The Diary of George Price Boyce 1858 is in The Diary of George Price Boyce.
5th January 1858. At T. F. Marshall's request sent by messenger for the meeting of the Philographic Society held this evening at 21 Savile Row, a portfolio of 52 sketches, framed drawing of the interior of S. Nicholas Giornico, and my Rossetti drawing of the dancers and lady with the lute.
11th January 1858. Took steam boat down the river to the Leviathan steam-ship at Milwall. Got into a small boat and was rowed alongside and in front of it. Looking at it foreshortened ahead of the bows, the lines very graceful and nautilus like. Saw it move, or rather strive, 4 times.
21st January 1858. January 21. Holman Hunt [aged 30] and Martineau called on me at 7 and stayed till nearly half-past 10. After desultory chat and looking at drawings, etc., Hunt introduced the subject which principally brought him. Having in prospect to marry Annie Miller [aged 23], after that her education both of mind and manners shall have been completed, he wished to destroy as far as was possible all traces of her former occupation, viz, that of sitting to certain artists (those artists, however, being all his personal friends, Rossetti, A. Hughes, Stephens, Egg, Holliday, Millais, Collins and myself), and as mine was the only direct study of her head, as it was, he would hold it a favour if I would give it him and he in return would give me something of his doing that I might like. At first I resisted stoutly, but finding that it was a serious point with him, and that my refusing would be in some degree an obstacle in the carrying out of his wishes with regard to her (which it would be both selfish and unkind and foolish in the remotest degree to thwart) I at last reluctantly assented to give him the study, the most careful and the most interesting (to me) and which I prize the most I have ever made. He thanked me heartily for my compliance. He gave me real pleasure by telling me that she says I always behaved most kindly to her.
8th February 1858. February 8. On the road stopped to see the Princess Royal [aged 17] accompanied by her husband, the Prince Frederick of Prussia [aged 26], Prince Albert [aged 38] and the Prince of Wales [aged 16] go by on her departure from England. She was flushed, and her eyes swollen and red and she had evidently been crying. The snow, the first this year, was falling and driving into her face. Yet she kept her veil up and bowed to the throng who lined the roads.
8th February 1858. February 8. Attended meeting of the Philographic Society at Walter's Studio, 21 Savile Row.
7th February 1858. February 7. Gave Burges (in exchange for something he is to do for me) a sketch I made of Llyn Crafuant in N. Wales in the autumn of 1856, which he persists in calling the 7th Hell, as it reminds him of Dante's Inferno. The only alteration I made in it (to suit his fancy) is giving a red flush as of flame in the horizon.
13th February 1858. February 13. Miss Cooke came to sit for me. Little Simeon Solomon [aged 17] called and stayed a long while and jawed and bored us considerably. Burges came up and I introduced them.
15th February 1858. February 15. Miss Varley sat to me. Discovered Burges had sent on to me the Valentine she had sent to him, followed by another. I enclosed them both again in an envelope for her to post to him. Went to a dancing and musical "shine" at Clayton & Bells', 24a Cardington St. Jovial and unceremonious. Some very good singing and playing.
17th February 1858. February 17. Proposed by T. F. Marshall and seconded by Chester I was elected to-day a member of the Philographic Society.
The Deeds of the Dukes of Normandy
The Gesta Normannorum Ducum [The Deeds of the Dukes of Normandy] is a landmark medieval chronicle tracing the rise and fall of the Norman dynasty from its early roots through the pivotal events surrounding the Norman Conquest of England. Originally penned in Latin by the monk William of Jumièges shortly before 1060 and later expanded at the behest of William the Conqueror, the work chronicles the deeds, politics, battles, and leadership of the Norman dukes, especially William’s own claim to the English throne. The narrative combines earlier historical sources with firsthand information and oral testimony to present an authoritative account of Normandy’s transformation from a Viking settlement into one of medieval Europe’s most powerful realms. William’s history emphasizes the legitimacy, military prowess, and governance of the Norman line, framing their expansion, including the conquest of England, as both divinely sanctioned and noble in purpose. Later chroniclers such as Orderic Vitalis and Robert of Torigni continued the history, extending the coverage into the 12th century, providing broader context on ducal rule and its impact. Today this classic work remains a foundational source for understanding Norman identity, medieval statesmanship, and the historical forces that reshaped England and Western Europe between 800AD and 1100AD.
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22nd May 1858. To Wyld's reading rooms where I met Dante Rossetti [aged 30]. We went off to his rooms in a cab and had tea there. While I was looking at his excellent drawings he read aloud to me several translations of his in the metre of the original early Italian Sonnets and other pieces before and contemporary with Dante. Several of them most touching and graphic, terse and simple. Admiring a little pen and ink sketch of a little girl wheeling a child along in a go-cart, he gave it me. He came back with me in a cab to my place and there we sat and read and talked of Browning. He recited also 2 excellent little pieces by Morris (Topsy). He spoke of Jones being "an angel on earth, and too good for this world.
29th May 1858. Dante Rossetti [aged 30] called to see me while Burges was taking tea with me. After a while he got Annie Harrison (the landlady's daughter) to sit to him. Burges bullied him into using vellum when he wished simply for paper. Consequently he didn't make so good a sketch as he would have done had he been left to his own bent. It was in pen and ink, and he gave it to me before leaving, which was at a very late hour. He told me some amusing anecdotes about Thackeray, and repeated some most ludicrous exclamations of Morris'. He read a lovely little MS. poem of Browning's, about a portrait of a golden-haired beauty on a golden ground that he copied from some lady's album.
Burges asked him how he would lay in a head in oil colour. He said "begin by modelling it thoroughly in pure blue, tempered with white where necessary. For the darkest shadows use it very purely and thinly, and perhaps in hatchings and in reflected lights omit it, leaving them for the local colour of second painting; which may be taken up as soon as the first is dry and can be scraped smooth." I made a slight sketch of Annie while Rossetti was doing his.
2nd June 1858. Rossetti [aged 30] called in the evening and stayed till about 12.30 chatting. He told me further particulars about Dickens, who it appears has left his wife and taken to Miss Fernan, the actress, with whom he is infatuated (platonically as he pretends). His daughters side or keep to him and his sons to their mother.
15th December 1858. To Rossetti [aged 30]. The new things I noticed were an intensely impressive water colour of the Virgin in the house of John, the latter seated at the window and striking a light and looking out upon Jerusalem at twilight. The Virgin is spinning. A Knight girded for combat embracing his Lady Love [The Chapel before the Lists]. Several studies of Miss Herbert [aged 27] (Mrs. Crabbe). A most beautiful pen and ink study of Topsy's (Morris's) "Stunner" at Oxford. He showed me some fine medieval drapery and some gorgeous Eastern pieces lent him from the India House. We went off at dusk and dined at the Cock, and afterwards adjourned to 24 Dean St., Soho, to see "Fanny [aged 23]." Interesting face and jolly hair and engaging disposition.