve my Lord Morton with, but upon, what account I know not; and he would have me advance it without order upon his pay for Tangier, which I was astonished at, but had the grace to deny him with an excuse. And so he went away, leaving me a little troubled that I was thus driven, on a sudden, to do any thing herein; but Creed, coming just now to see me, he approves of what I have done. And then to talk of general matters, and, by and by, Sheres being gone, my wife, and he, and I out, and I set him down at Temple Bar, and myself and wife went down the Temple upon seeming business, only to put him off, and just at the Temple gate I spied Deb. with another gentlewoman, and Deb. winked on me and smiled, but undiscovered, and I was glad to see her. So my wife and I to the 'Change, about things for her; and here, at Mrs. Burnett's shop, I am told by Betty, who was all undressed, of a great fire happened in Durham-Yard last night, burning the house of one Lady Hungerford, who was to come to town to it this night; and so the house is burned, new furnished, by carelessness of the girl sent to take off a candle from a bunch of candles, which she did by burning it off, and left the rest, as is supposed, on fire. The King (38) and Court were here, it seems, and stopped the fire by blowing up of the next house. The King (38) and Court went out of town to Newmarket this morning betimes, for a week.

So home, and there to my chamber, and got my wife to read to me a little, and so to supper and to bed. Coming home this night I did call at the coachmaker's, and do resolve upon having the standards of my coach gilt with this new sort of varnish, which will come but to 40s.; and, contrary to my expectation, the doing of the biggest coach all over comes not to above £6, which is [not] very much.

In 1689 Godfrey Kneller 1646-1723. Portrait of William Hewer 1642-1715. Before 12 Dec 1676 Jacob Huysmans Painter 1633-1696. Portrait of John Middleton 1st Earl Middleton 1608-1674. In 1631 Cornelius Johnson Painter 1593-1661. Portrait of Margaret Holliday Lady Hungerford -1672.

Read More ...

Diary of Samuel Pepys 30 April 1669. 30 Apr 1669. Up, and by coach to the coachmaker's: and there I do find a great many ladies sitting in the body of a coach that must be ended by to-morrow: they were my Lady Marquess of Winchester, Bellassis, and other great ladies; eating of bread and butter, and drinking ale. I to my coach, which is silvered over, but no varnish yet laid on, so I put it in a way of doing; and myself about other business, and particularly to see Sir W. Coventry (41), with whom I talked a good while to my great content; and so to other places-among others, to my tailor's: and then to the belt-maker's, where my belt cost me 55s., of the colour of my new suit; and here, understanding that the mistress of the house, an oldish woman in a hat hath some water good for the eyes, she did dress me, making my eyes smart most horribly, and did give me a little glass of it, which I will use, and hope it will do me good.

So to the Mr. Cutler's, and there did give Tom, who was with me all day a sword cost me 12s. and a belt of my owne; and set my own silver-hilt sword a-gilding against to-morrow. This morning I did visit Mr. Oldenburgh, and did see the instrument for perspective made by Dr. Wren (45), of which I have one making by Browne; and the sight of this do please me mightily.

At noon my wife come to me at my tailor's, and I sent her home and myself and Tom dined at Hercules' Pillars; and so about our business again, and particularly to Lilly's (50), the varnisher about my prints, whereof some of them are pasted upon the boards, and to my full content.

Thence to the frame-maker's one Morris, in Long Acre, who shewed me several forms of frames to choose by, which was pretty, in little bits of mouldings, to choose by. This done, I to my coach-maker's, and there vexed to see nothing yet done to my coach, at three in the afternoon; but I set it in doing, and stood by it till eight at night, and saw the painter varnish which is pretty to see how every doing it over do make it more and more yellow; and it dries as fast in the sun as it can be laid on almost; and most coaches are, now-a-days done so, and it is very pretty when laid on well, and not pale, as some are, even to shew the silver. Here I did make the workmen drink, and saw my coach cleaned and oyled; and, staying among poor people there in the alley, did hear them call their fat child Punch, which pleased me mightily that word being become a word of common use for all that is thick and short. At night home, and there find my wife hath been making herself clean against to-morrow; and, late as it was, I did send my coachman and horses to fetch home the coach to-night, and so we to supper, myself most weary with walking and standing so much, to see all things fine against to-morrow, and so to bed. God give a blessing to it! Meeting with Mr. Sheres, he went with me up and down to several places, and, among others, to buy a perriwig, but I bought none; and also to Dancre's (44), where he was about my picture of Windsor, which is mighty pretty, and so will the prospect of Rome be.

In 1711 Godfrey Kneller 1646-1723. Portrait of Christopher Wren 1632-1723.

Read More ...

