Before 29th April 1843 [her father] Demetrios Cassavetti and [her mother] Euphrosyne m Cassavetti were married.
On 29th April 1843 Maria Terpsithea Cassavetti aka Zambaco was born to Demetrios Cassavetti and Euphrosyne m Cassavetti.
In 1858 [her father] Demetrios Cassavetti died. His daughter Maria Terpsithea Cassavetti aka Zambaco [aged 14] inherited his fortune allowing her to live an independent life.
In 1860 Dr Zambaco and Maria Terpsithea Cassavetti aka Zambaco [aged 16] were married.
1866. Edward Coley Burne-Jones 1st Baronet [aged 32]. Study of Maria Terpsithea Cassavetti aka Zambaco [aged 22].
In 1866 Maria Terpsithea Cassavetti aka Zambaco [aged 22] left her husband in France and returned to London to live with her mother around which time she first met Edward Coley Burne-Jones 1st Baronet [aged 32].
1870. Dante Gabriel Rossetti [aged 41]. Portrait of Maria Terpsithea Cassavetti aka Zambaco [aged 26].
1870. Dante Gabriel Rossetti [aged 41]. Portrait of Maria Terpsithea Cassavetti aka Zambaco [aged 26].
1870. Edward Coley Burne-Jones 1st Baronet [aged 36]. "The Mill: Girls Dancing to Music by a River". Left to right: Maria Zambaco [aged 26], Marie Spartali Stillman [aged 25], and Aglaïa Coronio née Ionides [aged 35].
Chronicle of Abbot Ralph of Coggeshall
The Chronicle of Abbot Ralph of Coggeshall (Chronicon Anglicanum) is an indispensable medieval history that brings to life centuries of English and European affairs through the eyes of a learned Cistercian monk. Ralph of Coggeshall, abbot of the Abbey of Coggeshall in Essex in the early 13th century, continued and expanded his community’s chronicle, documenting events from the Norman Conquest of 1066 into the tumultuous reign of King Henry III. Blending eyewitness testimony, careful compilation, and the monastic commitment to record-keeping, this chronicle offers a rare narrative of political intrigue, royal power struggles, and social upheaval in England and beyond. Ralph’s work captures the reigns of pivotal figures such as Richard I and King John, providing invaluable insights into their characters, decisions, and the forces that shaped medieval rule. More than a simple annal, Chronicon Anglicanum conveys the texture of medieval life and governance, making it a rich source for scholars and readers fascinated by English history, monastic authorship, and the shaping of the medieval world.
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Around 1870. Edward Coley Burne-Jones 1st Baronet [aged 36]. "Phyllis and Demophoon". Model Maria Terpsithea Cassavetti aka Zambaco [aged 26]. The moment after the embraces the almond tree into which she was said to have transformed after death.
Around 1870. Edward Coley Burne-Jones 1st Baronet [aged 36]. Study of Maria Terpsithea Cassavetti aka Zambaco [aged 26].
1870. Edward Coley Burne-Jones 1st Baronet [aged 36]. Portrait of Maria Terpsithea Cassavetti aka Zambaco [aged 26].
Around 1870. Edward Coley Burne-Jones 1st Baronet [aged 36]. "Cupid and Psyche". The models Marie Spartali aka Stillman [aged 25] and Maria Terpsithea Cassavetti aka Zambaco [aged 26].
1871. Edward Coley Burne-Jones 1st Baronet [aged 37]. Drawing of Maria Terpsithea Cassavetti aka Zambaco [aged 27].
1874 to 1877. Edward Coley Burne-Jones 1st Baronet [aged 40]. "The Beguiling of Merlin". Model Maria Terpsithea Cassavetti aka Zambaco [aged 30]. In the collection of the Lady Lever Art Gallery [Map]. The painting was commissioned by Frederick Richards Leyland [aged 42].
Before 1880 Maria Terpsithea Cassavetti aka Zambaco [aged 36] studied art at the Slade School of Art under Alphonse Legros and Auguste Rodin.
1882. Edward Coley Burne-Jones 1st Baronet [aged 48]. "The Tree of Forgiveness". Model Maria Terpsithea Cassavetti aka Zambaco [aged 38].
On 14th July 1914 Maria Terpsithea Cassavetti aka Zambaco [aged 71] died.