THESE effigies are in Ashwell Thorp church, Norfolk [Map]. We have in the ancestry of Sir Edmund de Thorpe a striking instance of the mutability of surnames in some families until the thirteenth century. William de Norwich lived about the time of the Conquest, and possessed the manor of Thorpe. From him came Roger, whose son Robert was distinguished by the surname of Fitz-Roger; Fitz-Roger's child Hugh, from some local circumstance, took the surname of de Messingham; and his child John assumed the cognomen of Fitz-Robert, in allusion to his grandfather. In the time of Henry the Third, we hnd the heir of John entitled Robert Fitz-John de Thorpe; and in Edmund, his heir, the surname became hxed and inheritable. Sir Edmund, his son by his wife Joan, daughter of Robert Baynard, is represented by the male effigy- Joan, widow of Lord Scales, his second wife, is the subject of the female figure. In 1417 Sir Edmund de Thorpe was associated with John Nevill and John Kempe, LL.D. (afterwards the Cardinal Archbishop, son of Sir Thomas Kempe, of Wye,) to compose all differences between Henry the Fifth and the Duke of Burgundy. He is considered to be the per- son designated by the Chronicles as Lord Thorpe, who in 1418 was killed at the siege of the Castle of Louviers, in Normandy. He was buried in the church of Ashwell Thorp, in the new aisle erected at his expense. The figures of Sir Edmund de Thorpe and his Lady are of alabaster, and are described by Bloomfield in his time as lying under a canopy of wood. The costume of the figures is elegantly and elaborately detailed. The lady lies at the right side of her lord; her hair is confined by a rich fret; the cordon of her mantle is attached by two clasps, apparently formed as eagles with expanded wings. The same ornament appears near the gusset of the armour on the knight's left shoulder. The front of his basinet is engraved with elegant tracery of foliage; and he wears a splendid wreath, studded, we may suppose, with pearls, and enamelled with leaves of laurel. The surcoat bears, quarterly, the arms of Thorpe and Baynard; the three crescents Argent in the Azure held, in the dexter quarter, being for Thorpe. At the lady's feet are two little dogs with collars and bells; at the knight's a greyhound. The joints of the brassarts, cuisses, genouillieres, and greaves of his armour, are ornamentally engraven. Under his head is a beautiful specimen of the helmet of his time: it is covered with a scallopped mantelet, or lambrequin, surmounted by a rich coronet, and has a panache of peacock's feathers. Details. P!ate 11. Upper part of the lady's coiffure. Profile of her head. Portion of the fret. Profile of the knight's head and shoulders. The figure as originally painted and gilt. The helmet. Portion of the basinet and wreath. Portion of the mailles enlarged. The collar of SS enlarged.