Around 1670 Peter Lely Painter 1618-1680 (51). Portrait of Horatio Townshend 1st Viscount Townsend 1630-1687 (39).

Around 1670 Peter Lely Painter 1618-1680 (51). Portrait of John Banks 1st Baronet 1627-1699 (43).

Around 1670 Peter Lely Painter 1618-1680 (51). Portrait of Elizabeth Wriothesley Countess Gainsborough 1646-1690 (24).

Around 1670 Peter Lely Painter 1618-1680 (51). Portrait of Freschville Holles 1642-1672 (27) and Admiral Robert Holmes 1622-1692 (48).

Around 1670 Peter Lely Painter 1618-1680 (51). Portrait of Anna Maria Brudenell Countess Shrewsbury and Waterford 1642-1702 (27).

Before 03 Jan 1670 Peter Lely Painter 1618-1680 (51). Portrait of George Monck 1st Duke Albemarle 1608-1670 (61).

Before 03 Jan 1670 Peter Lely Painter 1618-1680 (51). Portrait of George Monck 1st Duke Albemarle 1608-1670 (61) in his Garter Robes.

Around 1672 Peter Lely Painter 1618-1680 (53). Postumous portrait of Princess Henrietta Stewart Duchess Orléans 1644-1670 (27)Commissioned by her brother Charles II King Scotland and presented by him in the Council ChamberWhere it still hangs today, in recognition of her birth in Bedford House, Exeter, the town house of the William Russell 1st Duke Bedford 1616-1700 (55)Who had given her mother refuge during the dangerous years before her father's execution in 1649.

Around 1672 Peter Lely Painter 1618-1680 (53). Portrait of Thomas Clifford 1st Baron Clifford Chudleigh 1630-1673 (41).

Around 1672 Peter Lely Painter 1618-1680 (53). Portrait of Josceline Percy 11th Earl of Northumberland 1644-1670 (27).

Around 1673 Peter Lely Painter 1618-1680 (54). Portrait of Charles II King Scotland in his Garter Robes and Garter Collar.

Around 1673 Peter Lely Painter 1618-1680 (54). Portrait of Charles Killigrew 1655-1725 (17).

Around 1673 Peter Lely Painter 1618-1680 (54). Portrait of Margaret "Peg" Hughes 1630-1719 (43).

Around 1674 Peter Lely Painter 1618-1680 (55). Portrait of Elizabeth Lennard 3rd Countess Meath 1644-1701 (29).

After 1674 Peter Lely Painter 1618-1680 (55). Portrait of Thomas Fanshawe 1628-1705 (46) and Elizabeth Fanshawe.

Before 04 Jan 1674 Peter Lely Painter 1618-1680 (55). Portrait of King James II (40) wearing his Garter Robes.

Before 04 Jan 1674 Peter Lely Painter 1618-1680 (55). Portrait of Edward Hyde 1st Earl Clarendon 1609-1674 (64).

Around 1675 Peter Lely Painter 1618-1680 (56). Portrait of Essex Rich 2nd Countess Nottingham 1652-1684 (23).

Around 1675 Peter Lely Painter 1618-1680 (56). Portrait of George Villiers 2nd Duke of Buckingham 1628-1687 (46) wearing his Garter Collar.

Around 1675 Peter Lely Painter 1618-1680 (56). Portrait of Diana Kirke Countess Oxford -1719.

Around 1675 Peter Lely Painter 1618-1680 (56). Portrait of John Maitland 1st Duke Lauderdale 1616-1682 (58) and Elizabeth Murray Duchess Lauderdale 1626-1698 (48).

In 1676 Willem Wissing Painter 1656-1687 (20) moved to London where he studied under Peter Lely Painter 1618-1680 (57).

Around 1676 Peter Lely Painter 1618-1680 (57). Portrait of Henry Bennet 1st Earl Arlington 1618-1685 (58) wearing his Garter Robes.

Around 1676 Peter Lely Painter 1618-1680 (57). Portrait of Mary Stewart II Queen England Scotland and Ireland 1662-1694 (13).

Around 1678 Peter Lely Painter 1618-1680 (59). Portrait of Elizabeth Jones Countess Kildare 1665-1758 (13).

Around 1678 Peter Lely Painter 1618-1680 (59). Portrait of Charles II King Scotland in his Garter Robes and Garter Collar and Leg Garter.

Around 1678 Peter Lely Painter 1618-1680 (59). Portrait of Francis Beckford.

Around 1678 Peter Lely Painter 1618-1680 (59). Portrait of James Butler 1st Duke Ormonde 1610-1688 (67) in his Garter Robes.

Around 1678 Peter Lely Painter 1618-1680 (59). Portrait of Frances Savile 1658-1695 (20).

