Damask

Damask is in Clothing.

Damask. A rich, heavy silk or linen fabric with a pattern woven into it, used for table linen and upholstery.

On 01 Apr 1495 Cecily "Rose of Raby" Neville Duchess York 1415-1495 (79) made her last will. It was proved 27 Aug 1495.

Source: A Selection From the Wills of Eminent Persons by Camden Society (Great Britain). Published 1838. Transcribed by John Gough Nichols and John Bruce.

IN the name of allmyghty God, the blessed Trinite, fader and son and the holigost, trusting in the meanes and mediacions of oure blessed Lady Moder, of oure most blessed Saviour Jh'u Crist, and by the intercession of holy Saint John Baptist, and all the saintes of heven: I, CECILLE, wife unto the right noble prince Richard late Duke of Yorke (83), fader unto the most cristen prince my Lord and son King Edward the iiij th (52), the first day of Aprill the yere of our Lord M.CCCC.lxxxxv. after the computacion of the Church of Englond, of hole mynde and body, loving therfore be it to Jh'u, make and ordeigne my testament in fourme and maner ensuyng.

Furst, I bequeath and surrendour my soule in to the mercifull handes of allmyghty God my maker, and in to protecion of the blessed yrgin our lady Saint Mary, and suffrage of Saint John Baptist, and of all other saintes of heven. Also my body to be buried beside the body of my moost entierly best beloved Lord and housbond, fader unto my said lorde and son, and in his tumbe within the collegiate church of Fodringhay, a if myn executours by the sufferaunce of the King (38) finde goode sufficient therto; and elles at the Kinges (38) pleasure. And I will that after my deceasse all my dettes sufficiently appering and proved be paid, thanking oure Lord at this tyme of making of this my testament to the knolege of my conscience I am not muche in dett; and if it happen, as I trust to God it shalnot, that there be not found sufficient money aswell to pay my dettes as to enture my body, than in advoiding such charges as myght growe for the same, the whiche God defende, I lymytte and assigne all such parcelles of plate as belongith to my chapell, pantry, cellour, ewry, and squillery, to the perfourmyng of the same, as apperith in the inventary, except such plate as I have bequeithed. Also I geve and bequeith to the Kinges noble grace all such money as is owing to me of the customes, and two cuppes of gold.

Also I geve and bequeith to the Quene (29) a crosse croslette of diamantes, a sawter with claspes of silver and guilte enameled covered with grene clothe of golde, and a pix with the fleshe of Saint Cristofer.

Also I bequeith to my lady the Kinges moder (51) a portuos with claspes of gold covered with blacke cloth of golde.

Also I geve to my lord Prince (8) a bedde of arres of the Whele of Fortune and testour of the same, a counterpoint of arras and a tappett of arres with the pope.

Also I geve to my lord Henry Duke of Yorke (3) b three tappettes of arres, oon of them of the life of Saint John Baptist, another of Mary Maudeleyn, and the thirde of the passion of our Lord and Saint George.

And if my body be buried at Fodringhay in the colege there with my most entierly best beloved lord and housbond (83), than I geve to the said colege a square canapie of crymeson clothe of gold with iiij. staves, twoo auter clothes of crymeson clothe of gold, twoo copes of crymeson cloth of gold, a chesibull and twoo tenucles of cryinyson clothe of golcrvith iij. abes, c twoo auter clothes of crymeson damaske browdered, a chesibull, twoo tenucles, and iij. copes of blewe velwett brodered, with iij. abes, thre masse bokes, thre grayles, and vij. processioners.

Also I geve to the colege of Stoke Clare a chesibull and twoo tenucles of playn crymyson cloth of gold with iij. abes, twoo auter clothes, a chesibull, twoo tenucles, and fyve coopes of white damaske browdered, with iij. abes, twoo awter clothes of crymeson velwett upon the velwete (sic), a vestement of crymeson playne velvet, iiij. antiphoners, iiij. grayles, and sixe processioners.

Also I geve to the house of Sion two of the best coopes of crymyson clothe of gold.

Note. These next four people refer to her grand-daughters, children of Edward IV.

Also I geve to my doughter Brigitte (14) the boke of Legenda Aurea in velem, a boke of the life of Saint Kateryn of Sene, a boke of Saint Matilde.

Also I geve to my doughter Cecill (26) a portuous with claspes silver and gilte covered with purple velvet, and a grete portuous without note.

Also I geve to my doughter Anne (19) the largest bedde of bawdekyn, withe countrepoint of the same, the barge with bailies, tilde, and ores belonging to the same.

Also I geve to my doughter Kateryn (15) a traves of blewe satten.

Also I geve to my doughter of Suffolke (50) a the chare with the coveryng, all the quoshons, horses, and harneys belonging to the same, and all my palfreys.

Note. The next people are her grand-children, children of her daughter Elizabeth York Duchess Suffolk 1444-1503 (50).

Also I geve to my son of Suffolke (24) b a clothe of estate and iij. quoschons of purpull damaske cloth of gold.

Also I geve to my son Humfrey (21) c two awter clothes of blewe damaske brawdered and a vestyment of crymeson satten for Jh'us masse.

Also I geve to my son William (17) d a traves of white sarcenet, twoo beddes of downe, and twoo bolsters to the same.

Also I geve to my doughter Anne priores of Sion (19), a boke of Bonaventure and Hilton in the same in Englishe, and a boke of the Revelacions of Saint Burgitte.

Also I woll that all my plate not bequeithed be sold, and the money thereof be putte to the use of my burying, that is to sey, in discharging of suche costes and expensis as shalbe for carying of my body from the castell of Barkehampstede unto the colege of Fodringhey. And if any of the said plate be lefte unexpended I woll the said colege have it.

Also I geve to the colege of saint Antonies in London an antiphoner with the ruelles of musik in the later ynd.

Also I geve unto Master Richard Lessy all suche money as is owing unto me by obligations what soever they be, and also all such money as is owing unto me by the Shirfe of Yorkeshire, to helpe to bere his charges which he has to pay to the Kinges grace, trusting he shall the rather nyghe the said dettes by the help and socour of his said grace.

Also I geve to Master William Croxston a chesibull, stoles, and fanons of blake velwett, with an abe.

Also I geve to Master Eichard Henmershe a chesibill, stoles, and fanons of crymyson damaske, with an abe; and a chesibill, stoles and fanons of crymeson saten, with an abe.

Also I geve to Sir John More a frontell of purpull cloth of gold, a legend boke, and a colett boke.

Also I give to Sir Kandall Brantingham a chesibill, stoles, and fanons of white damaske, orfreys of crymson velvet, with an abe, the better of bothe.

Also I geve to Sir William Grave a chesibill, stoles, and fanons of white damaske, orfreys of crymeson velvett, with an abe; a masse-boke that servith for the closett, a prymour with claspes silver and gilt, covered with blewe velvett, and a sawter that servith for the closett covered with white ledder.

Also I geve to Sir John Blotte a gospell boke, a pistill covered with ledder, and a case for a corporax of grene playne velvett. Also I geve to Sir Thomas Clerk a chesibill, twoo tenucles, stoles, fanons, of rede bawdeken, with iij. abes.

Also I geve to Sir William Tiler twoo coopes of rede bawdekyn.

Also I geve to Robert Claver iij. copes of white damaske brawdered, and a gowne of the Duchie b facion of playne blake velvett furred with ermyns.

Also I geve to John Bury twoo old copes of crymysyn satten cloth of gold, a frontell of white bawdekyn, twoo curteyns of rede sarcenett fringed, twoo curteyns of whit sarcenet fringed, a feder bed, a bolstour to the same, the best of feders, and two whit spervers of lynyn.

Also I geve to John Poule twoo auter clothes, a chesibull, twoo tenucles, stoles, and fanons of white bawdekyn, with iij. abes; a short gowne of purple playne velvett furred with ermyns, the better of ij. and a kirtill of damaske with andelettes of silver and gilt furred.

Also I geve to John Smyth twoo auter clothes, a chesibill, twoo tenucles, stoles, and fanons of blew bawdekyn, with iij. abes. Also I geve to John Bury twoo copes of crymysyn clothe of gold that servith for Sondays.

Also I geve to John Walter a case for corporax of purple playne velvett, twoo cases for corporax of blewe bawdekyn, twoo auter clothes, a chesibill of rede and grene bawdekyn, a canapie of white sarcenett, iij. abes for children, and iiij. pair of parrours of white bawdekyn, twoo pair parrours of crymsyn velvett, twoo pair parrours of rede bawdekyn, a housling towell that servith for my selfe, twoo corteyns of blewe sarcenett fringed, a sudory of crymy-syn and white, the egges blak, a crose cloth and a cloth of Saint John Baptist of sarcenett painted, a long lantorn, a dext standing doble, twoo grete stondardes and ij. litill cofers.

Also I geve to John Peit-wynne twoo vestimentes of white damaske, a white bedde of lynnyn, a federbedde and a bolstour, and a short gowne of purple playne velvet furred with sabilles. Also I geve to Thomas Lentall six auter clothes of white sarcenett, with crosses of crymsyn velvet.

Also I geve to John Long iij. peces of bawdekyn of the lengur sorte. Also I geve to Sir [John] Verney knighte and Margarett his wiffe a a crosse [of] silver and guilte and berall, and in the same a pece of the holy crosse and other diverse reliques.

Also I geve to Dame Jane Pesemershe, widue, myne Inne that is called the George in Grauntham, during terme of her life; and after her decesse I woll that the reversion therof be unto the college of Fodringhay for evermore, to find a prest to pray for my Lord my housbond (83) and me.

Also I geve to Nicholas Talbott and Jane his wife a spone of gold with a sharp diamount in the ende, a dymy-sent of gold with a collumbine and a diamont in the same, a guirdill of blewe tissue harnessed with gold, a guirdill of gold with a bokull and a pendaunt and iiij. barres of gold, a hoke of gold with iij. roses, a pomeamber of gold garnesshed with a diamont, sex rubies and sex perles, and the surnap and towell to the same.

Also I geve to Richard Boyvile and Gresild his wife my charrett and the horses with the harnes that belongith therunto, a gowne with a dymy trayn of purpull saten furred with ermyns, a shorte gowne of purple saten furred with jennetes, a kirtill of white damaske with aunde lettes silver and gilte, a spone of gold, a dymysynt of gold with a columbyne garnesshed with a diainant, a saphour, an amatist, and viij. perles, a pomeamber of gold enameled, a litell boxe with a cover of gold and a diamant in the toppe.

Also I geve to Richard Brocas and Jane his wife a long gown of purpull velvett upon velvet furred with ermyns, a greate Agnus of gold with the Trinite, Saint Erasmus, and the Salutacion of our Lady; an Agnus of gold with our Lady and Saint Barbara; a litell goblett with a cover silver and part guild; a pair of bedes of white amber gauded with vj. grete stones of gold, part aneled, with a pair of bedes of x. stones of gold and v. of corall; a cofor with a rounde lidde bonde with iron, which the said Jane hath in her keping, and all other thinges that she hath in charge of keping.

Also I geve to Anne Pinchbeke all other myne Agnus unbequeithed, that is to sey, ten of the Trinite, a litell malmesey pott with a cover silver and parte guilte, a possenett with a cover of silver, a short gowne of playne russett velvett furred with sabilles, a short gowne of playne blewe velvett furred with sabilles, a short gowne of purple playn velvet furred with grey, a tester, a siler, and a countrepoint of bawdekyn, the lesser of ij.

Also I geve to Jane Lessy a dymysent of gold with a roos, garnisshed with twoo rubies, a guirdell of purple tissue with a broken bokull, and a broken pendaunt silver and guilte, a guirdill of white riband with twoo claspes of gold with a columbyne, a guirdell of blewe riband with a bokell and a pendaunt of gold, a litell pair of bedes of white amber gaudied with vij. stones of gold, an haliwater stope with a strynkkill silver and gilte, and a laier silver and part guilte.

Also I geve to John Metcalfe and Alice his wife all the ringes that I have, except such as hang by my bedes and Agnus, and also except my signet, a litell boxe of golde with a cover of golde, a pair of bedes of Ixj. rounde stones of golde gaudied with sex square stones of golde enemeled, with a crosse of golde, twoo other stones, and a scalop shele of geete honging by.

