The Elizabethan Stage by E K Chambers

The Elizabethan Stage by E K Chambers is in Tudor Books.

Tudor Books, The Elizabethan Stage by E K Chambers Volume 3

The Elizabethan Stage by E K Chambers Volume 3 The Twelve Goddesses 08 Jan 1604

1604. The true discription of a Royall Masque. Presented at Hampton Court, vpon Sunday night, being the eight of Ianuary, 1604. And Personated by the Queenes most Excellent Majestie, attended by Eleuen Ladies of Honour. Edward Allde.[278]

The Vision of the 12 Goddesses, presented in a Maske the 8 of Ianuary, at Hampton Court: By the Queenes most Excellent Maiestie, and her Ladies. T. C. for Simon Waterson. [A preface to Lucy, Countess of Bedford, is signed by Daniel, who states that the publication was motived by 'the unmannerly presumption of an indiscreet Printer, who without warrant hath divulged the late shewe ... and the same very disorderly set forth'. Lady Bedford had 'preferred' Daniel to the Queen 'in this imployment'.]

See Collections.

Editions by Nichols, James, i. 305 (1828), E. Law (1880), and H. A. Evans (1897, English Masques).

The maskers, in various colours and with appropriate emblems, were twelve Goddesses, and were attended by torchbearers (cf. Carleton, infra); the presenters, 'for the introducing this show', Night, Sleep, Iris, Sibylla, and the Graces; the cornets, Satyrs.

The locality was the Hall at Hampton Court. At the lower end was a mountain, from which the maskers descended, and in which the cornets played; at the upper end the cave of Sleep and, on the left (Carleton), a temple of Peace, in the cupola of which was 'the consort music', while viols and lutes were 'on one side of the hall'.

The maskers presented their emblems, which Sibylla laid upon the altar of the temple. They danced 'their own measures', then took out the lords for 'certain measures, galliards, and corantoes', and after a 'short departing dance' reascended the mountain.

his was a Queen's mask, danced, according to manuscript notes in a copy of the Allde edition (B.M. 161, a. 41) thought by Mr. Law to be 'in a hand very like Lord Worcester's' (vide infra), and possibly identical with the 'original MS. of this mask' from which the same names are given in Collier, i. 347, by the Queen (Pallas), the Countesses of Suffolk (Juno), Hertford (Diana), Bedford (Vesta), Derby (Proserpine), and Nottingham (Concordia), and the Ladies Rich (Venus), Hatton (Macaria), Walsingham (Astraea), Susan Vere (Flora), Dorothy Hastings (Ceres), and Elizabeth Howard (Tethys).

Anticipations of masks at Court during the winter of 1603-4 are to be found in letters to Lord Shrewsbury from Arabella Stuart on 18 Dec. (Bradley, ii. 193), 'The Queene intendeth to make a Mask this Christmas, to which end my Lady of Suffolk and my Lady Walsingham hath warrants to take of the late Queenes best apparell out of the Tower at theyr discretion. Certain Noblemen (whom I may not yet name to you, because some of them have made me of theyr counsell) intend another. Certain gentlemen of good sort another'; from Cecil on 23 Dec. (Lodge, iii. 81), 'masks and much more'; and from Sir Thomas Edmondes on 23 Dec. (Lodge, iii. 83):

'Both the King's and Queen's Majesty have a humour to have some masks this Christmas time, and therefore, for that purpose, both the young lords and chief gentlemen of one part, and the Queen and her ladies of the other part, do severally undertake the accomplishment and furnishing[279] thereof; and, because there is use of invention therein, special choice is made of Mr. Sanford to direct the order and course for the ladies';

also in the letters of Carleton to Chamberlain on 27 Nov. (Birch, i. 24; Hardwicke Papers, i. 383), 'many plays and shows are bespoken, to give entertainment to our ambassadors', and 22 Dec. (S. P. D. Jac. I, v. 20; Law, 9):

'We shall have a merry Christmas at Hampton Court, for both male and female maskes are all ready bespoken, whereof the Duke [of Lennox] is rector chori of th' one side and the La: Bedford of the other.'