Before 1680. Peter Lely Painter 1618-1680 (61). Portrait of Thomas Cookes 2nd Baronet 1648-1701 (31).

Around 1680. Circle of Peter Lely Painter 1618-1680 (61). Portrait of Isabella Lawson.

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734 (31).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Elizabeth Malet Countess Rochester 1651-1681 (29).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of John Wilmot 2nd Earl Rochester 1647-1680 (33).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 (40).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Anne Capell Countess Carlisle 1674-1752 (6).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Lucy Harrington Countess Bedford 1580-1627.

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Essex Rich 2nd Countess Nottingham 1652-1684 (28).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Elizabeth Egerton Countess Leicester 1653-1709 (27).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Frances Hales Countess Lichfield 1697-1769.

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Richard Jones 1st Earl Ranelagh 1641-1712 (39).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of John Maitland 1st Duke Lauderdale 1616-1682 (64) wearing his Garter Robes.

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Barbara Villiers 1st Duchess of Cleveland 1640-1709 (40).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Henry Bennet 1st Earl Arlington 1618-1685 (62).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Robert Worsley 3rd Baronet Worsley of Appuldurcombe 1643-1675 (37).

Before 07 Dec 1680 Peter Lely Painter 1618-1680 (62). Portrait of Diana Kirke Countess Oxford -1719.

On 07 Dec 1680 Peter Lely Painter 1618-1680 (62) died.

John Evelyn's Diary 09 May 1683. 09 May 1683. Dined at Sir Gabriel Sylvius's and thence to visit the Duke of Norfolk (54), to ask whether he would part with any of his cartoons and other drawings of Raphael, and the great masters; he told me if he might sell them all together he would, but that the late Sir Peter Lely (64) (our famous painter) had gotten some of his best. The person who desired me to treat for them was Vander Douse, grandson to that great scholar, contemporary and friend of Joseph Scaliger.

Around 1672 Gilbert Soest Painter 1605-1681. Portrait of Henry Howard 6th Duke Norfolk 1628-1684. Around 1669 John Michael Wright 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684. Before 1694 John Michael Wright 1617-1694. Portrait of Henry Howard 6th Duke Norfolk 1628-1684.

In 1687 Studio of Peter Lely Painter 1618-1680 (68). Portrait of Mary of Modena Queen Consort England Scotland and Ireland 1658-1718 (28).

John Evelyn's Diary 03 September 1699. 03 Sep 1699. There was in this week an eclipse of the sun, at which many were frightened by the predictions of the astrologers. I remember fifty years ago that many were so terrified by Lilly (80), that they dared not go out of their houses. A strange Earthquake at New Batavia, in the East Indies.

The Windsor Beauties are a set of portraits of the ladies of the court of King Charles II painted by Peter Lely Painter 1618-1680.

Charge of the Light Brigade

My Recollections by Adeline Horsey Countess Cardigan 1824 1915 Chapter IX: Deene and its History. I believe my husband replaced a great deal of the original furniture at Deene with more modern examples, but many valuable old pieces still remain. The pictures are very beautiful, including a priceless Vandyke representing Queen Henrietta Maria, in the happy days of her early married life, as a regal, gracious figure arrayed in shimmering satin. There is a lovely portrait of Louise de Keroualle and her son, the Duke of Richmond, who married a Brudenell, and there are many examples of Lely, Sir Joshua Reynolds and other eighteenth- and nineteenth-century artists. One painting by Sant represents the Prince Consort and the Royal children listening to the account of the Charge of the Light Brigade by Lord Cardigan, and there are also some interesting pictures of hunting-field incidents, depicting Cardigan and his friends on their favourite mounts.

1841 Francis Grant Painter 1803-1878. Portrait of James Brudenell 7th Earl Cardigan 1797-1868. Before 1723 Godfrey Kneller 1646-1723. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734. In 1670 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734. In 1673 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734. Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734. Before 01 Jan 1701 Henri Gascar Painter 1635-1701. Portrait of Louise Kéroualle 1st Duchess Portsmouth 1649-1734. Around 1785. James Northcote Painter 1746-1831. Portrait of Joshua Reynolds 1723-1788. Before 05 Oct 1878 Francis Grant Painter 1803-1878. Portrait of Prince Albert Saxe Coburg Gotha 1819-1861. Around 1846. Franz Xaver Winterhalter Painter 1805-1873. Portrait of Prince Albert Saxe Coburg Gotha 1819-1861. Around 1846. Franz Xaver Winterhalter Painter 1805-1873. Portrait of Queen Victoria of the United Kingdom 1819-1901 and Prince Albert Saxe Coburg Gotha 1819-1861 and their children. Around 1859. Franz Xaver Winterhalter Painter 1805-1873. Portrait of Prince Albert Saxe Coburg Gotha 1819-1861.