Also I geve to Anne Lownde a litell bokull and a litell pendaunt of golde for a guirdill, a litell guirdell of golde and silke with a bokill and a pendaunt of golde, a guirdell of white riband with aggelettes of golde enameled, a hoke of golde playne, a broken hoke of golde enameled, and a litell rounde bottumed basyn of silver.

Also I geve to the house of Asshe-rugge a chesibull and ij. tenucles of crymysyn damaske embrawdered, with thre abes.

Also I geve to the house of Saint Margaretes twoo auter clothes with a crucifix and a vestiment of grete velvet.

Also I geve to the parish church of Stoundon a coope of blewe bawdekyn, the orffreys embrawdered.

Also I geve to the parishe church of Much Barkehampstede a coope of blewe bawdekyn, the orffreys embrawdered.

Also I geve to the parish church of Compton by sides Guilford a eorporax case of blake cloth of gold and iiij. auter clothes of white sarcenett embrawdered with garters.

Also I geve to Alisaunder Cressener my best bedde of downe and a bolster to the same.

Also I geve to Sir Henry Haidon knyght a tablett and a cristall garnesshed with ix. stones and xxvij. perles, lacking a stone and iij. perles.

Also I geve to Gervase Cressy a long gown of playn blewe velvet furred with sabilles.

Also I geve to Edward Delahay twoo gownes of musterdevilers furred with mynckes, and iiij u of money.

Also I geve to Thomas Manory a short gowne of crymesyn playn velvet lyned, purfilled with blake velvet, and iiij ll in money.

Also I geve to John Broune all such stuf as belongith to the kechyn in his keping at my place at Baynardcastell in London, and iiij u in money.

Also I geve to William Whitington a short gown of russett cloth furred with matrons and calabour wombes, a kirtill of purpull silke chamblett with awndelettes silver and gilte, all such floures of brawdery werke and the cofer that they be kept in, and xls. in money.

Also I geve to all other gentilmen that be daily a waiting in my houshold with Mr. Richard Cressy and Robert Lichingham everich of theime iiij u in money.

Also I geve to every yoman that be daily ad waiting in my houshold with John Otley xls. in money.

Also I geve to every grome of myne xxvj s. viij d. in money. And to every page of myne xiij s. iiij d. in money.

Also I geve to Robert Harison xls. in money and all the gootes.

And if ther be no money founde in my cofers to perfourme this my will and bequest, than I will that myne executours, that is to sey the reverend fader in God Master Olyver King bisshop of Bath (63), Sir Reignolde Bray (55) knight, Sir Thomas Lovell, councellours to the Kinges grace, Master William Pikinham doctour in degrees dean of the colege of Stoke Clare, Master William Felde master of the colege of Fodringhey, and Master Richard Lessy dean of my chapell, havyng God in reverence and drede, unto whome I geve full power and auctorite to execute this my will and testament, make money of such goodes as I have not geven and bequeithed, and with the same to content my dettes and perfourme this my will and testament.

And the foresaid reverend fader in God, Sir Rignold Bray knyght, Sir Thomas Lovell knyght, Master William Pikenham, and Master William Felde, to be rewarded of suche thinges as shalbe delivered unto theme by my commaundement by the hondes of Sir Henry Haidon knyght stieward of my houshold and Master Richard Lessy, humbly beseching the Kinges habundant grace in whome is my singuler trust to name such supervisour as shalbe willing and favorabull diligently to se that this my present testament and will be perfittely executed and perfourmyd, gevyng full power also to my said executours to levey and receyve all my dettes due and owing unto me at the day of my dethe, as well of my receyvours as of all other officers, except such dettes as I have geven and bequeathed unto Master Richard Lessy aforesaid, as is above specified in this present will and testament.

And if that Master Richard Lessy cannot recover such money as I have geven to hym of the Shirffes of Yorkeshire and of my obligacions, than I will he be recompensed of the revenues of my landes to the sume of v c. marcs at the leest.

IN WITTENESSE HEROF I have setto my signet and signemanuell at my castell of Berkehamstede the last day of May the yere of our Lord abovesaid, being present Master Richard Lessy, Sir William Grant my confessour, Richard Brocas clerc of my kechyn, and Gervays Cressy. Proved at "Lamehithe" the 27 th day of August, A.D. 1495, and commission granted to Master Richard Lessy the executor in the said will mentioned to administer, &c. &c.

Around 1510 Meynnart Wewyck Painter 1460-1525 is believed to have painted the portrait of Henry VII King England and Ireland 1457-1509. Around 1520 Unknown Painter. Netherlands. Portrait of Henry VII King England and Ireland 1457-1509. Around 1675 Unknown Painter. Portrait of Elizabeth York Queen Consort England 1466-1503. From a work of 1500. Around 1510 Meynnart Wewyck Painter 1460-1525. Portrait of Margaret Beaufort Countess Richmond 1443-1509 in the Masters Lodge St John's College. Commissioned by John Fisher Bishop of Rochester 1469-1535. Note the Beaufort Arms on the wall beneath which is the Beafort Portcullis. Repeated in the window. She is wearing widow's clothes, or possibly that of a convent; Gabled Headress with Lappets. On 29 Mar 2019, St John's College, Cambridge, which she founded, announced the portrait was original work by Wewyck. Around 1500. Unknown Painter. Portrait of Arthur Tudor Prince of Wales 1486-1502. 1536 Hans Holbein The Younger Painter 1497-1543. Portrait of King Henry VIII of England and Ireland 1491-1547. 1540 Hans Holbein The Younger Painter 1497-1543. Miniature portrait of King Henry VIII of England and Ireland 1491-1547. Around 1525 Unknown Painter. Netherlands. Portrait of King Henry VIII of England and Ireland 1491-1547.

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Lying in State of Elizabeth of York

The Antiquarian Repertory Volume 4 Funeral Ceremonies of Queen Elizabeth. And after that the corps (37) was could the Serjeant of the Chandry with such officers that belong to that Office had the Charge of baumeing with other serimonies theirto belonging and were allowed xl. Ells of lynning holland Cloth of Ell bredth with there gomes baumes Spices sweet wines and other as thereto belongeth and was thereto according.

Item after that she was sered by the Kings Plumer Closed her in lead with an Epitaph of lead what she was and then all that was Chested in borcle sufficiently Coverd for bearing of the same which was covered with white and black velvet with a Crosse of white damaske.

Item in the quire of the Chappell of the Tower was ordeyned a hearse of fine prncipills with Renninge lights about the Church and all the windowes rayled about a good heighte furnish'd with burninge tapers and also hanged with black Cloth furnish'd with scochins of her Armes.

The Sunday next following the corps (37) was removed from her Chamber to the Chappcll in manner that followeth.

First there was The Abbott of Westminster (39) in pontificalibus with the Dean of the kings Chappell (63) and the whole company of the same fowr knights bearing the Canapye with great Number of Gentlemen which went two and two together on every syde of the prossion great Number of torches brening borne by the Kings and the Queens servants after them the Officers of Armes and the Greatest estates and other Lords their present layd their hands to the Corps the Lady Elizabeth Stafford (24) was that day principall Mourner and all the other Laides followed her two and two together in such most sadd and simplest Clothing that they had on their heads thredden kierchiefs hanging on their shoulders and close under their Chins and this daily until their slopps mantells hoodes and paris were made and Ordyned. And when the Corps was sett under the hearse in the Chapell Coverd with a rich Cloth of black velvet with a Crosse of Cloth of Gold. And an Officer of Armes in an high voice said for Queen EHzebeth soule and all Xtn souls Pater noster and every ...... and atoremus before the Collect Aminabus inlykewise.

That night and every Night following was ordyned a goodly watch both of men and Gentlewomen at the lest iiij gentlewomen ij officers of Armes and vij yeomen and grooms. The gentlewomen were relieved with vj ladies which continually did knele about the Corps.

Then the kings Chaplin began and Redd the sawter that done to the laudes and Commendations.

After that the Deane of the kings Chappell (63) all the nobles officers of Armes other gentle and honest persons went to the great chamber for the Ladys to the Masse of Requiem.

Then was the Lady Catherin (23) sister of the noble Queene (37) Cheif mourner led by the Earle of Surry (60) and Earle of Essex her train borne by the Lady Elizabeth Stafford (24) accompanied also with all the other Laidies and Gentlewomen of the Court And when they were comen to the quier the foresaid vj Laides gave roome to there betters in tyme masse was done after which they continued their watch.

The Cheif Mourner (23) kneled at the heade alone then an officer of Arms began for the Queene &c And so began the masse songen by the Abbot of Westminster (39) at the Offringe the Lady was led by ij of the greatest Estates there present and the lest gave her the offring having before her the Chamberlain and the Officers of Arms passing always by the Corps did their obeysance as before.

Then offered the other six Laides before any Estate ij and ij together then the greatest estates and all the Laides and Gentlewomen then all the other Laides and knights and squires with other Gentlemen So this order as before was dayly kept as long as she was in the Tower every day in pontificalibus by a Bishop or an Abbott at the least as the next day by the Abbott of Barmsey The iij11 by the Abbott Albones The iiijth by the Abbott of Winchcomb The vth by the Abbott of Towerhill The vj'h by the Abbott of Stratford The vij"1 day there was iij solempne masses The first of our lady sungen by the Abbott of Redyng att that masse offered a piece of Gold of xld for the masse pennye the principle Mourner and no other person The second masse songen by the bishop Landaffe and Likewise at the masse none offered but she and then offered a piece of Gold of 5s. The iijd Masse songen by the bishop of Norwigge and att that Masse she offered a Noble Then offered the Laides and the Nobles as before The viijth day the service was done by the Bishop of Bangor The ixth day by the Bishop of Exeter the xll> day by the Bishop of Lincolne.

That Masse done the Lords and Laides went to breakfast and in meane tyme the Corps was conveyd into the Chaire which was eniparralled as followeth:

First all the bayles sydes and Coffers were covered with black velvett and over all along of a prety depnes a Cloth of black velvett with a Crosse of White Cloth of gould well frindged drawn with vi horses traped with black velvett and all the draught of the same.

And when the Corps was in the Chest there was Ordeyned an Image or a personage like a Queene Clothed in the very Roabes of Estate of the Queene having her very rich Crowne on her Head her heire about her shoulders her septer in her right Hand and her fingers well garnished with Gould and precious Stones.

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Diary of Henry Machyn May 1552. 16 May 1552. The xvj day of May the Kyngs (14) grace [rode into the said] parke for to se the goodly muster of ys [men] of armes, and every lord('s) men; severall [trumpets] bloghyng a-for ther men, and ther standards, and ther cottes in brodery of yche lords colers, and ther speyres coloryd lyke, and ther fott-men.

The furst the kynges pensyonars, the lord Bray ther captayn, and the kyng's grett baner [of arms] borne of-fore of damaske, blue and red, and the trumpeters blohyng, and the pensyonars in goodly a[rray, and] in harnes from tope to the to, and goodly basses of cotes, and ther men in lyke colers of cloth.

The ij my lord Tresorer's men of armes, a whytt standard with faucon of gold, cotes whyt and red.

The iij my lord Grant Master, with men of armes, ys standard of red damaske, a whyt lyon sylver, crounyd gold, and with ragyd stayffes; cotes alle blake wellevet in-brodery the alff, and th'odur cloth blake in-brodery whyt and red.

The Duke of Soffoke (35), with ys men of armes, and ys standard a unycorne sylver armyn in a sune-beme gold, whyt and morrey, and ys penselles.

[The vth, the lord Privy Seal his men of arms; his standard of three colours, a whyt goat, the standard powdered with escallop shells; his coat white and red in-brodery, and pensils of the same.]

[The vj, the lord] Grett Chamburlayn, [marqwes of Northampton (40); his] standard yelow and blakke, a mayden hed [crowned gold; his coats] yelow welvet the alffe ys men, and th'odur [half cloth] and fott men in yelow welvet, and pensels.

The vii, Master of the Horse, Warwyke (25), ys men of [arms; his] gyttun a red damask, whyt lyon, crounyd gold, [and pow] deryd with rag(ged) stayffes of sylver, and pensells.

The viij, the yerlle of Rottland (25) with ysmen of armes; [his] standard of yelow and bluw with pekoke in [pride] gold, and pensells with a pecoke; cottes bluw in-brod [ery].