I suppose Mr. Sanford to be Henry Sanford, who, like Daniel, had been of the Wilton household (cf. Aubrey, i. 311) and may well have lent him his aid.

The masks of lords on 1 Jan. and of Scots on 6 Jan. are not preserved. The latter is perhaps most memorable because Ben Jonson and his friend Sir John Roe were thrust out from it by the Lord Chamberlain (cf. ch. vi). Arabella Stuart briefly told Shrewsbury on 10 Jan. that there were three masks (Bradley, ii. 199). Wilbraham's Journal (Camden Misc. x), 66, records:

The masks of lords on 1 Jan. and of Scots on 6 Jan. are not preserved. The latter is perhaps most memorable because Ben Jonson and his friend Sir John Roe were thrust out from it by the Lord Chamberlain (cf. ch. vi). Arabella Stuart briefly told Shrewsbury on 10 Jan. that there were three masks (Bradley, ii. 199). Wilbraham's Journal (Camden Misc. x), 66, records:

But the fullest description was given by Carleton to Chamberlain on 15 Jan. (S. P. D. Jac. I, vi. 21, printed by Law, 33, 45; Sullivan, 192).

'On New yeares night we had a play of Robin goode-fellow and a maske brought in by a magicien of China. There was a heaven built at the lower end of the hall, owt of which our magicien came downe and after he had made a long sleepy speech to the King of the nature of the cuntry from whence he came comparing it with owrs for strength and plenty, he sayde he had broughte in cloudes certain Indian and China Knights to see the magnificency of this court. And theruppon a trauers was drawne and the maskers seen sitting in a voulty place with theyr torchbearers and other lights which was no vnpleasing spectacle. The maskers were brought in by two boyes and two musitiens who began with a song and whilst that went forward they presented themselves to the King. The first gave the King an Impresa in a shield with a sonet in a paper to exprese his deuice and presented a jewell of 40,000£ valew which the King is to buy of Peter Van Lore, but that is more than euery man knew and it made a faire shew to the French Ambassadors eye whose master would have bin well pleased with such a maskers present but not at that prise. The rest in theyr order deliuered theyr scutchins with letters and there was no great stay at any of them saue only at one who was putt to the interpretacion of his deuise. It was a faire horse colt in a faire greene field which he meant to be a colt of Busephalus race and had this virtu of his sire that none could mount him but one as great at lest as Alexander. The King made himself merry with threatening to send this colt to the stable and he could not breake loose till he promised to dance as well as Bankes his horse. The first measure was full of changes and seemed confused but was well gone[280] through with all, and for the ordinary measures they tooke out the Queen, the ladies of Derby, Harford, Suffolke, Bedford, Susan Vere, Suthwell th' elder and Rich. In the corantoes they ran over some other of the young ladies, and so ended as they began with a song; and that done, the magicien dissolved his enchantment, and made the maskers appear in theyr likenes to be th' Erle of Pembroke, the Duke, Monsr. d'Aubigny, yong Somerset, Philip Harbert the young Bucephal, James Hayes, Richard Preston, and Sir Henry Godier. Theyr attire was rich but somewhat too heavy and cumbersome for dancers which putt them besides ther galliardes. They had loose robes of crimsen sattin embrodered with gold and bordered with brood siluer laces, dublets and bases of cloth of siluer; buskins, swordes and hatts alike and in theyr hats ech of them an Indian bird for a fether with some jewells. The twelfe-day the French Ambassador was feasted publikely; and at night there was a play in the Queens presence with a masquerado of certaine Scotchmen who came in with a sword dance not vnlike a matachin, and performed it clenly.... The Sunday following was the great day of the Queenes maske.'

This Carleton describes at length; I only note points which supplement Daniel's description.

