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Biography of Tintoretto Painter 1518-1594

Tintoretto Painter 1518-1594.

Around Oct 1518 Tintoretto Painter 1518-1594 was born.

On 31 May 1594 Tintoretto Painter 1518-1594 (75) died.

John Evelyn's Diary 1652 August. 01 Aug 1652. Came old Jerome Lennier, of Greenwich, a man skilled in painting and music, and another rare musician, called Mell. I went to see his collection of pictures, especially those of Julio Romano, which surely had been the King's (22), and an Egyptian figure, etc. There were also excellent things of Polydore, Guido, Raphael, and Tintoretto. Lennier had been a domestic of Queen Elizabeth, and showed me her head, an intaglio in a rare sardonyx, cut by a famous Italian, which he assured me was exceedingly like her.

John Evelyn's Diary 1671 January. 18 Jan 1671. This day I first acquainted his Majesty (40) with that incomparable young man, Gibbon (22), whom I had lately met with in an obscure place by mere accident, as I was walking near a poor solitary thatched house, in a field in our parish, near Sayes Court. I found him shut in; but looking in at the window, I perceived him carving that large cartoon, or crucifix, of Tintoretto, a copy of which I had myself brought from Venice, where the original painting remains. I asked if I might enter; he opened the door civilly to me, and I saw him about such a work as for the curiosity of handling, drawing, and studious exactness, I never had before seen in all my travels. I questioned him why he worked in such an obscure and lonesome place; he told me it was that he might apply himself to his profession without interruption, and wondered not a little how I found him out. I asked if he was unwilling to be made known to some great man, for that I believed it might turn to his profit; he answered, he was yet but a beginner, but would not be sorry to sell off that piece; on demanding the price, he said £100. In good earnest, the very frame was worth the money, there being nothing in nature so tender and delicate as the flowers and festoons about it, and yet the work was very strong; in the piece was more than one hundred figures of men, etc. I found he was likewise musical, and very civil, sober, and discreet in his discourse. There was only an old woman in the house. So, desiring leave to visit him sometimes, I went away.
Of this young artist (22), together with my manner of finding him out, I acquainted the King (40), and begged that he would give me leave to bring him and his work to Whitehall Palace, for that I would adventure my reputation with his Majesty (40) that he had never seen anything approach it, and that he would be exceedingly pleased, and employ him. The King (40) said he would himself go see him. This was the first notice his Majesty (40) ever had of Mr. Gibbon (22).

John Evelyn's Diary 1696 April. 23 Apr 1696. I went to Eton, and dined with Dr. Godolphin, the provost. The schoolmaster assured me there had not been for twenty years a more pregnant youth in that place than my grandson (14). I went to see the King's House at Kensington. It is very noble, though not great. The gallery furnished with the best pictures [from] all the houses, of Titian, Raphael, Correggio, Holbein, Julio Romano, Bassan, Vandyke, Tintoretto, and others; a great collection of porcelain; and a pretty private library. The gardens about it very delicious.

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