The ix, the yerlle of Huntyngtun (38), with ys men; hys standard a babyon [baboon], cottes bluw brodered [velvet;] the penselles with bulles hed, crone a-bowt ys neke.

The x, the yerle of Penbroke (51) ys men of armes; ys coler of hys standard of iij collers, red, whyt, and bluw, and a gren dragon with a arme in ys mowth; and penselles.

The xj, the lord Admerall (40) with ys men of armes; hys gytton the crosse of sant Gorge blake, with a ankur of sylver, cottes blake, and brodered with whyt.

The xij, the lord chamburlayn Darcy (45) ys men of armes; ys standard a mayden with a flowre in her hand; cotes red broderd with whytt; and penselles.

The xiij, the lord Cobham (55) with ys men of armes, and ys standard whyt and blake, and a Sarsunhed in [it;] ys cotes blake gardyd with whytt; and penselles.

The xiiij, master treasurer Cheny (67), lord warden of the cinque ports; his guydon a red cross, and half a rose in a sun-beam black; spers and pensells and alle companys.

Around 1540 Hans Holbein The Younger Painter 1497-1543. Portrait of Edward VI King England and Ireland 1537-1553 Around 1546 Unknown Painter. After William Scrots Painter 1517-1553. Portrait of Edward VI King England and Ireland 1537-1553. Around 1547. Workshop of Master John Painter. Portrait of Edward VI King England and Ireland 1537-1553. Around 1539 Hans Holbein The Younger Painter 1497-1543. Drawing of William Parr 1st Marquess Northampton 1512-1571. Around 1560 Steven van der Meulen Painter -1564. Portrait of William Herbert 1st Earl Pembroke 1501-1570. Around 1538 Hans Holbein The Younger Painter 1497-1543. Drawing of Edward Clinton 1st Earl Lincoln 1512-1585. Around 1565 Unknown Painter. Portrait of Edward Clinton 1st Earl Lincoln 1512-1585. In 1583 Unknown Painter. Portrait of Edward Clinton 1st Earl Lincoln 1512-1585 wearing his Garter Collar. Around 1538 Hans Holbein The Younger Painter 1497-1543. Drawing of George Brooke 9th Baron Cobham 1497-1558.

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Diary of Henry Machyn October 1554. 02 Oct 1554. The ij day of October was bered the nobull duke of Norffok (81) at a plasse callyd Fremyngham chyrche; and ther was a goodly hersse of wax as I have sene in thes days, with a dosen of banerrolles of ys progene, and xij dosen penselles, xij dosen of kochyons, and with standard, and iij cotes of armes, and a baner of damaske, and iiij banars of emages, and mony mornars, and a gret dolle, and after gret dener. [For the furnishing of which dinner were killed forty great oxen and a hundred sheep, and sixty calves, besides venison, swans, and cranes, capons, rabbits, pigeons, pikes, and other provisions both flesh and fish. There was also great plenty of wine; and of bread and beer as great plenty as ever had been known, both for] ryche and pore: all the co[untry came thither; and] a grett dolle of money ther wher [bestowed upon the poorer sort;] for he was cared from (unfinished).

Diary of Henry Machyn October 1554. 29 Oct 1554. The xxix day of October the nuw lord mayre of London, master Lyons (40) groser, toke ys hoathe at Westmynster; and alle the craftes of London in ther barges, and with stremars; and ther was a grett penoys decked with ij topes and stremars and .... gones and drumes and trumpetes, rohyng to Westmynster up and don; and when thay cam hom thay landyd at Powlles warff, and ther mett the mayr lx in rosett gownes and with targetts and gyffelyns and blue hattes; and then a goodly pagant, a gryffen with a chyld lyung in harnes, and sant John Baptyst with a lyon, and ij vodys [woods aka wild men] and a dulle [devil] with squybes bornyng, and trumpetes blohyng, and drum(s) and flute(s), and then the bachelers with cremesun damaske hedes [hoods], and then trumpeters, and the wettes [waists] of the cete; and so to yeld-hall to dener, for ther dynyd my lord chanseler (71) and all the nobuls, and the Spaneardes, and the juges and lernyd men.

John Evelyn's Diary 25 May 1644. 25 May 1644. Was the Fête Dieu, and a goodly procession of all the religious orders, the whole streets hung with their best tapestries, and their most precious movables exposed; silks, damasks, velvets, plate, and pictures in abundance; the streets strewed with flowers, and full of pageantry, banners, and bravery.

John Evelyn's Diary 14 September 1644. 14 Sep 1644. We took post for Richelieu, passing by l'Isle Bouchard, a village in the way. The next day, we arrived, and went to see the Cardinal's Palace, near it. The town is built in a low, marshy ground, having a narrow river cut by hand, very even and straight, capable of bringing up a small vessel. It consists of only one considerable street, the houses on both sides (as indeed throughout the town) built exactly uniform, after a modern handsome design. It has a large goodly market house and place, opposite to which is the church built of freestone, having two pyramids of stone, which stand hollow from the towers. The church is well built, and of a well-ordered architecture, within handsomely paved and adorned. To this place belongs an Academy, where, besides the exercise of the horse, arms, dancing, etc., all the sciences are taught in the vulgar French by Professors stipendiated by the great Cardinal, who by this, the cheap living there, and divers privileges, not only designed the improvement of the vulgar language, but to draw people and strangers to the town; but since the Cardinal's death, it is thinly inhabited; standing so much out of the way, and in a place not well situated for health, or pleasure. He was allured to build by the name of the place, and an old house there belonging to his ancestors. This pretty town is handsomely walled about and moated, with a kind of slight fortification, two fair gates and drawbridges. Before the gate, toward the palace, is a spacious circle, where the fair is annually kept. About a flight-shot from the town is the Cardinal's house, a princely pile, though on an old design, not altogether Gothic, but mixed, and environed by a clear moat. The rooms are stately, most richly furnished with tissue, damask, arras, and velvet, pictures, statues, vases, and all sorts of antiquities, especially the Cæsars, in oriental alabaster. The long gallery is painted with the famous acts of the Founder; the roof with the life of Julius Cæsar; at the end of it is a cupola, or singing theatre, supported by very stately pillars of black marble. The chapel anciently belonged to the family of the Founder. The court is very ample. The gardens without are very large, and the parterres of excellent embroidery, set with many statues of brass and marble; the groves, meadows, and walks are a real Paradise.

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John Evelyn's Diary 04 November 1644. 04 Nov 1644. I came to Rome on the 4th of November, 1644, about five at night; and being perplexed for a convenient lodging, wandered up and down on horseback, till at last one conducted us to Monsieur Petit's, a Frenchman, near the Piazza Spagnola. Here I alighted, and, having bargained with my host for twenty crowns a month, I caused a good fire to be made in my chamber and went to bed, being so very wet. The next morning (for I was resolved to spend no time idly here) I got acquainted with several persons who had long lived at Rome. I was especially recommended to Father John, a Benedictine monk and Superior of his Order for the English College of Douay, a person of singular learning, religion, and humanity; also to Mr. Patrick Cary, an Abbot, brother to our learned Lord Falkland, a witty young priest, who afterward came over to our church; Dr. Bacon and Dr. Gibbs, physicians who had dependence on Cardinal Caponi, the latter being an excellent poet; Father Courtney, the chief of the Jesuits in the English College; my Lord of Somerset, brother to the Marquis of Worcester; and some others, from whom I received instructions how to behave in town, with directions to masters and books to take in search of the antiquities, churches, collections, etc. Accordingly, the next day, November 6th, I began to be very pragmatical.23.

In the first place, our sights-man (for so they name certain persons here who get their living by leading strangers about to see the city) went to the Palace Farnese, a magnificent square structure, built by Michael Angelo, of the three orders of columns after the ancient manner, and when architecture was but newly recovered from the Gothic barbarity. The court is square and terraced, having two pairs of stairs which lead to the upper rooms, and conducted us to that famous gallery painted by Augustine Caracci, than which nothing is more rare of that art; so deep and well-studied are all the figures, that it would require more judgment than I confess I had, to determine whether they were flat, or embossed. Thence, we passed into another, painted in chiaroscúro, representing the fabulous history of Hercules. We went out on a terrace, where was a pretty garden on the leads, for it is built in a place that has no extent of ground backward. The great hall is wrought by Salviati and Zuccharo, furnished with statues, one of which being modern is the figure of a Farnese, in a triumphant posture, of white marble, worthy of admiration. Here we were shown the Museum of Fulvius Ursinos, replete with innumerable collections; but the Major-Domo being absent, we could not at this time see all we wished. Descending into the court, we with astonishment contemplated those two incomparable statues of Hercules and Flora, so much celebrated by Pliny, and indeed by all antiquity, as two of the most rare pieces in the world; there likewise stands a modern statue of Hercules and two Gladiators, not to be despised. In a second court was a temporary shelter of boards over the most stupendous and never-to-be-sufficiently-admired Torso of Amphion and Dirce, represented in five figures, exceeding the life in magnitude, of the purest white marble, the contending work of those famous statuaries, Apollonius and Taurisco, in the time of Augustus, hewed out of one entire stone, and remaining unblemished, to be valued beyond all the marbles of the world for its antiquity and workmanship. There are divers other heads and busts. At the entrance of this stately palace stand two rare and vast fountains of garnito stone, brought into this piazza out of Titus's Baths. Here, in summer, the gentlemen of Rome take the FRESCO in their coaches and on foot. At the sides of this court, we visited the palace of Signor Pichini, who has a good collection of antiquities, especially the Adonis of Parian marble, which my Lord Arundel would once have purchased, if a great price would have been taken for it.

We went into the Campo Vaccino, by the ruins of the Temple of Peace, built by Titus Vespasianus, and thought to be the largest as well as the most richly furnished of all the Roman dedicated places: it is now a heap rather than a temple, yet the roof and volto continue firm, showing it to have been formerly of incomparable workmanship. This goodly structure was, none knows how, consumed by fire the very night, by all computation, that our blessed Savior was born.

From hence we passed by the place into which Curtius precipitated himself for the love of his country, now without any sign of a lake, or vorago. Near this stand some columns of white marble, of exquisite work, supposed to be part of the Temple of Jupiter Tonans, built by Augustus; the work of the capitals (being Corinthian) and architrave is excellent, full of sacrificing utensils. There are three other of Jupiter Stator. Opposite to these are the oratories, or churches, of St. Cosmo and Damiano, heretofore the Temples of Romulus; a pretty old fabric, with a tribunal, or tholus within, wrought all of Mosaic. The gates before it are brass, and the whole much obliged to Pope Urban VIII. In this sacred place lie the bodies of those two martyrs; and in a chapel on the right hand is a rare painting of Cavaliere Baglioni.

We next entered St. Lorenzo in Miranda. The portico is supported by a range of most stately columns; the inscription cut in the architrave shows it to have been the Temple of Faustina. It is now made a fair church, and has an hospital which joins it. On the same side is St. Adriano, heretofore dedicated to Saturn. Before this was once placed a military column, supposed to be set in the center of the city, from whence they used to compute the distance of all the cities and places of note under the dominion of those universal monarchs. To this church are likewise brazen gates and a noble front; just opposite we saw the heaps and ruins of Cicero's palace. Hence we went toward Mons Capitolinus, at the foot of which stands the arch of Septimus Severus, full and entire, save where the pedestal and some of the lower members are choked up with ruins and earth. This arch is exceedingly enriched with sculpture and trophies, with a large inscription. In the terrestrial and naval battles here graven, is seen the Roman Aries (the battering-ram); and this was the first triumphal arch set up in Rome. The Capitol, to which we climbed by very broad steps, is built about a square court, at the right hand of which, going up from Campo Vaccino, gushes a plentiful stream from the statue of Tiber, in porphyry, very antique, and another representing Rome; but, above all, is the admirable figure of Marforius, casting water into a most ample concha. The front of this court is crowned with an excellent fabric containing the Courts of Justice, and where the Criminal Notary sits, and others. In one of the halls they show the statues of Gregory XIII. and Paul III., with several others. To this joins a handsome tower, the whole faciata adorned with noble statues, both on the outside and on the battlements, ascended by a double pair of stairs, and a stately Posario.