'The Hale was so much lessened by the workes that were in it, so as none could be admitted but men of apparance, the one end was made into a rock and in several places the waightes placed; in attire like savages. Through the midst from the top came a winding stayre of breadth for three to march; and so descended the maskers by three and three; which being all seene on the stayres at once was the best presentacion I have at any time seene. Theyre attire was alike, loose mantles and petticotes but of different colors, the stuffs embrodered sattins and cloth of gold and silver, for which they were beholding to Queen Elizabeth's wardrobe.... Only Pallas had a trick by herself for her clothes were not so much below the knee, but that we might see a woman had both feete and legs which I never knew before.'

He describes the torchbearers as pages in white satin loose gowns, although Daniel says they were 'in the like several colours' to the maskers. The temple was 'on the left side of the hall towards the upper end'. For the 'common measures' the lords taken out were Pembroke, Lennox, Suffolk, Henry Howard, Southampton, Devonshire, Sidney, Nottingham, Monteagle, Northumberland, Knollys, and Worcester.

'For galliardes and corantoes they went by discretion, and the yong Prince was tost from hand to hand like a tennis bal. The Lady Bedford and Lady Susan tooke owt the two ambassadors; and they bestirred themselfe very liuely: speceally the Spaniard for the Spanish galliard shewed himself a lusty old reueller.... But of all for goode grace and goode footmanship Pallas bare the bell away.'

The dancers unmasked about midnight, and then came a banquet in the presence-chamber, 'which was dispatched with the accustomed confusion'.

Carleton also mentions the trouble between the Spanish and French ambassadors, which is also referred to in a letter of O. Renzo to G. A. Frederico (S. P. D. Jac. I, vi. 37; cf. Sullivan, 195), and is the subject of several dispatches by and to the Comte de Beaumont[281] (King's MSS. cxxiv, ff. 328, 359v, 363, 373, 381, 383v, 389; cf. Reyher, 519, Sullivan, 193-5). was the object of the Court not to invite both ambassadors together, as this would entail an awkward decision as to precedence. Beaumont was asked first, to the mask on 1 Jan. He hesitated to accept, expressing a fear that it was intended to ask De Taxis to the Queen's mask on Twelfth Night, 'dernier jour des festes de Noël selon la facon d'Angleterre et le plus honnorable de tout pour la cérémonie qui s'y obserue de tout temps publiquement'. After some negotiation he extracted a promise from James that, if the Spaniard was present at all, it would be in a private capacity, and he then dropped the point, and accepted his own invitation, threatening to kill De Taxis in the presence if he dared to dispute precedence with him. On 5 Jan. he learnt that Anne had refused to dance if De Taxis was not present, and that the promise would be broken. He protested, and his protest was met by an invitation for the Twelfth Night to which he had attached such importance. But the Queen's mask was put off until 8 Jan., a Scottish mask substituted on 6 Jan., and on 8 Jan. De Taxis was present, revelling it in red, while Anne paid him the compliment of wearing a red favour on her costume.

Reyher, 519, cites references to the Queen's mask in the accounts of the Treasurer of the Chamber and of the Office of Works. E. Law (Hist. of Hampton Court, ii. 10) gives, presumably from one of these, 'making readie the lower ende with certain roomes of the hall at Hampton Court for the Queenes Maiestie and ladies against their mask by the space of three dayes'.

Allde's edition must have been quickly printed. On 2 Feb. Lord Worcester wrote to Lord Shrewsbury (Lodge, iii. 87): 'Whereas your Lordship saith you were never particularly advertised of the mask, I have been at sixpence charge with you to send you the book, which will inform you better than I can, having noted the names of the ladies applied to each goddess; and for the other, I would likewise have sent you the ballet, if I could have got it for money, but these books, as I hear, are all called in, and in truth I will not take upon me to set that down which wiser than myself do not understand.

Note 278. Henslowe Papers, 139.

Note 279. James IV, 106, 605, 618, 1115.

Note 280. Looking Glass, 152, 1756.