Bend

Bend is in Ordinaries.

NO IMAGE. Argent on a Bend cottised Gules three Bezants. Source.

Chaucer Arms. Per Pale argent and gules, a bend counterchanged. Source.

Dawes Arms. argent on a bend azure cotised gules between six battle axes sable three swans or. Source.

Foljambe Arms. Sable a bend between six escallops or.

NO IMAGE. Quarterly or and gules a bend vair. Source.

Bend Argent

Blois Arms. Azure a bend argent cotised. Source.

Bohun Arms. Azure, a bend argent cotised or between six lions rampant or. Source.

Freschville Arms. Azure, bend argent between six escallops.

The Deeds of the Dukes of Normandy

The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.

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Hervey Arms. Gules, on a bend argent three trefoils slipped vert, Source.

Howard Augmented Arms. Gules bend argent six crosslets fitchy augmented after the Battle of Flodden with an inescutcheon bearing the lion of Scotland pierced through the mouth with an arrow. Source.

Lake Arms. Sable, a bend argent six crosslets fitchy.

Liddell Arms. Gules, on a bend argent, three mullets sable. Source.

Bend Azure

Denison Arms. Ermine, a bend azure cotised sable between a unicorn's head erased in chief and a cross crosslet fitchy in base gules. Source.

Fitzpayn Arms. Gules, three lions passant guardant argent, overall a bend azure. Source.

Harding Arms. Or, a bend azure three martlets argent.

Scott Arms. Or, on a bend azure a mullet of six points between two crescents of the field. Source.

Leslie Arms. Argent, on a bend azure three buckles or. Source.

Slanning Arms. Argent, two pales engrailed gules over all on a bend azure three griffin's heads or.

Stanley Arms. Argent, a bend azure three buck's heads caboshed or. Source.

Bend Cotised

Anne Boleyn. Her Life as told by Lancelot de Carle's 1536 Letter.

In 1536, two weeks after the execution of Anne Boleyn, her brother George and four others, Lancelot du Carle, wrote an extraordinary letter that described Anne's life, and her trial and execution, to which he was a witness. This book presents a new translation of that letter, with additional material from other contemporary sources such as Letters, Hall's and Wriothesley's Chronicles, the pamphlets of Wynkyn the Worde, the Memorial of George Constantyne, the Portuguese Letter and the Baga de Secrets, all of which are provided in Appendices.

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Bingham Arms. Azure a bend cotised between six crosses pattee or. Source.

Conway Arms. Sable, on a bend cotised argent a rose gules between two annulets of the first. Source.

Dawnay Arms. Argent on a bend cotised sable three annulets of the field. Source.

Bend Engrailed

Earl Shaftesbury Arms. Quarterly: 1&4 Ashley Arms; 2&3: gules, a bend engrailed between six lions rampant or (Cooper). Source.

Culpepper Arms. Argent, a bend engrailed gules. Source.

Fortescue Arms. Azure a bend engrailed argent cotised or. Source.

Radclyffe Arms. Argent, a bend engrailed sable. Source.

Tempest Arms. Argent, a bend engrailed between six martlets sable. Source.

Bend Gules

Davers Arms. Argent, a bend gules three martlets or. Source.

Furnival Arms. Argent, a bend gules six martlets gules. Source.

William of Worcester's Chronicle of England

William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.

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Halswell Arms. Azure, three bars wavy argent over all a bend gules. Source

Poynings Arms. Barry of six or and vert a bend gules. Source.

Wendesley Arms. Ermine, on a bend gules three escallops argent. Source.

Wingfield Arms. Argent, a bend gules three wings conjoined in lure of the field. Source.

Bend Lozengy

Pye Arms. Ermine, a bend lozengy gules. Source.

Bend Or

In September 1389 the Scrope vs Grosvenor Case was brought to the Court of Chivalry. Up to that time two families, Scrope and Grosvenor, had been using the armorial Scrope Arms: Azure, a bend or.

Several hundred witnesses were called including John of Gaunt 1st Duke Lancaster [aged 49], Geoffrey Chaucer [aged 46] and John Savile of Shelley and Golcar [aged 64].

On 3rd September 1386 Owain ap Gruffudd "Glyndŵr" Mathrafal Prince Powys [aged 27] gave evidence at the Church of John the Baptist, Chester [Map].

The Court decided in favour of Scrope.

Neither party was happy with the decision so King Richard II [aged 22] was called upon to give his personal verdict.

On 27th May 1390 he confirmed that Grosvenor could not bear the undifferenced arms.

As a consequence of the case the Grosvenor has for many years used the name Bendor for horses and nicknames.

Brabazon Arms. Gules on a bend or three martlets sable. Source.

Scrope Arms. Azure, a bend or. Source.

Stourton Arms. Sable, a bend or between six fountains. Source.

Bend Sable

Browne Arms. Sable a bend sable cotised three lions rampant argent. Source.

Carey Arms. Argent, a bend sable, three roses of the first. Source.

Clavering Arms. Quarterly, or and gules, a bend sable. Source.

Despencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable. Source.

Abbot John Whethamstede’s Chronicle of the Abbey of St Albans

Abbot John Whethamstede's Register aka Chronicle of his second term at the Abbey of St Albans, 1451-1461, is a remarkable text that describes his first-hand experience of the beginning of the Wars of the Roses including the First and Second Battles of St Albans, 1455 and 1461, respectively, their cause, and their consequences, not least on the Abbey itself. His text also includes Loveday, Blore Heath, Northampton, the Act of Accord, Wakefield, and Towton, and ends with the Coronation of King Edward IV. In addition to the events of the Wars of the Roses, Abbot John, or his scribes who wrote the Chronicle, include details in the life of the Abbey such as charters, letters, land exchanges, visits by legates, and disputes, which provide a rich insight into the day-to-day life of the Abbey, and the challenges faced by its Abbot.

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NO IMAGE. Argent, a chief vairy or and gules a bend sable. Source.

Saunderson Arms. Paly of six argent and azure, a bend sable three annulets or. Source.

Savile Arms. Argent, a bend sable three owls of the same. Source.

Spencer Arms. Quarterly 1&4: Argent, 2&3: Gules, a fret or, over all a bend sable.