In the center of the court stands that incomparable horse bearing the Emperor Marcus Aurelius, as big as the life, of Corinthian metal, placed on a pedestal of marble, esteemed one of the noblest pieces of work now extant, antique and very rare. There is also a vast head of a colossean magnitude, of white marble, fixed in the wall. At the descending stairs are set two horses of white marble governed by two naked slaves, taken to be Castor and Pollux, brought from Pompey's Theatre. On the balustrade, the trophies of Marius against the Cimbrians, very ancient and instructive. At the foot of the steps toward the left hand is that Colonna Miliaria, with the globe of brass on it, mentioned to have been formerly set in Campo Vaccino. On the same hand, is the palace of the Signiori Conservatori, or three Consuls, now the civil governors of the city, containing the fraternities, or halls and guilds (as we call them), of sundry companies, and other offices of state. Under the portico within, are the statues of Augustus Cæsar, a Bacchus, and the so renowned Colonna Rostrata of Duillius, with the excellent bassi-relievi. In a smaller court, the statue of Constantine, on a fountain, a Minerva's head of brass, and that of Commodus, to which belongs a hand, the thumb whereof is at least an ell long, and yet proportionable; but the rest of the colosse is lost. In the corner of this court stand a horse and lion fighting, as big as life, in white marble, exceedingly valued; likewise the Rape of the Sabines; two cumbent figures of Alexander and Mammea; two monstrous feet of a colosse of Apollo; the Sepulchre of Agrippina; and the standard, or antique measure of the Roman foot. Ascending by the steps of the other corner, are inserted four basso-relievos, viz, the triumph and sacrifice of Marcus Aurelius, which last, for the antiquity and rareness of the work, I caused my painter, Carlo Neapolitano, to copy. There are also two statues of the Muses, and one of Adrian, the Emperor; above stands the figure of Marius, and by the wall Marsyas bound to a tree; all of them excellent and antique. Above in the lobby are inserted into the walls those ancient laws, on brass, called the Twelve Tables; a fair Madonna of Pietro Perugino, painted on the wall; near which are the archives, full of ancient records.

In the great hall are divers excellent paintings of Cavaliero Giuseppe d'Arpino, a statue in brass of Sextus V. and of Leo X., of marble. In another hall are many modern statues of their late Consuls and Governors, set about with fine antique heads; others are painted by excellent masters, representing the actions of M. Scævola, Horatius Cocles, etc. The room where the Conservatori now feast upon solemn days, is tapestried with crimson damask, embroidered with gold, having a state or balduquino of crimson velvet, very rich; the frieze above rarely painted. Here are in brass, Romulus and Remus sucking the wolf, of brass, with the Shepherd, Faustulus, by them; also the boy plucking the thorn out of his foot, of brass, so much admired by artists. There are also holy statues and heads of Saints. In a gallery near adjoining are the names of the ancient Consuls, Prætors, and Fasti Romani, so celebrated by the learned; also the figure of an old woman; two others representing Poverty; and more in fragments. In another large room, furnished with velvet, are the statue of Adonis, very rare, and divers antique heads. In the next chamber, is an old statue of Cicero, one of another Consul, a Hercules in brass, two women's heads of incomparable work, six other statues; and, over the chimney, a very rare basso-relievo, and other figures. In a little lobby before the chapel, is the statue of Hannibal, a Bacchus very antique, bustoes of Pan and Mercury, with other old heads. All these noble statues, etc., belong to the city, and cannot be disposed of to any private person, or removed hence, but are preserved for the honor of the place, though great sums have been offered for them by divers Princes, lovers of art, and antiquity. We now left the Capitol, certainly one of the most renowned places in the world, even as now built by the design of the famous M. Angelo.

Returning home by Ara Cœli, we mounted to it by more than 100 marble steps, not in devotion, as I observed some to do on their bare knees, but to see those two famous statues of Constantine, in white marble, placed there out of his baths. In this church is a Madonna, reported to be painted by St. Luke, and a column, on which we saw the print of a foot, which they affirm to have been that of the Angel, seen on the Castle of St. Angelo. Here the feast of our Blessed Savior's nativity being yearly celebrated with divers pageants, they began to make the preparation. Having viewed the Palace and fountain, at the other side of the stairs, we returned weary to our lodgings.

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John Evelyn's Diary 01 June 1645. 01 Jun 1645. The next morning, finding myself extremely weary and beaten with my journey, I went to one of their bagnios, where you are treated after the eastern manner, washing with hot and cold water, with oils, and being rubbed with a kind of strigil of seal-skin, put on the operator's hand like a glove. This bath did so open my pores, that it cost me one of the greatest colds I ever had in my life, for want of necessary caution in keeping myself warm for some time after; for, coming out, I immediately began to visit the famous places of the city; and travelers who come into Italy do nothing but run up and down to see sights, and this city well deserved our admiration, being the most wonderfully placed of any in the world, built on so many hundred islands, in the very sea, and at good distance from the continent. It has no fresh water except what is reserved in cistern from rain, and such as is daily brought from terra firma in boats, yet there was no want of it, and all sorts of excellent provisions were very cheap.

It is said that when the Huns overran Italy, some mean fishermen and others left the mainland, and fled for shelter to these despicable and muddy islands, which, in process of time, by industry, are grown to the greatness of one of the most considerable States, considered as a Republic, and having now subsisted longer than any of the four ancient Monarchies, flourishing in great state, wealth, and glory, by the conquest of great territories in Italy, Dacia, Greece, Candia, Rhodes, and Sclavonia, and at present challenging the empire of all the Adriatic Sea, which they yearly espouse by casting a gold ring into it with great pomp and ceremony, on Ascension-day; the desire of seeing this was one of the reasons that hastened us from Rome.

The Doge, having heard mass in his robes of state (which are very particular, after the eastern fashion), together with the Senate in their gowns, embarked in their gloriously painted, carved, and gilded Bucentora, environed and followed by innumerable galleys, gondolas, and boats, filled with spectators, some dressed in masquerade, trumpets, music, and cannons. Having rowed about a league into the Gulf, the Duke, at the prow, casts a gold ring and cup into the sea, at which a loud acclamation is echoed from the great guns of the Arsenal, and at the Liddo. We then returned.

Two days after, taking a gondola, which is their water-coach (for land ones, there are many old men in this city who never saw one, or rarely a horse), we rode up and down the channels, which answer to our streets. These vessels are built very long and narrow, having necks and tails of steel, somewhat spreading at the beak like a fish's tail, and kept so exceedingly polished as to give a great lustre; some are adorned with carving, others lined with velvet (commonly black), with curtains and tassels, and the seats like couches, to lie stretched on, while he who rows, stands upright on the very edge of the boat, and, with one oar bending forward as if he would fall into the sea, rows and turns with incredible dexterity; thus passing from channel to channel, landing his fare, or patron, at what house he pleases. The beaks of these vessels are not unlike the ancient Roman rostrums.

The first public building I went to see was the Rialto, a bridge of one arch over the grand canal, so large as to admit a galley to row under it, built of good marble, and having on it, besides many pretty shops, three ample and stately passages for people without any inconvenience, the two outmost nobly balustered with the same stone; a piece of architecture much to be admired. It was evening, and the canal where the Noblesse go to take the air, as in our Hyde Park, was full of ladies and gentlemen. There are many times dangerous stops, by reason of the multitude of gondolas ready to sink one another; and indeed they affect to lean them on one side, that one who is not accustomed to it, would be afraid of over-setting. Here they were singing, playing on harpsichords, and other music, and serenading their mistresses; in another place, racing, and other pastimes on the water, it being now exceeding hot.

Next day, I went to their Exchange, a place like ours, frequented by merchants, but nothing so magnificent; from thence, my guide led me to the Fondigo di Todeschi, which is their magazine, and here many of the merchants, especially Germans, have their lodging and diet, as in a college. The outside of this stately fabric is painted by Giorgione da Castelfranco, and Titian himself.

Hence, I passed through the Mercera, one of the most delicious streets in the world for the sweetness of it, and is all the way on both sides tapestried as it were with cloth of gold, rich damasks and other silks, which the shops expose and hang before their houses from the first floor, and with that variety that for near half the year spent chiefly in this city, I hardly remember to have seen the same piece twice exposed; to this add the perfumes, apothecaries' shops, and the innumerable cages of nightingales which they keep, that entertain you with their melody from shop to shop, so that shutting your eyes, you would imagine yourself in the country, when indeed you are in the middle of the sea. It is almost as silent as the middle of a field, there being neither rattling of coaches nor trampling of horses. This street, paved with brick, and exceedingly clean, brought us through an arch into the famous piazza of St. Mark.

Over this porch stands that admirable clock, celebrated, next to that of Strasburg, for its many movements; among which, about twelve and six, which are their hours of Ave Maria, when all the town are on their knees, come forth the three Kings led by a star, and passing by the image of Christ in his Mother's arms, do their reverence, and enter into the clock by another door. At the top of this turret, another automaton strikes the quarters. An honest merchant told me that one day walking in the piazza, he saw the fellow who kept the clock struck with this hammer so forcibly, as he was stooping his head near the bell, to mend something amiss at the instant of striking, that being stunned, he reeled over the battlements, and broke his neck. The buildings in this piazza are all arched, on pillars, paved within with black and white polished marble, even to the shops, the rest of the fabric as stately as any in Europe, being not only marble, but the architecture is of the famous Sansovini, who lies buried in St. Jacomo, at the end of the piazza. The battlements of this noble range of buildings, are railed with stone, and thick-set with excellent statues, which add a great ornament. One of the sides is yet much more Roman-like than the other which regards the sea, and where the church is placed. The other range is plainly Gothic; and so we entered into St. Mark's Church, before which stand two brass pedestals exquisitely cast and figured, which bear as many tall masts painted red, on which, upon great festivals, they hang flags and streamers. The church is also Gothic; yet for the preciousness of the materials, being of several rich marbles, abundance of porphyry, serpentine, etc., far exceeding any in Rome, St. Peter's hardly excepted. I much admired the splendid history of our blessed Savior, composed all of Mosaic over the facciata, below which and over the four chief gates are cast four horses in copper as big as the life, the same that formerly were transported from Rome by Constantine to Byzantium, and thence by the Venetians hither.33 They are supported by eight porphyry columns, of very great size and value. Being come into the church, you see nothing, and tread on nothing, but what is precious. The floor is all inlaid with agates, lazulis, chalcedons, jaspers, porphyries, and other rich marbles, admirable also for the work; the walls sumptuously incrusted, and presenting to the imagination the shapes of men, birds, houses, flowers, and a thousand varieties. The roof is of most excellent Mosaic; but what most persons admire is the new work of the emblematic tree at the other passage out of the church. In the midst of this rich volto rise five cupolas, the middle very large and sustained by thirty-six marble columns, eight of which are of precious marbles: under these cupolas is the high altar, on which is a reliquary of several sorts of jewels, engraven with figures, after the Greek manner, and set together with plates of pure gold. The altar is covered with a canopy of ophite, on which is sculptured the story of the Bible, and so on the pillars, which are of Parian marble, that support it. Behind these, are four other columns of transparent and true Oriental alabaster, brought hither out of the mines of Solomon's Temple, as they report. There are many chapels and notable monuments of illustrious persons, dukes, cardinals, etc., as Zeno, J. Soranzi, and others: there is likewise a vast baptistry, of copper. Among other venerable relics is a stone, on which they say our blessed Lord stood preaching to those of Tyre and Sidon, and near the door is an image of Christ, much adorned, esteeming it very sacred, for that a rude fellow striking it they say, there gushed out a torrent of blood. In one of the corners lies the body of St. Isidore, brought hither 500 years since from the island of Chios. A little farther, they show the picture of St. Dominic and Francis, affirmed to have been made by the Abbot Joachim (many years before any of them were born). Going out of the church, they showed us the stone where Alexander III. trod on the neck of the Emperor Frederick Barbarossa, pronouncing that verse of the psalm, "super basiliscum", etc. The doors of the church are of massy copper. There are near 500 pillars in this building, most of them porphyry and serpentine, and brought chiefly from Athens, and other parts of Greece, formerly in their power. At the corner of the church, are inserted into the main wall four figures, as big as life, cut in porphyry; which they say are the images of four brothers who poisoned one another, by which means were escheated to the Republic that vast treasury of relics now belonging to the church. At the other entrance that looks toward the sea, stands in a small chapel that statue of our Lady, made (as they affirm) of the same stone, or rock, out of which Moses brought water to the murmuring Israelites at Horeb, or Meriba.

After all that is said, this church is, in my opinion, much too dark and dismal, and of heavy work; the fabric,—as is much of Venice, both for buildings and other fashions and circumstances,—after the Greeks, their next neighbors.

The next day, by favor of the French ambassador, I had admittance with him to view the Reliquary, called here Tesoro di San Marco, which very few, even of travelers, are admitted to see. It is a large chamber full of presses. There are twelve breastplates or pieces of pure golden armor, studded with precious stones, and as many crowns dedicated to St. Mark, by so many noble Venetians, who had recovered their wives taken at sea by the Saracens; many curious vases of agates; the cap, or coronet, of the Dukes of Venice, one of which had a ruby set on it, esteemed worth 200,000 crowns; two unicorns' horns; numerous vases and dishes of agate, set thick with precious stones and vast pearls; divers heads of Saints enchased in gold; a small ampulla, or glass, with our Savior's blood; a great morsel of the real cross; one of the nails; a thorn; a fragment of the column to which our Lord was bound, when scourged; the standard or ensign, of Constantine; a piece of St. Luke's arm; a rib of St. Stephen; a finger of Mary Magdalen; numerous other things, which I could not remember. But a priest, first vesting himself in his sacerdotals, with the stole about his neck, showed us the gospel of St. Mark (their tutelar patron) written by his own hand, and whose body they show buried in the church, brought hither from Alexandria many years ago.

The Religious de li Servi have fine paintings of Paolo Veronese, especially the Magdalen.

A French gentleman and myself went to the Courts of Justice, the Senate House, and Ducal Palace. The first court near this church is almost wholly built of several colored sorts of marble, like checkerwork on the outside; this is sustained by vast pillars, not very shapely, but observable for their capitals, and that out of thirty-three no two are alike. Under this fabric is the cloister where merchants meet morning and evening, as also the grave senators and gentlemen, to confer of state affairs, in their gowns and caps, like so many philosophers; it is a very noble and solemn spectacle. In another quadrangle, stood two square columns of white marble, carved, which they said had been erected to hang one of their Dukes on, who designed to make himself Sovereign. Going through a stately arch, there were standing in niches divers statues of great value, among which is the so celebrated Eve, esteemed worth its weight in gold; it is just opposite to the stairs where are two Colossuses of Mars and Neptune, by Sansovino. We went up into a Corridor built with several Tribunals and Courts of Justice; and by a well-contrived staircase were landed in the Senate hall, which appears to be one of the most noble and spacious rooms in Europe, being seventy-six paces long, and thirty-two in breadth. At the upper end, are the Tribunals of the Doge, Council of Ten, and Assistants: in the body of the hall, are lower ranks of seats, capable of containing 1,500 Senators; for they consist of no fewer on grand debates. Over the Duke's throne are the paintings of the Final Judgment, by Tintoret, esteemed among the best pieces in Europe. On the roof are the famous Acts of the Republic, painted by several excellent masters, especially Bassano; next them, are the effigies of the several Dukes, with their Elogies. Then, we turned into a great Court painted with the Battle of Lepanto, an excellent piece; afterward, into the Chamber of the Council of Ten, painted by the most celebrated masters. From hence, by the special favor of an Illustrissimo, we were carried to see the private Armory of the Palace, and so to the same court we first entered, nobly built of polished white marble, part of which is the Duke's Court, pro tempore; there are two wells adorned with excellent work in copper. This led us to the seaside, where stand those columns of ophite stone in the entire piece, of a great height, one bearing St. Mark's Lion, the other St. Theodorus: these pillars were brought from Greece, and set up by Nicholas Baraterius, the architect; between them public executions are performed.

Having fed our eyes with the noble prospect of the Island of St. George, the galleys, gondolas, and other vessels passing to and fro, we walked under the cloister on the other side of this goodly piazza, being a most magnificent building, the design of Sansovino. Here we went into the Zecca, or mint; at the entrance, stand two prodigious giants, or Hercules, of white marble; we saw them melt, beat, and coin silver, gold, and copper. We then went up into the Procuratory, and a library of excellent MSS. and books belonging to it and the public. After this, we climbed up the tower of St. Mark, which we might have done on horseback, as it is said one of the French Kings did; there being no stairs, or steps, but returns that take up an entire square on the arches forty feet, broad enough for a coach. This steeple stands by itself, without any church near it, and is rather a watch tower in the corner of the great piazza, 230 feet in height, the foundation exceeding deep; on the top, is an angel, that turns with the wind; and from hence is a prospect down the Adriatic, as far as Istria and the Dalmatian side, with the surprising sight of this miraculous city, lying in the bosom of the sea, in the shape of a lute, the numberless islands tacked together by no fewer than 450 bridges. At the foot of this tower, is a public tribunal of excellent work, in white marble polished, adorned with several brass statues and figures of stone and mezzo-relievo, the performance of some rare artist.

It was now Ascension-week, and the great mart, or fair, of the whole year was kept, everybody at liberty and jolly; the noblemen stalking with their ladies on choppines. These are high-heeled shoes, particularly affected by these proud dames, or, as some say, invented to keep them at home, it being very difficult to walk with them; whence, one being asked how he liked the Venetian dames, replied, they were "mezzo carne, mezzo legno", half flesh, half wood, and he would have none of them. The truth is, their garb is very odd, as seeming always in masquerade; their other habits also totally different from all nations. They wear very long, crisp hair, of several streaks and colors, which they make so by a wash, disheveling it on the brims of a broad hat that has no crown, but a hole to put out their heads by; they dry them in the sun, as one may see them at their windows. In their tire, they set silk flowers and sparkling stones, their petticoats coming from their very arm-pits, so that they are near three quarters and a half apron; their sleeves are made exceedingly wide, under which their shift-sleeves as wide, and commonly tucked up to the shoulder, showing their naked arms, through false sleeves of tiffany, girt with a bracelet or two, with knots of point richly tagged about their shoulders and other places of their body, which they usually cover with a kind of yellow veil of lawn, very transparent. Thus attired, they set their hands on the heads of two matron-like servants, or old women, to support them, who are mumbling their beads. It is ridiculous to see how these ladies crawl in and out of their gondolas, by reason of their choppines; and what dwarfs they appear, when taken down from their wooden scaffolds; of these I saw near thirty together, stalking half as high again as the rest of the world. For courtesans, or the citizens, may not wear choppines, but cover their bodies and faces with a veil of a certain glittering taffeta, or lustrée, out of which they now and then dart a glance of their eye, the whole face being otherwise entirely hid with it: nor may the common misses take this habit; but go abroad barefaced. To the corner of these virgin-veils hang broad but flat tassels of curious Point de Venice. The married women go in black veils. The nobility wear the same color, but a fine cloth lined with taffeta, in summer, with fur of the bellies of squirrels, in the winter, which all put on at a certain day, girt with a girdle embossed with silver, the vest not much different from what our Bachelors of Arts wear in Oxford, and a hood of cloth, made like a sack, cast over their left shoulder, and a round cloth black cap fringed with wool, which is not so comely; they also wear their collar open, to show the diamond button of the stock of their shirt. I have never seen pearls for color and bigness comparable to what the ladies wear, most of the noble families being very rich in jewels, especially pearls, which are always left to the son, or brother who is destined to marry; which the eldest seldom do. The Doge's vest is of crimson velvet, the Procurator's, etc. of damask, very stately. Nor was I less surprised with the strange variety of the several nations seen every day in the streets and piazzas; Jews, Turks, Armenians, Persians, Moors, Greeks, Sclavonians, some with their targets and bucklers, and all in their native fashions, negotiating in this famous Emporium, which is always crowded with strangers.

This night, having with my Lord Bruce taken our places before we went to the Opera, where comedies and other plays are represented in recitative music, by the most excellent musicians, vocal and instrumental, with variety of scenes painted and contrived with no less art of perspective, and machines for flying in the air, and other wonderful notions; taken together, it is one of the most magnificent and expensive diversions the wit of man can invent. The history was, Hercules in Lydia; the scenes changed thirteen times. The famous voices, Anna Rencia, a Roman, and reputed the best treble of women; but there was an eunuch who, in my opinion, surpassed her; also a Genoese that sung an incomparable bass. This held us by the eyes and ears till two in the morning, when we went to the Chetto de san Felice, to see the noblemen and their ladies at basset, a game at cards which is much used; but they play not in public, and all that have inclination to it are in masquerade, without speaking one word, and so they come in, play, lose or gain, and go away as they please. This time of license is only in carnival and this Ascension-week; neither are their theatres open for that other magnificence, or for ordinary comedians, save on these solemnities, they being a frugal and wise people, and exact observers of all sumptuary laws.

There being at this time a ship bound for the Holy Land, I had resolved to embark, intending to see Jerusalem, and other parts of Syria, Egypt and Turkey; but after I had provided all necessaries, laid in snow to cool our drink, bought some sheep, poultry, biscuit, spirits, and a little cabinet of drugs in case of sickness, our vessel (whereof Captain Powell was master), happened to be pressed for the service of the State, to carry provisions to Candia, now newly attacked by the Turks; which altogether frustrated my design, to my great mortification.

On the ... of June, we went to Padua, to the fair of their St. Anthony, in company of divers passengers. The first terra firma we landed at was Fusina, being only an inn where we changed our barge, and were then drawn up by horses through the river Brenta, a straight channel as even as a line for twenty miles, the country on both sides deliciously adorned with country villas and gentlemen's retirements, gardens planted with oranges, figs, and other fruit, belonging to the Venetians. At one of these villas we went ashore to see a pretty contrived palace. Observable in this passage was buying their water of those who farm the sluices; for this artificial river is in some places so shallow, that reserves of water are kept with sluices, which they open and shut with a most ingenious invention, or engine, governed even by a child. Thus they keep up the water, or let it go, till the next channel be either filled by the stop, or abated to the level of the other; for which every boat pays a certain duty. Thus, we stayed near half an hour and more, at three several places, so as it was evening before we got to Padua. This is a very ancient city, if the tradition of Antenor's, being the founder, be not a fiction; but thus speaks the inscription over a stately gate: Hanc antiquissimam urbem literarum omnium asylum, cujus agrum fertilitatis Lumen Natura esse voluit, Antenor condidit, anno ante Christum natum M. Cxviii; Senatus autem Venetus his belli propugnaculis ornavit.

The town stands on the river Padus, whence its name, and is generally built like Bologna, on arches and on brick, so that one may walk all around it, dry, and in the shade; which is very convenient in these hot countries, and I think I was never sensible of so burning a heat as I was this season, especially the next day, which was that of the fair, filled with noble Venetians, by reason of a great and solemn procession to their famous cathedral. Passing by St. Lorenzo, I met with this subscription:

Inclytus Antenor patriam vox nisa quietem.

Transtulit huc Henetum Dardanidumq; fuga,.

Expulit Euganeos, Patavinam condidit urbem,.

Quem tegit hic humili marmore cæsa domus.

Under the tomb, was a cobbler at his work. Being now come to St. Antony's (the street most of the way straight, well built, and outside excellently painted in fresco), we surveyed the spacious piazza, in which is erected a noble statue of copper of a man on horseback, in memory of one Catta Malata, a renowned captain. The church, à la Greca, consists of five handsome cupolas, leaded. At the left hand within is the tomb of St. Antony and his altar, about which a mezzo-relievo of the miracles ascribed to him is exquisitely wrought in white marble by the three famous sculptors, Tullius Lombardus, Jacobus Sansovinus, and Hieronymus Compagno. A little higher is the choir, walled parapet-fashion, with sundry colored stone, half relievo, the work of Andrea Reccij. The altar within is of the same metal, which, with the candlestick and bases, is, in my opinion, as magnificent as any in Italy. The wainscot of the choir is rarely inlaid and carved. Here are the sepulchres of many famous persons, as of Rodolphus Fulgosi, etc.; and among the rest, one for an exploit at sea, has a galley exquisitely carved thereon. The procession bore the banners with all the treasure of the cloister, which was a very fine sight.

Hence, walking over the Prato delle Valle, I went to see the convent of St. Justina, than which I never beheld one more magnificent. The church is an excellent piece of architecture, of Andrea Palladio, richly paved, with a stately cupola that covers the high altar enshrining the ashes of that saint. It is of pietra-commessa, consisting of flowers very naturally done. The choir is inlaid with several sorts of wood representing the holy history, finished with exceeding industry. At the far end, is that rare painting of St. Justina's Martyrdom, by Paolo Veronese; and a stone on which they told us divers primitive Christians had been decapitated. In another place (to which leads a small cloister well painted) is a dry well, covered with a brass-work grate, wherein are the bones of divers martyrs. They show also the bones of St. Luke, in an old alabaster coffin; three of the Holy Innocents; and the bodies of St. Maximus and Prosdocimus.34 The dormitory above is exceedingly commodious and stately; but what most pleased me, was the old cloister so well painted with the legendary saints, mingled with many ancient inscriptions, and pieces of urns dug up, it seems, at the foundation of the church. Thus, having spent the day in rambles, I returned the next day to Venice.

The arsenal is thought to be one of the best furnished in the world. We entered by a strong port, always guarded, and, ascending a spacious gallery, saw arms of back, breast, and head, for many thousands; in another were saddles; over them, ensigns taken from the Turks. Another hall is for the meeting of the Senate; passing a graff, are the smiths' forges, where they are continually employed on anchors and iron work. Near it is a well of fresh water, which they impute to two rhinoceros's horns which they say lie in it, and will preserve it from ever being empoisoned. Then we came to where the carpenters were building their magazines of oars, masts, etc., for an hundred galleys and ships, which have all their apparel and furniture near them. Then the foundry, where they cast ordnance; the forge is 450 paces long, and one of them has thirteen furnaces. There is one cannon, weighing 16,573 pounds, cast while Henry the Third dined, and put into a galley built, rigged, and fitted for launching within that time. They have also arms for twelve galeasses, which are vessels to row, of almost 150 feet long, and thirty wide, not counting prow or poop, and contain twenty-eight banks of oars, each seven men, and to carry 1,300 men, with three masts. In another, a magazine for fifty galleys, and place for some hundreds more. Here stands the Bucentaur, with a most ample deck, and so contrived that the slaves are not seen, having on the poop a throne for the Doge to sit, when he goes in triumph to espouse the Adriatic. Here is also a gallery of 200 yards long for cables, and above that a magazine of hemp. Opposite these, are the saltpetre houses, and a large row of cells, or houses, to protect their galleys from the weather. Over the gate, as we go out, is a room full of great and small guns, some of which discharge six times at once. Then, there is a court full of cannon, bullets, chains, grapples, grenadoes, etc., and over that arms for 800,000 men, and by themselves arms for 400, taken from some that were in a plot against the state; together with weapons of offense and defense for sixty-two ships; thirty-two pieces of ordnance, on carriages taken from the Turks, and one prodigious mortar-piece. In a word, it is not to be reckoned up what this large place contains of this sort. There were now twenty-three galleys, and four galley-grossi, of 100 oars to a side. The whole arsenal is walled about, and may be in compass about three miles, with twelve towers for the watch, besides that the sea environs it. The workmen, who are ordinarily 500, march out in military order, and every evening receive their pay through a small hole in the gate where the governor lives.

The next day, I saw a wretch executed, who had murdered his master, for which he had his head chopped off by an ax that slid down a frame of timber, between the two tall columns in St. Mark's piazza, at the sea-brink; the executioner striking on the ax with a beetle; and so the head fell off the block.

Hence, by Gudala, we went to see Grimani's Palace, the portico whereof is excellent work. Indeed, the world cannot show a city of more stately buildings, considering the extent of it, all of square stone, and as chargeable in their foundations as superstructure, being all built on piles at an immense cost. We returned home by the church of St. Johanne and Paulo, before which is, in copper, the statue of Bartolomeo Colone, on horseback, double gilt, on a stately pedestal, the work of Andrea Verrochio, a Florentine. This is a very fine church, and has in it many rare altarpieces of the best masters, especially that on the left hand, of the Two Friars slain, which is of Titian.

The day after, being Sunday, I went over to St. George's to the ceremony of the schismatic Greeks, who are permitted to have their church, though they are at defiance with Rome. They allow no carved images, but many painted, especially the story of their patron and his dragon. Their rites differ not much from the Latins, save that of communicating in both species, and distribution of the holy bread. We afterward fell into a dispute with a Candiot, concerning the procession of the Holy Ghost. The church is a noble fabric.

The church of St. Zachary is a Greek building, by Leo IV., Emperor, and has in it the bones of that prophet, with divers other saints. Near this, we visited St. Luke's, famous for the tomb of Aretin.

Tuesday, we visited several other churches, as Santa Maria, newly incrusted with marble on the outside, and adorned with porphyry, ophite, and Spartan stone. Near the altar and under the organ, are sculptures, that are said to be of the famous artist Praxiteles. To that of St. Paul I went purposely, to see the tomb of Titian. Then to St. John the Evangelist, where among other heroes, lies Andrea Baldarius, the inventor of oars applied to great vessels for fighting.

We also saw St. Roche, the roof whereof is, with the school, or hall, of that rich confraternity, admirably painted by Tintoretto, especially the Crucifix in the sacristia. We saw also the church of St. Sebastian, and Carmelites' monastery.

Next day, taking our gondola at St. Mark's, I passed to the island of St. George Maggiore, where is a Convent of Benedictines, and a well-built church of Andrea Palladio, the great architect. The pavement, cupola, choir, and pictures, very rich and sumptuous. The cloister has a fine garden to it, which is a rare thing at Venice, though this is an island a little distant from the city; it has also an olive orchard, all environed by the sea. The new cloister now building has a noble staircase paved with white and black marble.

From hence, we visited St. Spirito, and St. Laurence, fair churches in several islands; but most remarkable is that of the Padri Olivetani, in St. Helen's island, for the rare paintings and carvings, with inlaid work, etc.

The next morning, we went again to Padua, where, on the following day, we visited the market, which is plentifully furnished, and exceedingly cheap. Here we saw the great hall, built in a spacious piazza, and one of the most magnificent in Europe; its ascent is by steps a good height, of a reddish marble polished, much used in these parts, and happily found not far off; it is almost 200 paces long, and forty in breadth, all covered with lead, without any support of columns. At the further end stands the bust, in white marble, of Titus Livius, the historian. In this town is the house wherein he was born, full of inscriptions, and pretty fair.

Near to the monument of Speron Speroni, is painted on the ceiling the celestial zodiac, and other astronomical figures; without side, there is a corridor, in manner of a balcony, of the same stone; and at the entry of each of the three gates is the head of some famous person, as Albert Eremitano, Julio Paullo (lawyers), and Peter Aponius. In the piazza is the Podesta's and Capitano Grande's Palace, well built; but above all, the Monte Pietà, the front whereof is of most excellent architecture. This is a foundation of which there is one in most of the cities in Italy, where there is a continual bank of money to assist the poorer sort, on any pawn, and at reasonable interest, together with magazines for deposit of goods, till redeemed.

Hence, to the Schools of this flourishing and ancient University, especially for the study of physic and anatomy. They are fairly built in quadrangle, with cloisters beneath, and above with columns. Over the great gate are the arms of the Venetian State, and under the lion of St. Mark.

Sic ingredere, ut teipso quotidie doctior; sic egredere ut indies Patriæ Christianæq; Republicæ utilior evadas; ita demùm Gymnasium à te felicitèr se ornatum existimabit.

About the court walls, are carved in stone and painted the blazons of the Consuls of all the nations, that from time to time have had that charge and honor in the University, which at my being there was my worthy friend Dr. Rogers, who here took that degree.

The Schools for the lectures of the several sciences are above, but none of them comparable, or so much frequented, as the theater for anatomy, which is excellently contrived both for the dissector and spectators. I was this day invited to dinner, and in the afternoon (30th July) received my matricula, being resolved to spend some months here at study, especially physic and anatomy, of both which there were now the most famous Professors in Europe. My matricula contained a clause, that I, my goods, servants, and messengers, should be free from all tolls and reprises, and that we might come, pass, return, buy, or sell, without any toll, etc.

The next morning, I saw the garden of simples, rarely furnished with plants, and gave order to the gardener to make me a collection of them for an hortus hyemalis, by permission of the Cavalier Dr. Veslingius, then Prefect and Botanic Professor as well as of Anatomy.

This morning, the Earl of Arundel (59), now in this city, a famous collector of paintings and antiquities, invited me to go with him to see the garden of Mantua, where, as one enters, stands a huge colosse of Hercules. From hence to a place where was a room covered with a noble cupola, built purposely for music; the fillings up, or cove, between the walls, were of urns and earthen pots, for the better sounding; it was also well painted. After dinner, we walked to the Palace of Foscari all' Arena, there remaining yet some appearances of an ancient theater, though serving now for a court only before the house. There were now kept in it two eagles, a crane, a Mauritanian sheep, a stag, and sundry fowls, as in a vivary.

Three days after, I returned to Venice, and passed over to Murano, famous for the best glasses in the world, where having viewed their furnaces, and seen their work, I made a collection of divers curiosities and glasses, which I sent for England by long sea. It is the white flints they have from Pavia, which they pound and sift exceedingly small, and mix with ashes made of a seaweed brought out of Syria, and a white sand, that causes this manufacture to excel. The town is a Podestaria by itself, at some miles distant on the sea from Venice, and like it, built on several small islands. In this place, are excellent oysters, small and well tasted like our Colchester, and they were the first, as I remember, that I ever could eat; for I had naturally an aversion to them.

At our return to Venice, we met several gondolas full of Venetian ladies, who come thus far in fine weather to take the air, with music and other refreshments. Besides that, Murano is itself a very nobly built town, and has divers noblemen's palaces in it, and handsome gardens.

In coming back, we saw the islands of St. Christopher and St. Michael, the last of which has a church enriched and incrusted with marbles and other architectonic ornaments, which the monks very courteously showed us. It was built and founded by Margaret Emiliana of Verona, a famous courtesan, who purchased a great estate, and by this foundation hoped to commute for her sins. We then rowed by the isles of St. Nicholas, whose church, with the monuments of the Justinian family, entertained us awhile; and then got home.

The next morning, Captain Powell, in whose ship I was to embark toward Turkey, invited me on board, lying about ten miles from Venice, where we had a dinner of English powdered beef and other good meat, with store of wine and great guns, as the manner is. After dinner, the Captain presented me with a stone he had lately brought from Grand Cairo, which he took from the mummy-pits, full of hieroglyphics; I drew it on paper with the true dimensions, and sent it in a letter to Mr. Henshaw to communicate to Father Kircher, who was then setting forth his great work "Obeliscus Pamphilius", where it is described, but without mentioning my name. The stone was afterward brought for me into England, and landed at Wapping, where, before I could hear of it, it was broken into several fragments, and utterly defaced, to my no small disappointment.

The boatswain of the ship also gave me a hand and foot of a mummy, the nails whereof had been overlaid with thin plates of gold, and the whole body was perfect, when he brought it out of Egypt; but the avarice of the ship's crew broke it to pieces, and divided the body among them. He presented me also with two Egyptian idols, and some loaves of the bread which the Coptics use in the Holy Sacrament, with other curiosities.

In 1618 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646. In 1630 Daniel Mijtens Painter 1590-1648. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646 and wearing his Garter Collar. Around 1629 Peter Paul Rubens Painter 1577-1640. Portrait of Thomas Howard 21st Earl Arundel 4th Earl Surrey 1st Earl Norfolk 1585-1646.

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John Evelyn's Diary 05 July 1646. 05 Jul 1646. We took, or rather purchased, a boat, for it could not be brought back against the stream of the Rhone. We were two days going to Lyons, passing many admirable prospects of rocks and cliffs, and near the town down a very steep declivity of water for a full mile. From Lyons, we proceeded the next morning, taking horse to Roanne, and lay that night at Feurs. At Roanne we indulged ourselves with the best that all France affords, for here the provisions are choice and plentiful, so as the supper we had might have satisfied a prince. We lay in damask beds, and were treated like emperors. The town is one of the neatest built in all France, on the brink of the Loire; and here we agreed with an old fisher to row us as far as Orléans. The first night we came as far as Nevers, early enough to see the town, the Cathedral (St. Cyre), the Jesuits' College, and the Castle, a palace of the Duke's, with the bridge to it nobly built.

The next day we passed by La Charité, a pretty town, somewhat distant from the river. Here I lost my faithful spaniel Piccioli, who had followed me from Rome. It seems he had been taken up by some of the Governor's pages, or footmen, without recovery; which was a great displeasure to me, because the cur had many useful qualities.

The next day we arrived at Orléans, taking our turns to row, of which I reckon my share came to little less than twenty leagues. Sometimes, we footed it through pleasant fields and meadows; sometimes, we shot at fowls, and other birds; nothing came amiss: sometimes, we played at cards, while others sung, or were composing verses; for we had the great poet, Mr. Waller (40), in our company, and some other ingenious persons.

At Orléans we abode but one day; the next, leaving our mad Captain behind us, I arrived at Paris, rejoiced that, after so many disasters and accidents in a tedious peregrination, I was gotten so near home, and here I resolved to rest myself before I went further.

Around 1687. John Riley Painter 1646-1691. Portrait of Edmund Waller Poet 1606-1687.

Diary of Samuel Pepys 08 January 1666. 08 Jan 1666. Up, and my wife and I by coach to Bennett's, in Paternoster Row, few shops there being yet open, and there bought velvett for a coate, and camelott for a cloake for myself; and thence to a place to look over some fine counterfeit damasks to hang my wife's closett, and pitched upon one, and so by coach home again, I calling at the 'Change, and so home to dinner and all the afternoon look after my papers at home and my office against to-morrow, and so after supper and considering the uselessness of laying out so much money upon my wife's closett, but only the chamber, to bed.

Diary of Samuel Pepys 27 October 1666. 27 Oct 1666. Up, and there comes to see me my Lord Bellasses (52), which was a great honour. He tells me great newes, yet but what I suspected, that Vernatty is fled, and so hath cheated him and twenty more, but most of all, I doubt, Mr. Povy (52).

Thence to talk about publique business; he tells me how the two Houses begin to be troublesome; the Lords to have quarrels one with another. My Lord Duke of Buckingham (38) having said to the Chancellor (57) (who is against the passing of the Bill for prohibiting the bringing over of Irish cattle), that whoever was against the Bill, was there led to it by an Irish interest, or an Irish understanding, which is as much as to say he is a Poole; this bred heat from my Chancellor (57), and something he [Buckingham] said did offend my Lord of Ossory (32) my (Lord Duke of Ormond's (56) son), and they two had hard words, upon which the latter sends a challenge to the former; of which the former complains to the House, and so the business is to be heard on Monday next. Then as to the Commons; some ugly knives, like poignards, to stab people with, about two or three hundred of them were brought in yesterday to the House, found in one of the house's rubbish that was burned, and said to be the house of a Catholique. This and several letters out of the country, saying how high the Catholiques are everywhere and bold in the owning their religion, have made the Commons mad, and they presently voted that the King (36) be desired to put all Catholiques out of employment, and other high things; while the business of money hangs in the hedge. So that upon the whole, God knows we are in a sad condition like to be, there being the very beginnings of the late troubles.

He gone, I at the office all the morning. At noon home to dinner, where Mrs. Pierce and her boy and Knipp, who sings as well, and is the best company in the world, dined with us, and infinite merry. The playhouses begin to play next week. Towards evening I took them out to the New Exchange, and there my wife bought things, and I did give each of them a pair of Jesimy1 plain gloves, and another of white. Here Knipp and I walked up and down to see handsome faces, and did see several. Then carried each of them home, and with great pleasure and content, home myself, where, having writ several letters, I home, and there, upon some serious discourse between my wife and I upon the business, I called to us my brother, and there broke to him our design to send him into the country with some part of our money, and so did seriously discourse the whole thing, and then away to supper and to bed. I pray God give a blessing to our resolution, for I do much fear we shall meet with speedy distractions for want of money.

1. Jessemin (Jasminum), the flowers of which are of a delicate sweet smell, and often used to perfume gloves. Edmund Howes, Stows continuator, informs us that sweet or perfumed gloves were first brought into England by the Earl of Oxford on his return from Italy, in the fifteenth year of Queen (27) Elizabeth, during whose reign, and long afterwards, they were very fashionable. They are frequently mentioned by Shakespeare. Autolyctis, in the "Winter's Tale", has among his Wares—"Gloves as sweet as damask roses". B.

Around 1634 Gilbert Jackson Painter 1595-1648. Portrait of John Belasyse 1st Baron Belasyse 1614-1689. Around 1669 John Michael Wright 1617-1694. Portrait of John Belasyse 1st Baron Belasyse 1614-1689. Around 1657 John Michael Wright 1617-1694. Portrait of Thomas Povey Master of Requests 1614-1705. Around 1675 Peter Lely Painter 1618-1680. Portrait of George Villiers 2nd Duke of Buckingham 1628-1687 wearing his Garter Collar. Around 1643. William Dobson Painter 1611-1646. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of Edward Hyde 1st Earl Clarendon 1609-1674. In 1715 Godfrey Kneller 1646-1723. Portrait of James Butler 1st Duke Ormonde 1610-1688. Around 1647 Peter Lely Painter 1618-1680. Portrait of James Butler 1st Duke Ormonde 1610-1688. Around 1678 Peter Lely Painter 1618-1680. Portrait of James Butler 1st Duke Ormonde 1610-1688 in his Garter Robes. Before 10 Sep 1687 Willem Wissing Painter 1656-1687. Portrait of James Butler 1st Duke Ormonde 1610-1688. Around 1642. William Dobson Painter 1611-1646. Portrait of the future King Charles II of England Scotland and Ireland 1630-1685. Before 1691. John Riley Painter 1646-1691. Portrait of King Charles II of England Scotland and Ireland 1630-1685. Around 1665 John Greenhill Painter 1644-1676. Portrait of King Charles II of England Scotland and Ireland 1630-1685 in his Garter Robes. Around 1661 John Michael Wright 1617-1694. Portrait of King Charles II of England Scotland and Ireland 1630-1685 in his coronation robes. Before 11 Jul 1671 Adriaen Hanneman Painter 1603-1671. Portrait of King Charles II of England Scotland and Ireland 1630-1685. 1675. Hendrick Danckerts Painter 1625-1680. Portrait of Royal Gardener John Rose presenting a pineappel to King Charles II Before 1687 Pieter Borsseler Painter 1634-1687. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Around 1663 Peter Lely Painter 1618-1680. Portrait of Eleanor Needham Baroness Byron 1627-1664 depicted as Saint Catherine of Alexandria in a guise probably intended to flatter Charles II's Queen, Catherine of Braganza. Accordingly she carries the martyr's palm branch and leans upon a wheel. The sitter looks to two putti in the upper left, one of whom holds a wreath of bay leaves above her head. She is wearing a copper-red dress with a richly decorated blue mantle about her arms. Around 1665 Peter Lely Painter 1618-1680. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Around 1670 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705. Before 1696 Jacob Huysmans Painter 1633-1696. Portrait of Catherine of Braganza Queen Consort England 1638-1705.

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John Evelyn's Diary 23 April 1667. 23 Apr 1667. In the morning, his Majesty (36) went to chapel with the Knights of the Garter, all in their habits and robes, ushered by the heralds; after the first service, they went in procession, the youngest first, the Sovereign last, with the Prelate of the Order and Dean, who had about his neck the book of the Statutes of the Order; and then the Chancellor of the Order (old Sir Henry de Vic (68)), who wore the purse about his neck; then the Heralds and Garter King-at-Arms, Clarencieux, Black Rod. But before the Prelate and Dean of Windsor went the gentlemen of the chapel and choristers, singing as they marched; behind them two doctors of music in damask robes; this procession was about the courts at Whitehall. Then, returning to their stalls and seats in the chapel, placed under each knight's coat-armor and titles, the second service began. Then, the King (36) offered at the altar, an anthem was sung; then, the rest of the Knights offered, and lastly proceeded to the banqueting-house to a great feast. The King (36) sat on an elevated throne at the upper end at a table alone; the Knights at a table on the right hand, reaching all the length of the room; over against them a cupboard of rich gilded plate; at the lower end, the music; on the balusters above, wind music, trumpets, and kettle-drums. the King (36) was served by the lords and pensioners who brought up the dishes. About the middle of the dinner, the Knights drank the King's (36) health, then the King (36), theirs, when the trumpets and music played and sounded, the guns going off at the Tower. At the Banquet, came in the Queen (28), and stood by the King's (36) left hand, but did not sit. Then was the banqueting-stuff flung about the room profusely. In truth, the crowd was so great, that though I stayed all the supper the day before, I now stayed no longer than this sport began, for fear of disorder. The cheer was extraordinary, each Knight having forty dishes to his mess, piled up five or six high; the room hung with the richest tapestry.

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Diary of Samuel Pepys 13 February 1668. 13 Feb 1668. Up, and to the office, where all the morning.

At noon home to dinner, and thence with my wife and Deb. to White Hall, setting, them at her tailor's, and I to the Commissioners of the Treasury, where myself alone did argue the business of the East India Company against their whole Company on behalf of the King (37) before the Lords Commissioners, and to very good effect, I think, and with reputation. That business being over, the Lords and I had other things to talk about, and among the rest, about our making more assignments on the Exchequer since they bid us hold, whereat they were extraordinary angry with us, which troubled me a little, though I am not concerned in it at all. Waiting here some time without, I did meet with several people, among others Mr. Brisband, who tells me in discourse that Tom Killigrew (56) hath a fee out of the Wardrobe for cap and bells1, under the title of the King's Foole or jester; and may with privilege revile or jeere any body, the greatest person, without offence, by the privilege of his place.

Thence took up my wife, and home, and there busy late at the office writing letters, and so home to supper and to bed. The House was called over to-day. This morning Sir G. Carteret (58) come to the Office to see and talk with me: and he assures me that to this day the King (37) is the most kind man to my Lord Sandwich (42) in the whole world; that he himself do not now mind any publick business, but suffers things to go on at Court as they will, he seeing all likely to come to ruin: that this morning the Duke of York (34) sent to him to come to make up one of a Committee of the Council for Navy Affairs; where, when he come, he told the Duke of York (34) that he was none of them: which shews how things are now-a-days ordered, that there should be a Committee for the Navy; and the Lord Admiral not know the persons of it! And that Sir G. Carteret (58) and my Lord Anglesey (53) should be left out of it, and men wholly improper put into it. I do hear of all hands that there is a great difference at this day between my Lord Arlington (50) and Sir W. Coventry (40), which I am sorry for.

1. The Lord Chamberlain's Records contain a copy of a warrant dated July 12th, 1661, "to deliver to Mr. Killegrew thirty yards of velvett, three dozen of fringe, and sixteene yards of Damaske for the year 1661". The heading of this entry is "Livery for ye jester" (Lowe's "Betterton (32)", p. 70).

Around 1635 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Killigrew Playwright 1612-1683. In 1638 Anthony Van Dyck Painter 1599-1641. Portrait of Thomas Killigrew Playwright 1612-1683 and (probably) William Crofts 1st Baron Crofts 1611-1677. Around 1650 Peter Lely Painter 1618-1680. Portrait of Edward Montagu 1st Earl Sandwich 1625-1672. Before 1694 John Michael Wright 1617-1694. Portrait of King James II when Duke of York. Around 1666 Peter Lely Painter 1618-1680. Portrait of King James II and Anne Hyde Queen Consort England 1637-1671. See Diary of Samuel Pepys 24 March 1666. Before 04 Jan 1674 Peter Lely Painter 1618-1680. Portrait of King James II wearing his Garter Robes. Around 1672 Henri Gascar Painter 1635-1701. Portrait of King James II. In 1676 John Michael Wright 1617-1694. Portrait of Arthur Annesley 1st Earl Annesley 1614-1686. Around 1676 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685 wearing his Garter Robes. Before 07 Dec 1680 Peter Lely Painter 1618-1680. Portrait of Henry Bennet 1st Earl Arlington 1618-1685. Before 23 Jun 1686 Mary Beale aka Cradock Painter 1633-1699. Portrait of William Coventry 1628-1686.

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In 1741 Enoch "The Younger" Seeman Painter 1694-1744 (47). Portrait of the Cust Family. From left to right … Francis Cockayne Cust 1722-1791 (19), William Cust 1720-1747 (21) seated wearing a blue coat, Jane Cust 1725-1791 (16), Peregrine Cust 1723-1785 (18), Savile Cockayne Cust 1681-1772 (59) seated stroking a dalmatian, Richard Cust 1726-1783 (15), John Cust 3rd Baronet Cust 1718-1770 (22)Holding a minature of his new wife Etheldreda Payne Lady Cust 1720-1775 (21), Anne Brownlow Lady Cust 1694-1779 (47) wears a black widow's hood and lace-trimmed kerchief, kept in place by a band attached to the robings of a closed blue damask gown, Lucy Cust 1732-1804 (9), Jane Cust 1725-1791 (16)Pouring tea, and, lastly, Dorothy Cust 1729-1770 (12).

Letters of Horace Walpole Earl of Orford Volume 2 Letter 63 To Horace Mann. 27 Jul 1752. Arlington_Street. To Horace Mann 1st Baronet 1706-1786 (45).

What will you say to me after a silence of two months? I should be ashamed, if I were answerable for the whole world, who will do nothing worth repeating. Newspapers have horse-races, and can invent casualties, but I can't have the confidence to stuff a letter with either. The only casualty that is of dignity enough to send you, is a great fire at Lincoln's Inn, which is likely to afford new work for the lawyers, in consequence of the number of deeds and writings it has consumed. The Duke of Kingston (63) has lost many of his: he is unlucky with fires: Thoresby, his seat, was burnt a few years ago, and in it a whole room of valuable letters and manuscripts. There has been a Very considerable loss of that kind at this fire: Mr. Yorke, the Chancellor's son, had a great collection of Lord Somers's papers, many relating to the assassination plot; and by which, I am told, it appeared that the Duke of Marlborough was deep in the schemes of St. Germain's [Meaning the court of the exiled James II].

There are great civil wars in the neighbourhood of Strawberry Hill: Princess Emily (41), who succeeded my brother (51) in the rangership of Richmond Park, has imitated her brother William's (31) unpopularity, and disobliged the whole country, by refusal of tickets and liberties, that had always been allowed. They are at law with her, and have printed in the Evening Post a strong Memorial, which she had refused to receive-.(322) The High Sheriff of Surrey, to whom she had denied a ticket, but on better thought had sent one, refused it, and said he had taken his part. Lord Brooke (32) (323) who had applied for one, was told he could not have one-and to add to the affront, it was signified. that the Princess had refused one to my Lord Chancellor—your old nobility don't understand such comparisons! But the most remarkable event happened to her about three weeks ago. One Mr. Bird, a rich gentleman near the park, was applied to by the late Queen for a piece of ground that lay convenient for a walk she was making: he replied, it was not proper for him to pretend to make a Queen a present; but if she would do what she pleased with the ground, he would be content with the acknowledgment of a key and two bucks a-year. This was religiously observed till the era of her Royal Highness's reign; the bucks were denied, and he himself once shut out, on pretence it was fence-month (the breeding-time, when tickets used to be excluded, keys never.) The Princess soon after was going through his grounds to town; she found a padlock on his gate; she ordered it to be broke open: Mr. Shaw, her deputy, begged a respite, till he could go for the key. He found Mr. Bird at home—"Lord, Sir! here is a strange mistake; the Princess is at the gate, and it is padlocked!" "Mistake! no mistake at all - I made the road: the ground is my own property: her Royal Highness has thought fit to break the agreement which her Royal Mother made with me: nobody goes through my grounds but those I choose should. Translate this to your Florentinese; try if you can make them conceive how pleasant it is to treat blood royal thus!

There are dissensions of more consequence in the same neighbourhood. The tutorhood at Kew is split into factions: the Bishop of Norwich (50) and Lord Harcourt (38) openly at war with Stone (49) and Scott, who are supported by Cresset (38), and countenanced by the Princess and Murray—so my Lord Bolinbroke (73) dead, will govern, which he never could living! It is believed that the Bishop (50) will be banished into the rich bishopric of Durham, which is just vacant-how pleasant to be punished, after teaching the boys a year, with as much as he could have got if he had taught them twenty! Will they ever expect a peaceable prelate, if untractableness is thus punished?

Your painter Astley (28) is arrived: I have missed seeing him by being constantly at Strawberry Hill, but I intend to serve him to the utmost of my power, as you will easily believe, since he has your recommendation.

Our beauties are travelling Paris-ward: Lady Caroline Petersham (30) and Lady Coventry (19) are just gone thither. It will scarce be possible for the latter to make as much noise there as she and her sister (18) have in England. It is literally true that a shoemaker in Worcester got two guineas and a half by showing a shoo that he was making for the Countess, at a penny a piece. I can't say her genius is equal to her beauty: she every day says some new sproposito [Note. blunder]. She has taken a turn of vast fondness for her lord (30): Lord Downe (25) met them at Calais, and offered her a tent-bed, for fear of bugs in the inns. "Oh!" said she, "I had rather be bit to death, than lie one night from my dear Cov.!" I can conceive my Lady Caroline (30) making a good deal of noise even at Paris; her beauty is set off by a genius for the extraordinary, and for strokes that will make a figure in any country. Mr. Churchill (38) and my sister (14) [Note. Half-sister] are just arrived from France; you know my passion for the writing of the younger Crebillon (45) (324) you shall hear how I have been mortified by the discovery of the greatest meanness in him; and you will judge how much one must be humbled to have one's favourite author convicted of mere mercenariness! I had desired Lady Mary to lay out thirty guineas for me with Liotard (49), and wished, if I could, to have the portraits of Crebillon (45) and Marivaux (64) (325) for my cabinet. Mr. Churchill wrote me word that Liotard's (326) price was sixteen guineas; that Marivaux (64) was intimate with him, and would certainly sit, and that he believed he could get Crebillon (45) to sit too. The latter, who is retired into the provinces with an English wife (40), (327) was just then at Paris for a month: Mr. Churchill went to him, told him that a gentleman in England, who was making a collection of portraits of famous people, would be happy to have his, etc. Crebillon was humble, "unworthy," obliged; and sat: the picture was just finished, when, behold! he sent Mr. Churchill word, that he expected to have a copy of the picture given him-neither more nor less than asking sixteen guineas for sitting! Mr. Churchill answered that he could not tell what he should do, were it his own case, but that this was a limited commission, and he could not possibly lay out double; and was now so near his return, that he could not have time to write to England and receive an answer. Crebillon said, then he would keep the picture himself-it was excessively like. I am still sentimental enough to flatter myself, that a man who could beg sixteen gineas will not give them, and so I may still have the picture.

I am going to trouble you with a commission, my dear Sir, that will not subject me to any such humiliations. You may have heard that I am always piddling about ornaments and improvements for Strawberry Hill-I am now doing a great deal to the house—stay, I don't want Genoa damask!(328) What I shall trouble you to buy is for the garden: there is a small recess, for which I should be glad to have an antique Roman sepulchral altar, of the kind of the pedestal to my eagle; but as it will stand out of doors, I should not desire to have it a fine one: a moderate one, I imagine, might be picked up easily at Rome at a moderate price: if you could order any body to buy such an one, I should be much obliged to you.

We have had an article in our papers that the Empress-queen (35) had desired the King of France (42) to let her have Mesdames de Craon (66) and de la Calmette, ladies of great piety and birth, to form an academy for the young Archduchesses-is there any truth in this? is the Princess to triumph thus at last over Richcourt? I should be glad. What a comical genealogy in education! The mistress and mother of twenty children to Duke Leopold, being the pious tutoress to his grand-daughters! How the old Duchess of Lorrain (75) will shiver in her coffin at the thoughts of it? Who is la Calmette? Adieu! my dear child! You see my spirit of justice: when I have not writ to you for two months, I punish you with a reparation of six pages!—had not I better write one line every fortnight?

(322) The memorial will be found in the Gentleman's Magazine for this year. In December the park was opened by the King's order.-E.

(323) Francis Greville, Earl Brooke (32).

(324) Claude Prosper Jolyot de Crebillon (45), son of the tragic poet of that name, and author of many licentious novels, which are now but little read. He was born in 1707, and died in 1777.-D. ["The taste for his writings," says the Edinburgh Reviewers, "passed away very rapidly and completely in France; and long before his death, the author of the Sopha, and Les Egaremens du Coeur et de l'Esprit, had the mortification to be utterly forgotten by the public." Vol. xxi. p. 284.]

(325) Pierre Carlet de Chamblain de Marivaux (64), the author of numerous plays and novels, some of which possess considerable merit. The peculiar affectation of his style occasioned the invention of the word marivaudage, to express the way of writing of him and his imitators. He was born in 1688, and died in 1763.-D.

(326) Walpole, in his Anecdotes of Painting, states Liotard (49) to have been an admirable miniature and enamel painter. At Rome he was taken notice of by the Earl of Sandwich, and by Lord Besborough, then Lord Duncannon. See Museum Florentinum, vol. x.; where the name of the last mentioned nobleman is spelled Milord D'un Canon.-E.

(327) She was a Miss Strafford (40). The perusal of Crebillon's (45) works inspired her with such a passion for the author, that she ran away from her friends, went to Paris, married him, and nursed and attended him with exemplary tenderness and affection to his dying day. In reference to this marriage, Lord Byron, in his Observations on Bowles's Strictures upon Pope, makes the following remark:—"For my own part, I am of the opinion of Pausanias, that success in love depends upon fortune. Grimm has an observation of the same kind, on the different destinies of the younger Crebillon and Rousseau. The former writes a licentious novel, and a young English girl of some fortune runs away, and crosses the sea to marry him; while Rousseau, the most tender and passionate of lovers, is obliged to espouse his chambermaid."-E.

(328) Lord Cholmondoley (49) borrowed great sums of money of various people, under the pretence of a quantity of Genoa damask being arrived for him, and that his banker was out of town, and he must pay for it immediately. Four persons comparing notes, produced four letters from him in a coffeehouse, in the very same words.

Before 1723 Godfrey Kneller 1646-1723. Portrait of Mary Wortley Montagu née Pierrepoint 1689-1762. Around 1718 Johnathan Before 24 May 1711 John Closterman Painter 1660-1711. Portrait of John Churchill 1st Duke Marlborough 1650-1722. Before 24 May 1711 John Closterman Painter 1660-1711. Portrait of John Churchill 1st Duke Marlborough 1650-1722 known as The Triumph of the John, 1st Duke of Marlborough. In 1702. Michael Dahl Painter 1659-1743. Portrait of John Churchill 1st Duke Marlborough 1650-1722. Before 1744 Enoch Around 1738 Louis Michael van Loo Painter 1707-1771. Portrait of Princess Amelia Hanover 1711-1786. 1728. Philippe Mercier 1689-1760. Portrait of Princess Amelia Hanover 1711-1786. Around 1730 William Aikman Painter 1682-1731. Portrait of Dorothy Savile Countess Burlington 1699-1758 and her son William Augustus Hanover 1st Duke Cumberland 1721-1765. Around 1755 William Hogarth Painter 1697-1764. Portrait of William Augustus Hanover 1st Duke Cumberland 1721-1765. Around 1735 Charles Jervas Painter 1675-1739. Portrait of Henry St John 1st Viscount Bolingbroke 1678-1751. Before 28 May 1745 Johnathan In 1718. Charles D'Agar Painter 1669-1723. Portrait of Henry St John 1st Viscount Bolingbroke 1678-1751. In 1745 Jean Etienne Liotard Painter 1702-1789. Portrait of Maria Gunning Countess Coventry 1732-1760. Around 1754 Gavin Hamilton Painter 1723-1798. Portrait of Elizabeth Gunning Duchess Hamilton and Argyll 1733-1790. Around 1774. Nathaniel Dance Holland Painter 1735-1811. Portrait of George Coventry 6th Earl Coventry 1722-1809. Before 1784. Allan Ramsay 1713-1784. Portrait of George Coventry 6th Earl Coventry 1722-1809. 1715.Jean Ranc Painter 1674-1735. Portrait of Louis XV King France 1710-1774. Around 1700.Pierre Gobert Painter 1662-1744. Portrait of Élisabeth Charlotte Bourbon Duchess Lorraine 1676-1744.

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